Issue № 3 (791) | 2025

Svetlana I. Savenko

On Edison Denisov’s “Blue Notebook”

Alena Verin-Galitskaya

Veniamin Smekhov: “Everyone was Laughing, but Denisov Listened Grimly”

Vsevolod Zaderatsky

Musical Globalization: A New Dimension of the East–West Dichotomy

Эльвира Панаиотиди

“A Superfluous Concession to False Aesthetics?” On the Problem of “Hanslick’s Deleted Ending”

Mikhail Kornev

The Technique of Musical Icosahedra

Yury Kholopov

Harmony and the Dance Genre (Publication, Foreword and Comments by T. S. Kyuregyan)

Yury Kholopov

Musical Forms in Jazz (Publication, Foreword, and Comments by Tatyana S. Kyuregyan)

Sergei A. Uvarov

“Celestial Baby Camels” by Mikhail Matyushin: Tender Shards of Russian Avant-Garde

Elena Biteryakova, Igor Klimov

Materials of the Early Tula Expeditions of Moscow Conservatory in the Funds of Kliment Kvitka Folk Music Research Centre

Kristina Agaronyan

James Tenney: Spectralism “Across the Atlantic”

Marianna Vysotskaya

Dalbavie vs Gesualdo: On the Method of Reintegration in “Palimpseste”

Sufiya G.

Works by Foreign Composers in the Collection “Music Gifts for the Russian Emperors”

Григорий Ганзбург

About the Archive of Yuri Ahronovitch in Zurich