Svetlana I. Savenko

In Memory of Tamara Levaya

Vera Val’kova

The Parting will be Lingering. In Memory of Tamara Levaya

Anna Vinogradova

P. I. Tchaikovsky. “On Mr. Rimsky-Korsakov’s ‘Serbian Fantasy’.” Before Publication in Academic Complete Works of Tchaikovsky

Alexander Komarov

“Manya! I Am Worried About You.” An Unknown Letter by P. I. Tchaikovsky

Елена Двоскина

Tchaikovsky Reads Rimsky-Korsakov. On the 140th Anniversary of the “Great Schism” of Russian Methodology

Elena Derunets

Was There a Schism?.. Peer Review of Elena Dvoskina’s Article “Tchaikovsky Reads Rimsky-Korsakov. On the 140th Anniversary of the ‘Great Schism’ of Russian Methodology”

Karina Yushkova

Features of the Musical Style of Zarzuela “Salir el Amor del Mundo” by Sebastian Duron

Fedos’ya Tabyisova

Arnold Schlick’s Organ Disposition and Its “Distinct” Stops

Anastasia Semyonova

Historical Accuracy in the Libretto of the Opera “Visions of Ivan the Terrible” by Sergei Slonimsky

Marina Rakhmanova

From the Correspondence of Yuri Boutsko with Colleagues

Alena Verin-Galitskaya

Mark Pekarsky: “Prince Volkonsky Always Made an Artistic Statement Out of a Mistake”

Vladislav Grigoriev

Gennady Belov: “A Lot of Slyness Has Appeared in our Work”

Yaroslav I. Timofeev

Efrem Podgaits: “If There Is No Listener and Performer, Why Write Music?”

Evgeniya Khazdan

Music of the Renaissance: An Unconventional Perspective

Antonina Lebedeva-Emelina

A New Look at Tchaikovsky’s “Eugene Onegin”

Galina Grigorieva

While Listening — Hear!