Anastasia Timofeeva

Georgy Sviridov on the Way to Alexander Blok

Natalia Braginskaya

Leonid Evgenyevich Gakkel: Ars Moriendi

Stephan Naumovich

An Active Love of Music. In Memory of A. I. Klimovitsky

Arkady Klimovitsky

Remembrance and Gratitude. Mikhail Pavlovich Azanchevsky: Riddles of Personality, Fate, and Subsequent Oblivion

Sof’ya Devutskaya

Luciano Berio’s Sequenza VIII and Its Intellectual Worlds

Oleg Klishin

Alexander Demchenko—on the Locus of Alfred Schnittke

Natella Kazaryan

The Deep Meaning of the Symphonies by Mikhail Nosyrev

Nicolas Slonimsky

Non-acceptance of the Unfamiliar. Prelude to a “Lexicon of Musical Invective”

Maria Kuznetsova

Wystan Hugh Auden: Opera Addict

Alexander Komarov

Autographs of the Score and the Piano Transcription of P. I. Tchaikovsky’s Ballet “The Nutcracker” as Documents on the Work’s History

Irina Gerasimova

From the History of the East Slavic Choral Baroque of the Third Quarter of the 17th century: Vespers and Liturgy Cycles by Jan Kalenda

Larisa Belogurova

Rhythmic Features of Wedding Songs on the Left Bank of the Upper Oka River and Their South Russian Correspondences

Marina Nest’eva

New “Shards”: On Irretrievable Losses and Some Vivid Experiences

Dariya Zhurkova

Marginalised by Music: The Image of the Jazz Musician in Late Soviet Cinema