References

1. Venyavskiy, I. “Letter to editors.” Sovremennaya le­topis’ [The Modern Chronicle], no. 6, 5 February 1867. (In Russ.)
2. “Statement of the professors of the Conservatory at the Russian Musical Society in Moscow.” Sovre­mennaya letopis’ [The Modern Chronicle], no. 8, 19 February 1867. (In Russ.)
3. Lipaev, I. “Moscow letters.” Russkaya muzykal’naya gazeta [Russian Musical Newspaper], no. 50, 31 De­cember 1903, p. 1323. (In Russ.)
4. N. K. “Theater and music.” Moskovskie vedomosti [Moscow Gazette], no. 351, 23 December 1903, p. 5. (In Russ.)
5. “Opera and concerts.” Russkaya muzykal’naya gazeta. [Russian Musical Newspaper], no. 44, 2 November 1903, p. 1059. (In Russ.)
6. Sapel’nikov, V. “Letter to the editors’ office.” Novoe vremya [New Time], October 26 1903, p. 5. (In Russ.)
7. Safonov, V. I. Izbrannoe. Davayte perepisyvat’sya c ame­rikanskoy bystrotoy: perepiska 1880–1905 [Se­lected Works. “Let’s Correspond at an American speed”: Correspondence 1880–1905], compiled by E. D. Krivitskaya, L. L. Tumarinson, St. Petersburg : Petroglif, 2011. (Russian propylaea). (In Russ.)
8. Ferran, Y. A. Formation of the Social Status of the Composer in Pre-Revolutionary Russia, Cand. Sci. (Art Criticism) Dissertation, Moscow : State Institute for Art Studies, 2020.
9. Shabshaevich, E. M. “Directorate of the Moscow branch of the Imperial Russian musical society engages Pablo Casals (1910–1911).” Muzyka. Iskusstvo, nauka i praktika [Music. Art, Science, and Practice], no. 1 (25), 2019, pp. 31–39. (In Russ.)
10. Shabshaevich, E. M. Muzykal’naya zhizn’ Moskvy 19 ve­ka i ee otrazhenie v fortepiannoy kontsertnoy prak­tike [Musical Life of Moscow in the 19th Century and Its Reflection in Piano Concert Practice], Moscow : Kom­pozitor, 2011. (In Russ.)