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Issue № 4 | 2020 (772)

Round Table: Polystylistics

Elizaveta Miroshnikova

Alexei Lyubimov: “My Programs are Attempts to Compose Supermusic”

Nastasia Khrustcheva

Internet as a New Square

Alexander Khubeev

Is Composer a Director?

Leonid Desyatnikov

To Me, I Like It When a Worthless Dauber is Botching up a Rafael’s Madonna

Elizaveta Miroshnikova

Andres Mustonen: “An Avangardist is a Flair and Constantly Fresh Intuition”

Rauf Farhadov

Not Occam’s Razor, or Multiply Entities, Ladies and Gentlemen

Nailya Alparova

Waves of Evolution of Vladimir Nikolaev

Ivan Sokolov

About Style

Oleg Paiberdin

Without the Main

Aleksandr Boldachev

Ethical Considerations in Crossdisciplinary Projects

Polina Fradkina

Confrontation or Integration?

Marina Nest’eva

The New in the Relationship of Different Stylistic Layers

Early Music

Anna Pastushkova

Opera-Based Instrumental Parodies in Antonio Vivaldi’s Concertos

Interview

Yuri Karpov, Aleksandra Nagornova

Rubin Abdullin: “Technologies that Allow Us to Watch Carnegie Hall Streams Sitting on the Coach are Provocation”

Guzel Yarullina

Mikhail Kondratyev: “The Spirit of Self-preservation is Strong in the Cultures of Volga-Ural Region Nations”

Russian Music

Irina Stepanova

Dargomyzhsky’s Esthetics: Traditional Approach with Non-traditional Conclusions

Evgenia Skurko, Angelina Shcheveleva

Implementation of the Jewish Musical Tradition in the Opera “Uriel Akosta” by Valentina Serova

Angela Khachayants

Interpretation of Medieval Repentance Poetry in the Choir Cycle by Alfred Schnittke “Stikhi Pokayannye”

Music Today

Yuliya Bederova

“Another Space” Festival 2020: Promises at Dawn

Evgeniya Krivitskaya

Choral Works by Rodion Shchedrin. 21st Century

Archives

Elena Shabshaevich

Vasily Sapelnikov vs Imperial Russian Musical Society (1903): New Materials

Sergey Anikienko

Honorary Members of the Ekaterinodar Branch of the Imperial Russian Musical Society: On the History of the Issue

Yana Ferran

The Amount of the Composer’s Fee in Russian Publishing Contracts of the 1870s–1900s

Books

Tatiana Belova

Self-portrait in Intertext

How to Buy
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