Evgeniya V. Khazdan

Candidate of Art Criticism, ethnomusicologist. After gra­duating from St. Petersburg Conserva­tory, where she studied composition under Vladislav Uspen­sky, she undertook her postgra­duate course at the Russian Institute of Art His­tory under the academic supervision of Igor Macijewski. In 2008, defended her Disserta­tion “Nigun as a Pheno­menon of Traditional Jewish Music Culture” at Tchai­kovsky Moscow State Conservatory. Prior to March 2014, she worked at the Organology Department of the Russian Institute of Art His­tory. From 2014 to 2019, E. Khazdan was an independent researcher. Currently, she is under­going a study course at the Music Theory Depart­ment of the State Institute for Art Studies under the academic supervision of Levon Hako­bian. E. Khazdan is a member of the Union of Com­posers of Russia, a music critic, the author of more than 150 scho­larly articles. Her academic interests include the music tradition of Eastern European Jews, parti­cularly synagogue cantillation, paraliturgical chants (Chsidishe nigunim), Yiddish songs, instrumental (klezmer) music of Ashkenazi Jews. She is the author of the chapter devoted to Jewish traditional music in the volu­me “Jews” (2018, series “Peoples and cultures”). A number of her articles is dedicated to the works of composers— mem­bers of the Society for Jewish Folk Music in Petersburg/Pertograd, to the history of study of Jewish musical folklore in the USSR, and Jewish themes in the music of Russian and Soviet composers. In 2014, she has published a book “Something Could Be Said, Something Would Be Kept Silent” on the work of the St. Peters­burg composer Sofia Levkovskaya. Since 2017, Evge­niya is a participant of the project “Concep­tualization of Music in Abrahamic Traditions: History, Theory, Practice.” E. Khazdan has edited various music editions and collections of acade­mic articles on ethnic music including the book “From the World of Oral Tradition: Collected Reflections” by Izaly Zemtsovsky (2006). In 2008–2012, she was engaged in pub­lishing the journal “Vremennik Zubovskogo Instituta” and until December 2018, she was involved with publication of the journal “Opera Musicologica” of St. Petersburg Conservatory. She is also the compiler and the editor of the collection of works by Valentin Vinogradov “Places of Worship of Russian North: The Topics of Shrines” (2019).

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