Tatiana Baranova-Monighetti

Igor Stravinsky: In Memoriam

Yaroslav I. Timofeev

“Come, I’m Already Heating Up the Banya.” In Memory of Pyotr Pospelov

Natalia Braginskaya

Lyudmila G. Kovnatskaya on the Routes of the International Musicological Society (IMS)

Alexei Leporc

We Speak—Britten, We Hear—Mila

Lidia Ader

“How Are You?” In Memory of Lyudmila Kovnatskaya

Герман Данузер

Postmodernism—Style, Aesthetics, Epoch? A Look Back at the Last Modernism

Nataliya Savkina

Correspondence of B. V. Asafyev and S. S. Prokofiev in the Collection of Columbia University

Svetlana Petukhova

Peer Review of Nataliya Savkina’s Article “Correspondence of B. V. Asafyev and S. S. Prokofiev in the Collection of Columbia University”

Киралина Южак

The First All-Tonal Cycles of Preludes and Fugues in the 20th Century: To the History of Creation and Opening-Up

Galina Kopytova

Shostakovich’s Music for the Play “Salut, Spain!”: Finds and Search Prospects

Mikhail Mishchenko

Adagio “In a Moonlight,” or The Sonata Transmogrified

Larisa Kirillina

Peer Review of the Mikhail Mishchenko’s Article “Adagio ‘In a Moonlight,’ or The Sonata Transmogrified”

Vyacheslav V. Medushevsky

Performance Theory of Music

Иосиф Райскин

A concert (not) for every­one. On works by Anton Tanonov

Evgeniya Krivitskaya

Searching for a Unified Style