Svetlana I. Savenko
In Memory of Tamara Levaya
Vera Val’kova
The Parting will be Lingering. In Memory of Tamara Levaya
Anna Vinogradova
P. I. Tchaikovsky. “On Mr. Rimsky-Korsakov’s ‘Serbian Fantasy’.” Before Publication in Academic Complete Works of Tchaikovsky
Alexander Komarov
“Manya! I Am Worried About You.” An Unknown Letter by P. I. Tchaikovsky
Елена Двоскина
Tchaikovsky Reads Rimsky-Korsakov. On the 140th Anniversary of the “Great Schism” of Russian Methodology
Elena Derunets
Was There a Schism?.. Peer Review of Elena Dvoskina’s Article “Tchaikovsky Reads Rimsky-Korsakov. On the 140th Anniversary of the ‘Great Schism’ of Russian Methodology”
Karina Yushkova
Features of the Musical Style of Zarzuela “Salir el Amor del Mundo” by Sebastian Duron
Fedos’ya Tabyisova
Arnold Schlick’s Organ Disposition and Its “Distinct” Stops
Anastasia Semyonova
Historical Accuracy in the Libretto of the Opera “Visions of Ivan the Terrible” by Sergei Slonimsky
Marina Rakhmanova
From the Correspondence of Yuri Boutsko with Colleagues
Alena Verin-Galitskaya
Mark Pekarsky: “Prince Volkonsky Always Made an Artistic Statement Out of a Mistake”
Vladislav Grigoriev
Gennady Belov: “A Lot of Slyness Has Appeared in our Work”
Yaroslav I. Timofeev
Efrem Podgaits: “If There Is No Listener and Performer, Why Write Music?”
Evgeniya Khazdan
Music of the Renaissance: An Unconventional Perspective
Antonina Lebedeva-Emelina
A New Look at Tchaikovsky’s “Eugene Onegin”
Galina Grigorieva
While Listening — Hear!
