How to Buy
Close
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034

Issue № 4 (772) | 2020

Round Table: Polystylistics

Elizaveta Miroshnikova

Alexei Lyubimov: “My Programs are Attempts to Compose Supermusic”

Nastasia Khrustcheva

Internet as a New Square

Alexander Khubeev

Is Composer a Director?

Leonid Desyatnikov

To Me, I Like It When a Worthless Dauber is Botching up a Rafael’s Madonna

Elizaveta Miroshnikova

Andres Mustonen: “An Avangardist is a Flair and Constantly Fresh Intuition”

Rauf Farhadov

Not Occam’s Razor, or Multiply Entities, Ladies and Gentlemen

Nailya Alparova

Waves of Evolution of Vladimir Nikolaev

Ivan Sokolov

About Style

Oleg Paiberdin

Without the Main

Aleksandr Boldachev

Ethical Considerations in Crossdisciplinary Projects

Polina Fradkina

Confrontation or Integration?

Marina Nest’eva

The New in the Relationship of Different Stylistic Layers

Early Music

Anna Pastushkova

Opera-Based Instrumental Parodies in Antonio Vivaldi’s Concertos

Interview

Yuri Karpov, Aleksandra Nagornova

Rubin Abdullin: “Technologies that Allow Us to Watch Carnegie Hall Streams Sitting on the Coach are Provocation”

Guzel Yarullina

Mikhail Kondratyev: “The Spirit of Self-preservation is Strong in the Cultures of Volga-Ural Region Nations”

Russian Music

Irina Stepanova

Dargomyzhsky’s Esthetics: Traditional Approach with Non-traditional Conclusions

Evgenia Skurko, Angelina Shcheveleva

Implementation of the Jewish Musical Tradition in the Opera “Uriel Akosta” by Valentina Serova

Angela Khachayants

Interpretation of Medieval Repentance Poetry in the Choir Cycle by Alfred Schnittke “Stikhi Pokayannye”

Music Today

Yuliya Bederova

“Another Space” Festival 2020: Promises at Dawn

Evgeniya Krivitskaya

Choral Works by Rodion Shchedrin. 21st Century

Archives

Elena Shabshaevich

Vasily Sapelnikov vs Imperial Russian Musical Society (1903): New Materials

Sergey Anikienko

Honorary Members of the Ekaterinodar Branch of the Imperial Russian Musical Society: On the History of the Issue

Yana Ferran

The Amount of the Composer’s Fee in Russian Publishing Contracts of the 1870s–1900s

Books

Tatiana Belova

Self-portrait in Intertext

How to Buy
Ресурс 30
Advanced search
Close
Simple search