Larisa Gerver

The Idea and Its Graphical Demonstration: Metrotectonic Schemes of Bach’s Fugues in the Archive of Georgi Conus

Grigoriy Lyzhov

Peer Review and Coda for Larisa Gerver’s Article “The Idea and Its Graphical Demonstration: Metrotectonic Schemes of Bach’s Fugues in the Archive of Georgi Conus”

Lyudmila Sundukova

Color, Talea, Isorhythm in Music Theory: From the Medieval to the Modern Age

Sergey Nikiforov

The Autobiography of Georg Philipp Telemann from 1718, Translated and Commented

Mickaël Savchenko

Charles Ferdinand Ramuz. “The Soldier’s Tale”

Natalia Braginskaya

“Soldier Marched Along the Road...” On Publication of “The Soldier’s Tale” Translated into Russian by Mickaēl Savchenko

Stefan Weiss

Exalted and Subjugated: The Soviet Music Audience

Johannes Kreidler

“Minusbolero”

Elena Wehrmeyer

The Need for the Avant-garde

Maksim Artemyev

Alexander Scriabin as a Literary Character of Gabriele D’Annunzio

Anton Ivanov

“Flat or Sharp.” Typographical Errors in the Editions of Nikolai Roslavets’ Piano Sonatas and the Problem of Notation of New Music in the Early 20th Century

Anastasia Pyzhyanova

Zeitoper vs Künstleroper: The Conflict Between the Artist and Society in Ernst Krenek’s “Jonny Spielt Auf”

Semyon Skigin

Gabriele Jebran Yakoub: “In Cremona, I Had to Not Only Comprehend the Legacy of the Past, but Also Fight It”

Aleksey Munipov

The Last Romantic (For the 80th Birthday of Alexander Rabinovich-­Barakovsky)

Svetlana I. Savenko

“The Whole World is a Foreign Land for Us…”