Interview
Nastasia Khrustcheva: “The Dark Triumph is Still a Triumph for Me”
Interview
Nastasia Khrustcheva: “The Dark Triumph is Still a Triumph for Me”
This article is written in Russian. You can read it here.
DOI
10.34690/261
Author
Yaroslav I. Timofeev
ORCID
0000-0002-9085-5058
Abstract
In November 2021, the Perm Ballet and Opera Theater presented the premiere of “The Guide to Ballet” with music by Nastasia Khrustcheva after a libretto by Bogdan Korolyok. In a conversation with the composer Yaroslav Timofeev found out how “The Guide to Ballet” was created and why it’s called so, what place in the music of the ballet is occupied by Tchaikovsky and the “Sleeping Beauty,” which models the authors used during the creation of the ballet, and which roles the beauty, Leonid Aronzon and metamodern played in the idea of the show.
Keywords
ballet,
minimalism,
P. I. Tchaikovsky,
N. A. Khrustcheva,
L. L. Aronzon,
“Sleeping Beauty”,
“The Guide to Ballet”,
metamodern,
intercontextuality,
neoclassicism
For citation
Timofeev, Ya. “Nastasia Khrustcheva: ‘The dark triumph is still a triumph for me’.” Muzykal’naya akademiya [Music Academy], no. 3, 2022, pp. 186–195, doi:10.34690/261. (In Russ.)
Published
23.07.2022
Approved
17.08.2022
Submitted
26.09.2022
© Тимофеев Я. И., 2022
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