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Issue № 4 (784) | 2023

Round Table: Film Music

Yaroslav I. Timofeev

Naum Kleiman: “Film Music Should be a Voice, not an Accompaniment”

Yury Kungurov

The Silence of Waiting, the Silence of Living: Why the Dardenne Brothers’ Refusal to Use Music Made Their Films More Musical

Elena Petrushanskaya

On the Meanings of Musical Elements in the Soundtracks of Soviet Comedy Films

Julia Mikheeva

Konstantin Shmyrev: “A Film Without Music is Like a Film Without Soul”

Sergei A. Uvarov

Imaginary Sounds from a Bottomless Bag. On the Problem of Implementation of а Film’s Musical Concept

Julia Szolonic-Iskussnikova

From Music to Cinema by a Train: On the City Symphony in Cinema

Julia Mikheeva

Timbre-Factor of Film Music

Yana Gorelik

Pavel Karmanov: “Enlightenment Should Come Immediately and Never Finish”

Interview

Rauf Farhadov

Faradzh Karaev: “Almost All of Us Remain Soviet Composers, with Our Poverty and Fronde”

Polina Markina

Andrey Golovin: “I Love to Live in Infinity”

20th Century Music

Vera Val’kova

Sergei Rachmaninoff and Ballet: Search for New Meanings of Dance

Tatyana Kyuregyan

Superproject of Soviet Musicology. To the 50th Anniversary of Non-Publication

Music Theory

Aleksandr Maklygin

The Pentatonic: At the Origins of Russian Terminological Reception

Music Today

Nastasia Khrustcheva

An Attempt at Transgression: “An Index of Metals” by Fausto Romitelli as a Metamodernist Opera

Sofia Ermasova

String Quartets Nos. 1–5 by Jörg Widmann: Metaquartet Experience

Marianna Vysotskaya

The Territory of New Music: 30 Years Later (To the Anniversary of the Scholarly and Art Center for Contemporary Music Studies of Moscow Conservatory)

Overview

Marina Nest’eva

Shatters and Splinters. Recent Musical Theatre Impressions

Evgeniya Khazdan

“From Jewish Folk Poetry” by Dmitri Shostakovich — in Yiddish

Memoirs

Krzysztof Meyer

This is Aram Ilyich Khachaturian Speaking!

How to Buy
Ресурс 30
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