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Issue № 4 (792) | 2025

Round Table: Teaching Harmony

Evgeny Trembovelsky

Ars Harmoniae: Theory and Practice

Владислав Девуцкий

The Art of Harmony Task’s Solution

Anton Safronov

Approaching Harmony from a Composer’s Perspective

Grigoriy Lyzhov

Strategies of Harmonic Analysis. Examples and Notes

Opera

Yuriy Vasil’ev

On the History of the Concept of the Opera “Eugene Onegin” (P. I. Tchaikovsky and E. A. Lavrovskaya)

El’vira Akhmet’yanova

The Mystery of Absence: Maeterlinck—Debussy—Wilson

Jazz

Viktor Belyaev

Jazz and Its Current Distribution (Publication and Commentary by A. S. Maksimova)

Antonina Maksimova

Victor Belyaev at the Origins of Jazz Studies in the USSR (Based on Materials from the Collection of the Russian National Museum of Music)

Interview

Vladislav Grigoriev

Vadim Bibergan: “The Existence of a ‘Man of the World’ in Our Time Is Impossible”

20th Century Music

Olga Krasnogorova

From Interpretation to Text: Boulez’s Third Piano Sonata as a Work in Progress

Essays

Bogdan Korolyok

Texts for Beggar’s Philharmonia

Olga Skorbyashchenskaya

The Musical Life of Weimar and St. Petersburg Through the Eyes of Maria Kalergis-Mukhanova and Marfa Sabinina

Tatiana Baranova-Monighetti

Against the Tide. New Trends in Moscow Concert Life in the 1960s–1980s

Overview

Marina Nest’eva

“Shards,” Revived

Books

Ihor Macijewski

News in Modern Science About Folk Musical Instruments

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Quarterly scientific and critical journal

Before 1992—“Soviet Music” (“Sovetskaya muzyka”)

Subscription index: 70840
ISSN 0869-4516
eISSN 2686-9284
Mass Media Registration Certificate No. 01264 of 06/19/1992
Certificate of Registration of Electronic Media EL No. FS 77-75937 of 05/30/2019

125009, Moscow, per. Brusov, d. 8/10, kor. 2.
007 495 232 52 11, ma@mus.academy

© Music Academy, 2019—2023

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