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Issue № 2 (770) | 2020

Memory

Krzysztof Meyer

Krzysztof Penderecki. A Few Touches to the Young Musician’s Portrait

So Far, Only Emptiness. In Memory of Alexander Wustin

About Dmitry Smirnov in the Past Tense

Round Table: Rhythm

And There was Rhythm. And It was in the Beginning

Alexey Retinsky

Rhythm as an Illusion

Notes on Rhythm

Filipp Chizhevskiy

What is Rhythm?

Kirill Umanskiy

Rhythm: From the Universe to the Composer

“In memoriam...”: Onlooking of the Author

Dmitriy Illarionov

Dmitriy Kapyrin

Rhythm is a Language Organized in a Special Way, or…?

Yaroslav Sudzilovskiy

The Birth of a Composition from Rhythm

Rhythm of the World

Leonid Grabovskiy

An Empiric Shares His Experience

Evgeniya Bril’

Rhythm as an Instrument and as a Matter

Aleksandr Knayfel’

Letter on Rhythm

Marina Nest’eva

Rhythm as Life in All Its Manifestations

Music Theory

Grigoriy Lyzhov

«Dodekachordon» by Heinrich Glareanus and «Dodecacorde» by Claude Le Jeune: An Experience of Comparison

Interview

Elena Artamonova

Martin Outram—On Naxos Quartets by Peter Maxwell Davis

Elena Fat’yanova

Sound Mystery of Eduard Artem’ev

20th Century Music

Symphony Placards by Vsevolod Zaderatskiy

Antonina Klokova

An Unrealized Staging of Weinberg’s Opera “The Passenger” in 1968: Whose Fault?

Inna M. Romashchuk

Conversations with Aleksander Kholminov

Edison Denisov

Tatyana Kyuregyan

From the Archive of Valeria Tsenova

Veronika Slovokhotova

“L'écume des jours”: From the Novel— to the Opera Libretto

Music Today

Nastasia Khrustcheva

“Kolkhoz Song About Moscow” by Leonid Desyatnikov as a Music Poster of Metamodern Era

Galina Grigor’eva

About the New Opera by Alexander Tchaikovsky: To the Interpretation of the Genre

What if You Want to Compose Electroacoustic Music?

Books

Sergey Grokhotov

“Priestess of Prometheus”

Evgeniya Khazdan

Musical Gesture: Prospects for a New Universal

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