Tatiana I. Naumenko

The First Anniversary

Julia Khait

The Journal “Sovetskaya Muzyka” and the Antiformalist Campaign of 1948

Lyubov Kupets

Boris Asafyev As a Cultural Hero (Based on the Materials of the “Soviet Music” / “Music Academy” Journal)

Grigoriy Lyzhov

Competition-Compass

Sergey Lebedev

Guido of Arezzo. Prologue to an Antiphoner

Stephan Naumovich

Questions of the Analyst to the Musical Text

Anatoly Zucker

Song Genre Genotype

Natalia Braginskaya

Igor Stravinsky in 1942: A Case of the “Four Norwegian Moods”

Michael Brailovsky

On Religious Symbolism in Debussy’s Prelude “La cathédrale engloutie”

Vladimir Ivanov-Rakievskiy

As a Result of the Process: A Change in Morphology and Syntax in the Work of Tristan Murail

Dmitriy Taranov

Methodics for Multi-Microphone Choir Recording and Processing

Larisa Gerver

Continuing on the Introduction to Daniil Kharms’ Musical Cases: Ideas and Realizations

Irina Kryazheva

The Image of Spain in Sergei Diaghilev’s “Russian Seasons”

Svetlana Naborshchikova

Peer Review of Irina Kryazheva’s Article “The Image of Spain in Sergei Diaghilev’s ‘Russian Seasons’”

Aleksey Munipov

The Knot will Untie. Once Again About the Mysteries of André Volkonsky

Valentina Kholopova

A Breakthrough Work

Boris Borodin

The Source of Honest Power: Notes About the Book Dedicated to Mstislav Anatolyevich Smirnov

Evgenia Skurko

“Unforgotten Motifs” of Nikolai Medtner Life and Works