References

1. Belyaev, D. A., Kondratyuk, I. M., Nelyubova, I. V., Trubitsin, A. G. “Cultural studies as an alternative grammar of discourse about culture: neo-Marxist receptions and socio-political practice.” Kul’tura i tsivilizatsiya [Culture and Сivilization], no. 10 (1 А), 2020, pp, 73–80, doi:10.34670/AR.2020.47.1.009. (In Russ.)
2. Bacon, R. “Opus Tertium: Excerpts.” trans. by A. V. Apol­lonov, Antologiya srednevekovoy mysli (teologiya i filosofiya yevropeyskogo Srednevekov’ya) [Anthology of Medieval Thought (Theology and Philosophy of the European Middle Ages)], vol. 2, St. Petersburg : Russkiy khristianskiy gumanitarnyy institut, 2002, pp. 81–121. (In Russ.)
3. Bacon, F. “On principles and origins.” Bacon F. Sochi­neniya [F. Bacon. Works] : in 2 vols, vol. 2, Moscow : Mysl’, 1978, pp. 301–348. (In Russ.)
4. Gruber, R. I. Vseobshchaya istoriya muzyki [General History of Music], vol. 1, Moscow : Gosudarstvennoe muzykal’noe izdatel’stvo, 1960. (In Russ.)
5. Dubravskaya, T. N. Istoriya Polifonii. Vyp. 2 B: Muzy­ka epokhi Vozrozhdenia XVI vek [History of Poly­pho­ny. Issue 2 B: Music of the Renaissance: 16th century], Moscow : Muzyka, 1996. (In Russ.)
6. Evdokimova, Yu. K. Istoriya Polifonii. Vyp. 1: Mnogo­golosiye Srednevekov’ya. X–XIV veka [History of Polyphony. Issue 1: Polyphony of the Middle Ages. 10th–14th centuries], Moscow : Muzyka, 1983. (In Russ.)
7. Evdokimova, Yu. K. Istoriya Polifonii. Vyp. 2 A: Mu­zyka epokhi Vozrozhdeniya: XV vek [History of Poly­phony. Issue 2 A: Music of the Renaissance: 15th cen­tury], Moscow : Muzyka, 1989. (In Russ.)
8. Evdokimova, Yu. K., Simakova, N. A. Muzyka epokhi Vozrozhdeniya. Cantus prius factus i rabota s nim [Music of the Renaissance. Cantus Prius Factus and Work with It], Moscow : Muzyka, 1982. (In Russ.)
9. Lütteken, L. Muzyka Renessansa: odna kul’turnaya prak­tika v mechtakh i real’nosti [Music of the Renais­sance: Imagination and Reality of a Cultural Practice], trans. by G. Potapova, St. Petersburg : Aca­demic Studies Press ; Bibliorossika, 2023. (In Russ.)
10. Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], vol. 3, no. 2, 2012. (In Russ.)
11. Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], vol. 3, no. 4, 2012. (In Russ.)
12. Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], vol. 4, no. 1, 2013. (In Russ.)
13. Russkaya kniga o Palestrine. K 400-letiyu so dnya smer­ti [Russian Book on Palestrina. Towards the 400th An­­ni­versary of His Death], ed. by T. N. Dub­rav­skaya, 2002, Moscow : Moscow Conservatory. (In Russ.)
14. Solovov, D. N. “The notion of virtuality in the medieval philosophy.” Vestnik Rossiskogo universiteta druzhby narodov. Seriya: filosofiya [RUDN Journal of Philosofy], no. 4, 2010, pp. 72–76. (In Russ.)
15. Teoriya polifonii i metodika ee prepodavaniya. Vyp. 1: Obshchiye printsipy i normy polifonii strogogo pis’ma. Sbornik statey [Theory of Polyphony and Methods of Its Teaching. Issue 1: General Principles and Norms of Strict Counterpoint. Collected Articles], ed. by A. P. Milka, I. M. Prikhod’ko, K. I. Yuzhak, St. Petersburg : Izd-vo Politekhnicheskogo univer­siteta, 2011. (In Russ.)
16. Teoriya polifonii i metodika yeye prepodavaniya. Vyp. 2: Imitatsionnoye pis’mo. Malyye imitatsionnyye formy. Sbornik statey [Theory of Polyphony and Methods of Its Teaching. Issue 2: Contrapuntal Writing. Minor Contrapuntal Forms. Collected Articles], ed. by K. I. Yuzhak, St. Petersburg : SPbGK im. N. A. Rim­skogo-Korsakova ; FriLansPark, 2021. (In Russ.)
17. Haynes, B. Konets starinnoy muzyki: istoriya muzyki, napisannaya ispolnitelem-autentistom dlya XXI veka [The End of Early Music: A Period Performer’s History of Music for the 21st Century], Moscow : Ad Marginem Press, 2024. (In Russ.)
18. Kholopov, Yu. N. Garmoniya: Teoreticheskiy kurs [Harmony: Theoretical Course], St. Petersburg : Lan’, 2003. (In Russ.)
19. Cultural studies. UC Davis Graduate Studies, https://grad.ucdavis.edu/programs/gclt (accessed 25 October 2024).
20. Оpera musicologica, vol. 12, no. 5, 2020. (In Russ.)