Leonid Gakkel

Piano Performance Today. An Experience of Perception and Judgement (Publication and Commentary by L. I. Sundukova)

Leonid Gakkel

Soviet Pianism. Memories and Remembrancе (Publication and Commentary by L. I. Sundukova)

Yuliya Monastyrshina, Natal’ya Govar

The Glenn Gould’s Phenomenon in the Aspect of the Philosophy of Deconstruction

Svetlana Petukhova

Prokofiev and His Memoir Prose: The Experience of Posing a Problem

Nailya Nasibulina

The Wolves are Full, the Ducks are Safe: Conventionality of Conflict in Sergei Prokofiev’s “Peter and the Wolf”

Ekaterina Okuneva

From “Dancer in the Dark” by Lars von Trier to “Selma Jezková” by Poul Ruders: The Opera Adaptation of the Film

Andrey Filonovich

Prayer in the Rhythm of a Bolero: Genre Allusions in Verdi’s Operas

Anna Bulychyova, Alexandrina Aleksandra

“The Case of Rebuilding the Stone Storeroom” and the Biography of 18th Century Composer Andrey Gavrilov

Mikhail Morozov, Angelina Samoylova

“Monologue of Joan of Arc” by Iosif Genishta: Unknown Russian Concert Air

Natal’ya Zeyfas

The Chiarosсuro Dramaturgy

Dmitry Murav’yov

The Celebration of the Centenary of N. A. Rimsky-Korsakov’s Birth in 1944 as a Tool for Representing the Composer’s Image in the USSR

Anastasia Nemtsova

“Gedichte von Eduard Mörike”: The Poetics of Hugo Wolf’s Songs

Evgeniya Khazdan

Search for a New Coordinate System in Russian-Language Musicology of the 21st Century

Georgiy Kovalevskiy

Alexander Knaifel: “The Path by Touch Is the Only True One”

Юлия Антипова

Russian Chanson as a Phenomenon of Archaeomodernism