Nastasia Khrustcheva

Leonid Desyatnikov’s “From 19th Century” and We As Children of Aronzon

Yaroslav I. Timofeev

Leonid Desyatnikov: “I Added a Romantic Minor—and Failed”

Артем Ляхович

“Mechanical” as a Metaplot in Prokofiev’s Music

Nataliya Savkina

Sergei Prokofiev. Relatives

Татьяна Баранова-Монигетти

Stravinsky’s Music Library in the Context of His Biography and Work (Based on Archival Materials from Paul Sacher Foundation)

In Memory of Valeriya Bazarnova

Семён Скигин

“Tell me, Zhenechka”

Семён Шмельков

“...Against the Background of the Russian Landscape” by Roman Ledenev: Features of the Compositional Structure

Елена Благодарская

“Three Anecdotes for Radio”: The Fate of Paul Hindemithʼs Forgotten Opus

Ирина Никольская

Witold Lutosławski: Between Classic and Avant-garde

Илья Овчинников, Наталья Сурнина

Matthias Pintscher: “It’s Time to Move Image of Boulez at the Stand a Bit Aside”

Вера Жеслин

Digital Interactivity: A New Impetus for Musical Composition?

Mikhail Imkhanitskii

Is There a Need for a Fundamentally New Classification of Musical Instruments?

Igor Macievski

Peer Review of Mikhail Imkhanitskii’s Article “Is There a Need for a Fundamentally New Classification of Musical Instruments?”

Evgenia Chigareva

On the Musicality of Fiction (the Case of Nikolay Leskov’s Story “Islanders”)

Larisa Gerver

Peer Review of Evgenia Chigareva’s Article “On the Musicality of Fiction (the Case of Nikolay Leskov’s Story ‘Islanders’)”

Анна Порфирьева

Logos & Passion: Completion of the Operatic Tetralogy

Лев Чистяков

Rudolf Barshai Moscow Chamber Orchestra in 1967–1977

Dmitriy Kapyrin

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