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Issue № 3 | 2022 (779)

In Memory of Richard Taruskin

Lyudmila Kovnatskaya

Richard Taruskin and Us

Olga Manulkina

Taruskin and Us

Svetlana I. Savenko

In Memory of Professor Taruskin

Marina Frolova-Walker

Richard Taruskin: Instead of Obituary

Olga Manulkina

Richard Taruskin: “My Best Efforts were When I Would Get the Worst Reception”

Early Music

Anna Savenkova

Fleury Easter Play: Liturgical Theater or Theatrical Liturgy?

Alesya Tekucheva

“The Bach Bow”: An Ingenious Discovery or a Beautiful Legend?

19th Century Music

Dorothea Redepenning

Music and Poetry in Dialogue: Pauline Viardot and Ivan Turgenev

20th Century Music

Yuliya Veksler

Between Expressionism and Dadaism. Erwin Schulhoff in Dialogue with the Second Viennese School

Music Today

Rauf Farhadov

Yuri Vorontsov: Ritual Motivations and “Formalisms”

Daniil Popov

Adaptive Music in Video Games

Musical Instruments and Performing Practice

Mikhail Fuksman

Musical Instruments:Their Theoretical Models and Supposed Classification

Vladislav Devutskiy

The Craftsmanship of Articulation and the Art of Phrasing

Victor Sradzhev

Functional Features of the Chanting in Vocal Classes

Ballet

Yaroslav I. Timofeev

Nastasia Khrustcheva: “The Dark Triumph is Still a Triumph for Me”

Nataliya Surnina

«…As Workdays are Earing». Soviet Kolkhoz in Ballet

Opinions

Boris Yoffe

Death and Evil

Books

Aleksey Munipov

What Does the Composer Take Away? Composing Strategies and the World of Russian Emigration

Vladimir Chinaev

“I am Always Searching for Novelty―and I Always Find it…” About the Book of Unknown Letters by Maria Yudina

In memoriam

Svetlana Petukhova

“…There is Something to Sing, Standing in Front of the Almighty.” In Memory of Marina Rachmanova

Semen Skigin

People’s Artist of the Soviet Union, Hero of Socialist Labor, Laureate of the Lenin and State Prizes Maria Bieşu, or Manyasha

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