Issue № 2 | 2022 (778)

Krzysztof Meyer

The Influence of the Cold War on the New Music

Joevan de Mattos Caitano

Russian Music in Darmstadt (Based on Archival Materials)

Irina Nikol’skaya

Polish Symphonism of the Second Half of the 20th Century: Henryk Mikołaj Górecki. Krzysztof Penderecki

Yvetta Kajanová

Half a Century of Slovak Music: Ilja Zeljenka

Galina Uvarova

Plastic Parameter in Modern Musical Composition: On the Issue of Kinesthetic Perception of Music

Bogdan Korolek

The Quart Leap: The Invention of Soviet Ballet and Glière’s “The Red Poppy”

Svetlana Naborshchikova

Peer Review of Bogdan Korolyok’s Article “The Quart Leap: The Invention of Soviet Ballet and Glière’s ‘The Red Poppy’”

Eleonora Vybyvanets

“Boris Godunov” in the Kuban and “Sokolniki on the Dnieper”

Elina Andrianova

Nadezhda Teterina: “Findings in Source Studies are Pouring Out As If from a Cornucopia”

Yuriy Vasil’ev

P. I. Tchaikovsky and Romance “Mezza Notte” (Problems of Dating and Authorship)

Evgeniya Khazdan

Dmitri Shostakovich and Moisey Beregovski

Elena Dolinskaya

Sergei Slonimsky: Strokes to the Portrait of the Sixtier

Akihisa Yamamoto

Music Enlightenment of the Proletkult: Ideological Programs and Daily Practices

Alexander Kaprin

Pedagogical Recommendations of Eliso Virsaladze on the Work on the Sonata-Fantasy “After Reading Dante” and the Piano Sonata in B Minor by Franz Liszt