«Dodekachordon» by Heinrich Glareanus and «Dodecacorde» by Claude Le Jeune: An Experience of Comparison
This article is written in Russian. You can read it
here.
References
- Gerver, L. L Inganno i drugie sekrety polifonicheskoy tekhniki vtoroy poloviny XVI– nachala XVII veka [Inganno and Other Secrets of Polyphonic Technique of the Second Half of the 16 th—early 17 th Century], Мoscow : Rossiyskaya akademiya muzyki im. Gnesinykh, 2018. (In Russ.)
- Kleyner, B. A. "Dodekachordon” by H. Glarean. The study of the twelve-mode theory based on the sources. Cand. Sci. (Art Criticism) Dissertation, Moscow : Moscow State Conservatory, 1994. (In Russ.)
- Kon, Yu. G. Assessment by an official opponent on B. A. Kleiner’s dissertation “ ‘Dodekaсhordon’ by H. Glarean <...>.” Manuscript. Archive of the Moscow Conservatory. Post-Graduate case record of B. A. Kleiner, 1994, p. 7. (In Russ.)
- Kyuregyan, T. S. “Music in ancient poetry meters.” Sator tenet opera rotas. Yuriy Nikolaevich Kholopov i ego nauchnaya shkola [Sator Tenet Opera Rotas. Yuriy Nikolaevich Kholopov and His Scientific School], Moscow : Moscow State Conservatory, 2003, pp. 18–28. (In Russ.)
- Lebedev, S. N. “Paradoxes of archaization in the musical culture and iconography of the Renaissance.” Innovatsionnoe prostranstvo muzykal’noy nauki i praktiki [Innovative Space of Musical Science and Practice], ed. by V. N. Kholopova, M. S. Starcheus, Moscow : Al’teks, 2019, pp. 182–201. (In Russ.)
- Nasonov, R. A. “Musurgia Universalis” by Athanasius Kircher. Cand. Sci. (Art Criticism) Dissertation, Moscow : Moscow State Conservatory, 1995. (In Russ.)
- Lyzhov, G. I. Theoretical problems of motet composition (based on “Magnum Opus Musicum” by Orlando di Lasso). Cand. Sci. (Art Criticism) Dissertation, Moscow : Moscow State Conservatory, 2003. (In Russ.)
- Panaiotidi, E. G. “Damon.” Novaya filosofskaya entsiklopediya [The New Philosophical Encyclopedia], Vol. 1, Мoscow : Mysl’, 2010, pp. 581–582. (In Russ.)
- Tinktoris, I. “A book on the nature and properties of modes.” R. L. Pospelova. Traktaty o muzyke Ioanna Tinktorisa [Musical Treatises by Johannes Tinctoris], Moscow : Nauchno-izdatel’skiy tsentr “Moskovskaya konservatoriya,” 2009, pp. 159–218. (In Russ.)
- Kholopov, Yu. N. “Practical instructions for the mode definition in ancient music.” Yu. N. Kholopov. O printsipakh kompozitsii starinnoy muzyki : Stat’i i [On the Principles of Composition of Ancient Music: Articles and Materials], ed.-comp. T. S. Kureghyan, Moscow : Nauchno-izdatel’skiy tsentr “Moskovskaya konservatoriya,” 2015, pp. 219–259. (In Russ.)
- [Glareanus, H. L.] Glareani Dodekachordon, Basileae, 1547.
- Heider, A. “Preface.” C. Le Jeune. Dodecacorde: Comprising Twelve Psalms of David Set to Music According to the Twelve Modes, ed. by Anne H. Heider, vol. 2, Madison : A-R Editions, 1995. P. VII–XII.
- His, I. “Das ‘Dodecacorde’ von Claude Le Jeune (1598) im Kontext der französischen Rezeption der Traktate von Glarean und Zarlino.” Heinrich Glarean oder: Die Rettung der Musik aus dem Geist der Antike? Hrsg. von N. Schwindt, Kassel ; Basel u. a. : Bärenreiter, 2006. S. 260–261.
- Freedman, R. “Le Jeune’s ‘Dodecacorde’ as a Site for Spiritual Meanings”. Revue de Musicologie, t. 89, no. 2 (2003), pp. 297–309.
- Meier, B. Alte Tonarten: Dargestellt an der Instrumentalmusik des 16. und 17. Jahrhunderts, Kassel : Bärenreiter, 1992.
- Meier, B. Die Tonarten der klassischen Vokalpolyphonie, Utrecht : Oosthoek, Scheltema & Holkema, 1974.
- Pidoux, P. Le Psautier Huguenot du 16. siècle. 1, Les melodies, Bale : Baerenreiter, 1962.
- Zarlino, G. On the Modes: Part Four of Le istitutioni harmoniche, 1558, ed. by Claude V. Palisca, trans. Vered Cohen, New Haven : Yale University Press, 1983.