References

1. Bakhtin, M. Tvorchestvo Fransua Rable i narodnaya kul’tura srednevekov’ya i Renessansa [Creativity Francois Rabelais and Folk Culture Middle Ages and the Renaissance], Moscow : Khudozhestvennaya literatura, 1990. (In Russ.)
2. Vasil’ev, V. “The story of one production.” Muzy­kal’naya akademiya [Music Academy], no. 3, 2004, pp. 62–70. (In Russ.)
3. Vian, B. Pena dney [L’écume des jours]. Translated by L. Lungina, St. Petersburg : Kristall, 2000. (In Russ.)
4. Grigor’eva, G. “Denisov’s operas: to the problem of ‘composer libretto’.” Opera v muzykal’nom teatre: istoriya i sovremennost’. Materialy Mezhdunarodnoy nauchnoy konferentsii, 11–15 noyabrya 2019 [Opera in Musical Theater: History and Present Time. Proceedings of the International Academic Conference, November 11–15, 2019], edited by I. Susidko, vol. 2, Moscow : RAM im. Gnesinykh, 2019, pp. 47–53. (In Russ.)
5. Grinshteyn, A. “Carnival and masquerade: two types of culture.” “Na granitsakh.” Zarubezhnaya literatura ot Srednevekov’ya do sovremennosti [“At the Borders.” Foreign Literature from the Middle Ages to the Present], edited by L. Andreev, Moscow : Ekon, 2000, pp. 22–43. (In Russ.)
6. Denisova, E. “E. Denisov’s opera ‘L’écume des jours’: poetics of the plot, genre, style.” Inter­pretatsiya muzykal’nogo proizvedeniya v kon­tekste kul’tury: Sbornik trudov [Interpretation of a Mu­sical Work in the Context of Culture: Proceedings], Moscow : RAM im. Gnesinykh, 1994, pp. 134–154. (In Russ.)
7. Korobkov, S. “Your honor, madam luck.” Sovetskaya kul’tura [Soviet Culture], 19 December, 1989, p. 5. (In Russ.)
8. Melik-Pashaeva, K. “Living and nascent traditions.” Sovetskaya muzyka [Soviet Music], no. 5, 1990, pp. 65–68. (In Russ.)
9. Minasyan, S. The forms of grotesque in prose by Boris Vian. Cand. Sci. (Philology) Dissertation, Moscow : Gorky Institute of World Literature of the Russian Academy of Sciences, 2013. (In Russ.)
10. “Contrary to the harmony of the world: ‘L’écume des jours.’ 23.08.2017.” Radiostantsiya “Orfey” [Radio Station “Orpheus”], http://www.muzcentrum.ru/radio-old/programsarchive/bal/23757-naperekor-garmonii-mira-pena-dnej-2 (accessed 20 February 2020). (In Russ.)
11. Neizvestnyy Denisov: Iz Zapisnykh knizhek (1980/81–1986, 1995) [Unknown Denisov: from Notebooks (1980/81–1986, 1995)], edited by V. Tsenova, Mos­cow : Kompozitor, 1997. (In Russ.)
12. Novikova, P. “Quasi-carnival motifs in B. Vian’s novels.” Smekh v literature: semantika, aksiologiya, polifunktsional’nost’ : Mezhvuz. sb. nauch. st. [Laughter in Literature: Semantics, Axiology, Multifunctionality : Interuniversity Proceedings], Samara : SamGU, 2004, pp. 65–76. (In Russ.)
13. Raku, M. “From that shore...” Muzykal’naya aka­de­miya [Music Academy], no. 7, 1994, pp. 77–82. (In Russ.)
14. Sokolova, M. “The transforming power of beauty.” Muzyka Edisona Denisova : Nauch. trudy Mos­kov­skoy gos. konservatorii [Music by Edison Denisov : Proceedings of Tchaikovsky Moscow State Conser­vatory], vol. 11, Мoscow : Iskusstvo, 1995, pp. 5–22. (In Russ.)
15. Solov’ev, V. “Beauty in nature.” Filosofiya iskusstva i literaturnaya kritika [Philosophy of Art and Lite­rary Criticism], Мoscow : Iskusstvo, 1991, pp. 30–73. (In Russ.)
16. Chemberdzhi, V. O Rikhtere ego slovami [About Richter by His Words], Мoscow : Agraf, 2004. (In Russ.)
17. Shul’gin, D. Priznanie Edisona Denisova [Recognition of Edison Denisov], Moscow : Kompozitor, 1998. (In Russ.)
18. Burkhardt, O. P. “Es jazzt und flirrt. Edison Denisovs Oper ‘Der Schaum der Tage‘ in Stuttgart.” Neckar Chronik, 3 Dezember, 2012, https://neckar-chronik.de/Nachrichten/Edison-Denisovs-Oper-Der-Schaum-der-Tage-in-Stuttgart-139618.html (accessed 20 February 2020).
19. Doucelin, J. “Boris Vian a l’Opéra.” Le Figaro, le 11 Mars, 1986, p. 38.
20. Glayman, C. “Création mondiale de L’écume des jours.” Opéra international, no. 92, 1986, p. 49.
21. Hagedorn, V. “Sartre und die Hausmaus.” Die Zeit, 6 Dezember, 2012, https://zeit.de/2012/50/Oper-Edison-Denisov-Schaum-der-Tage (accessed 20 February 2020).
22. Landry, M. Song of the Swamp, figures, personnages et espace dans L’Écume des jours de Boris Vian. Thèse présentée pour satisfaire aux exigences de la maîtrise ès arts (étude littéraires), Université de Moncton, 2017.
23. Lonchampt, J. “Au temps de ‘Jean-Sol Partre’.” Le Monde, le 19 Mars, 1986, p. 18.
24. Pierre-Petit. “Dans le grisaille.” Le Figaro, le Mars 17, 1986, p. 38.
25. Pitt, C. “Denisov Premiere.” Opera, no. 6, 1986, p. 684–686.
26. Vian, B. L’Écume des jours. Paris: Pauvert, 1963.
27. Vian, B. Textes et chansons. Paris: Julliard, 1966.