Issue № 2 (786) | 2024

Rauf Farhadov

Either a Vector or Vectors?

Leonid Grabovskiy

Chase Them out the Door and They Climb into the Window, or Perspectives of Tonality and Melody

Sergey Biryukov

A Sip of Melody

Anna Gosteva

The Music Space of Today and Tomorrow

Yuri Vorontsov

Possible Directions for the Development of Music

Olga Bochikhina

Vectors of Development of the Contemporary Composer Creativity

Yuri Kasparov

On the Vector of Composer’s Music Development

Mikhail Dubov

What’s Life Like for New Music?

Anton Safronov

Are There Vector and Movement in Musical Creation?

Marina Nest’eva

An Attempt to be Optimistic

Zhanna Savitskaya

Historical Views of Sethus Calvisius in “Exercitatio musica seconda”

Mikhail Saponov

Peer Review of Zh. V. Savitskaya’s Article “Historical views of Sethus Calvisius in ‘Exercitatio musica seconda’ ”

Marina Girfanova

One More Isorhythmic Motet in “Roman de Fauvel”?

Gleb Kon’kin

The Message from the Mainland: On William Byrd’s and Philippe de Monte’s Motets

Nikita Dubov

Reason, Naturalness, and the War of Insects. On Michael Haydn’s and Florian Reichssigel’s Singspiel “Die Wahrheit der Natur”

Harry Lehmann

Reflective Music

Svetlana I. Savenko

Svetlana Savenko—Alexander Knaifel. The Beginning of a Two-Day Conversation

Vladislav Grigoriev

Anatoly Korolyov: “Nobody Understands Nothing, and It’s All a Game”

Юрий Холопов, Tatyana Kyuregyan

Social Progress and Music. Publication, foreword, and comments by Tatyana S. Kyuregyan

Nataliya Schliefstein

Notes on the Fantasia Genre in Schubert’s Works

Igor Macievski

On the Formation of St. Petersburg Ethnochoreology School

Хибла Герзмава

The International Hibla Gerzmava Opera Singers and Accompanists Competition as a Phenomenon of Contemporary Musical Culture

Lev Eselev

George Harliono: “The Surest Way to Performing Pleasure is to Sleep Before a Recital”

Tat’yana Zaytseva

Valentina Serova and Her Opera “Uriel Acosta.” Review of Evgeniya Skurko’s and Angelina Shchevelyova’s Book

Alla Grigorieva

Hommage to the Editor-in-Chief—Man and Musician. In Memory of Yury Korev

Semen Skigin

Galina Kareva, or the Story of One Prohibition