References

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3. Vuillermoz, E. “Music of images.” Iz istorii frantsuz­skoy kinomysli: Nemoe kino, 1911–1933 [From the History of French Film Thought: Silent Cinema, 1911–1933], ed. by S. Yutkevich, comp. by M. B. Jampol’skij, Moscow : Iskusstvo, 1988, 168–177 p. (In Russ.)
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6. Shklovskiy, V. B. “Problems of film stylistics.” Poe­tika kino. Teoreticheskie raboty 1920-h gg [The Cinema Poetics. Theoretical works of 1920s], ed. by. B. M. Eykhenbaum; foreword by K. I. Shutko, comm. by S. D. Gurevicha, Moscow : A’ma Mater, Aka­demi­cheskiy prospekt, 2016, pp. 14–55. (In Russ.)
7. Arfini, M. T. “Abstract Film as Viewable Music: Early Experiments of Hans Richter, Walther Rutt­mann and Oskar Fischinger.” Music in Art, no. 1–2, vol. 38, Images of Music-Making and Cul­tural Exchange between the East and the West, Spring-Fall 2013, pp. 213–222.
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9. Floros, C. Gustav Mahler and the Symphony of the 19th Century, trans. by N. K. Moran, Frankfurt am Main : Peter Lang GmbH, Internationaler Verlag der Wissenschaften. 2014.
10. Hielscher, E. “Von Barsy and von Maydell’s De Stad die nooit rust: A Port City Symphony.” The City Symphony Phenomenon: Cinema, Art, and Urban Mo­­dernity between the Wars, ed. by S. Jacobs, A. Ki­nik, E. Hielscher, New York : Routledge, 2019, pp. 137–146.
11. Mennel, B. Cities and Cinema, New York : Routledge, 2008.
12. Taberham, P. Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist, New York : Berg­hahn Books, 2018, doi:10.3167/9781785336416.
13. The City Symphony Phenomenon: Cinema, Art, and Urban Modernity between the Wars, ed. by S. Jacobs, A. Kinik, E. Hielscher, New York : Routledge, 2019, doi:10.4324/9781315619989.
14. The Oxford Dictionary of Film Studies, ed. by A. Kuhn and G. Westwell, Oxford : Oxford University Press, 2020, doi:0.1093/acref/9780198832096.001.0001.
15. Turvey, M. “Kaufman and Kopalin’s Moscow.” The City Symphony Phenomenon: Cinema, Art, and Urban Modernity between the Wars, ed. by S. Jacobs, A. Ki­nik, E. Hielscher, New York : Routledge, 2019, pp. 76–85.