References

1. Andreev, M. L. Srednevekovaya evropeyskaya dra­ma: proiskhozhdenie i stanovlenie (X–XIII vv.) [Medieval European Drama: Origin and Establishing (from 10th to 13th Century)], Moscow : Iskusstvo, 1989. (In Russ.)
2. Nasonov, R. A. “Liturgical Drama.” Pravoslavnaya entsiklopediya [Orthodox Encyclopedia], http://pravenc.ru/text/2110590.html (accessed 17 De­cem­ber 2021). (In Russ.)
3. Pushkina, Yu. V. “Treatise by Guido d’Arezzo ‘Micro­logus’ in the context of the musical culture of the High Middle Ages.” Candidate (Art Criti­cism) Dissertation, Moscow : Tchaikovsky Moscow State Con­ser­vatory, 2009. (In Russ.)
4. Savenkova, A. A. “Easter trope Quem queritis in the lead-up to the liturgical drama.” Muzykal’naya aka­demiya [Music Academy], no. 3, 2021, pp. 74–89, doi:10.34690/179. (In Russ.)
5. Savenkova, A. A. “Easter play Visitatio Sepulchri (‘Visit to the Tomb’) as a genre of the Medieval spiritual theatre: stages and transformations.” Spe­cialist degree (Musicology) Thesis, St. Petersburg : Rimsky-Korsakov St. Petersburg State Conservatory, 2021. (In Russ.)
6. Florenskiy, P. A. “Reverse perspective.” P. A. Flo­ren­skiy. Sochineniya v 4 tomakh [P. A. Florenskiy. Works in 4 Volumes], vol. 3 (1), ed. by hegumen Andronik (A. S. Trubachev), Moscow : Mysl’, 2000, pp. 46–98. (In Russ.)
7. Hiley, D. “‘Cantare, psallite, exultate, jubilate’: tro­pes and sequences.” Istoricheskiy atlas sredneve­kovoy muzyki [Historical Atlas of Medieval Music], ed. by V. Minazzi, C. Ruini, introduction and afterword by F. А. Gallo, Russian translation and edition by S. N. Lebedev, Moscow : Art Volkhonka, 2016, pp. 116–119. (In Russ.)
8. Berger, B. D. Le drame liturgique de Pâques du Xe au XIIIe siècle: liturgie et théâtre, Paris : Beauchesne, 1976.
9. Bevington, D. “The staging of twelfth-century liturgical drama in the ‘Fleury Playbook’.” Com­pa­rative Drama, vol. 18, no. 2, 1984, pp. 97–117, doi:10.1353/cdr.1984.0011.
10. Bevington, D. Medieval drama, Boston : Houghton Mifflin, 1975.
11. Brockett, C. W. “Modal and Motivic Coherence in the Music of the Fleury Play Book.” Comparative Drama, vol. 16, no. 4, 1982, pp. 345–371, doi:10.1353/cdr.1982.0044.
12. Chambers, E. K. The Medieval Stage, in 2 vols., Lon­don : Oxford University Press, Amen House, 1923.
13. Collins, F. Jr. “The Home of the Fleury ‘Playbook’.” Comparative Drama, vol. 14, no. 4, 1980–1981, pp. 312–320, doi:10.1353/cdr.1980.0043.
14. Collins, F. Jr. The Production of Medieval Church Music-Drama, Charlottesville : University Press of Vir­ginia, 1972.
15. Coussemaker, E. de. Drames liturgiques du Moyen-Âge (Texte et musique), Rennes : Imprimerie de H. Va­tan, 1860.
16. Flanigan, C. C. “Liturgical drama and dramatic liturgy: a study of the Quem queritis Easter dia­logue and its cultic context.” PhD, School of Arts and Sciences of Washington University, 1973.
17. Flanigan, C. C. “The Fleury ‘Playbook’ and the Traditions of Medieval Latin Drama.” Comparative Drama, vol. 18, no. 4, 1984–1985, pp. 348–372, doi:10.1353/cdr.1984.0037.
18. Hardison, O. B. Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama, Baltimore : Johns Hopkins Press, 1965.
19. Harper, J. The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century: A Historical Introduction and Guide for Students and Musicians, Oxford : Clarendon Press ; New York : Oxford Uni­ver­sity Press, 1991.
20. Kobialka, M. A. “Regularis Concordia and Theatre and Drama of the Early Middle Ages.” PhD, The City University of New York, 1987.
21. Lange, C. Die lateinischen Osterfeiern: Untersuchungen über den Ursprung und die Entwickelung der liturgisch-dramatischen Auferstehungsfeier: mit Zugrun­delegung eines umfangreichen, neuaufgefun­denen Quellenmaterials, Munich : E. Stahl, 1887.
22. McGee, T. J. “The Role of the ‘Quem Quaeritis’ Dia­logue in the History of Western Drama.” Re­naissance Drama, New Series, vol. 7 : Drama and the Other Arts, 1976, pp. 177–191.
23. Moore, M. D. “The Visitatio Sepulchri of the Medieval Church: a historical, geografical, and liturgical survey.” Extended Abstract of PhD, Eastman School of Music of the The University of Rochester, 1971.
24. Norton, M. L. “Of ‘Stages’ and ‘Types’ in ‘Visita­tione Sepulchri’.” Comparative Drama, vol. 21, no. 1, 1987, pp. 34–61; no. 2, 1987, pp. 127–144.
25. Norton, M. L. “The Type II Visitatio Sepulchri: A Repertorial Study.” PhD, The Ohio State Univer­sity, 1983.
26. Norton, M. L. Liturgical drama and the reimagining of medieval theatre, Kalamazoo, Michigan : Medieval Institute Publications, 2017, doi:10.2307/j.ctvvncn4.
27. Norton, M. L. “Sermo in Cantilena: Structure as Sym­bol in Imago Sancti Nicolai.” Comparative Drama, vol. 27, no. 1, 1993, pp. 83–99.
28. Ogden, D. H. “The Use of Architectural Space in Medieval Music-Drama.” Comparative Drama, vol. 8, nо. 1, 1974, pp. 63–76, doi:10.1353/cdr.1974.0003.
29. Smoldon, W. L. “The Easter Sepulchre Music-Dra­ma.” Music & Letters, vol. 27, no. 1, 1946, pp. 1–17.
30. Smoldon, W. L. The Music of the Medieval Church Dramas, ed. by C. Bourgeault, London : Oxford Uni­versity Press, 1980.
31. Smoldon, W. L. “Liturgical drama.” New Oxford History of Music, vol. 2 : Early Medieval Music up to 1300, ed. by A. Hughes, London ; New York ; Toronto : Oxford University Press, 1954, pp. 175–219.
32. Stevens, J., Rastall. R. “Fleury Playbook.” Grove Music Online, ed. by S. Sadie and J. Tyrrell, 2001, doi:10.1093/gmo/9781561592630.article.09825.
33. Stevens, J., Rastall, R., Klauser, D., Sage, J. “Medieval drama.” Grove Music Online, ed. by S. Sadie and J. Tyrrell, 2001, doi:10.1093/gmo/9781561592630.article.41996.
34. Young, K. The Drama of the Medieval Church : in 2 vols., vol. 1, Oxford : Clarendon Press, 1933.
35. Young, K. “The Origin of the Easter Play.” Publi­cations of the Modern Language Association of America, vol. 29, no. 1, 1914, pp. 1–58.