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Issue № 1 (793) | 2026

Pianism

Leonid Gakkel

Piano Performance Today. An Experience of Perception and Judgement (Publication and Commentary by L. I. Sundukova)

Leonid Gakkel

Soviet Pianism. Memories and Remembrancе (Publication and Commentary by L. I. Sundukova)

Yuliya Monastyrshina, Natal’ya Govar

The Glenn Gould’s Phenomenon in the Aspect of the Philosophy of Deconstruction

Prokofiev

Svetlana Petukhova

Prokofiev and His Memoir Prose: The Experience of Posing a Problem

Nailya Nasibulina

The Wolves are Full, the Ducks are Safe: Conventionality of Conflict in Sergei Prokofiev’s “Peter and the Wolf”

Opera

Ekaterina Okuneva

From “Dancer in the Dark” by Lars von Trier to “Selma Jezková” by Poul Ruders: The Opera Adaptation of the Film

Andrey Filonovich

Prayer in the Rhythm of a Bolero: Genre Allusions in Verdi’s Operas

Archives

Anna Bulychyova, Alexandrina Aleksandra

“The Case of Rebuilding the Stone Storeroom” and the Biography of 18th Century Composer Andrey Gavrilov

Mikhail Morozov, Angelina Samoylova

“Monologue of Joan of Arc” by Iosif Genishta: Unknown Russian Concert Air

19th Century Music

Natal’ya Zeyfas

The Chiarosсuro Dramaturgy

Dmitry Murav’yov

The Celebration of the Centenary of N. A. Rimsky-Korsakov’s Birth in 1944 as a Tool for Representing the Composer’s Image in the USSR

Anastasia Nemtsova

“Gedichte von Eduard Mörike”: The Poetics of Hugo Wolf’s Songs

Science of Science

Evgeniya Khazdan

Search for a New Coordinate System in Russian-Language Musicology of the 21st Century

Interview

Georgiy Kovalevskiy

Alexander Knaifel: “The Path by Touch Is the Only True One”

Music Today

Юлия Антипова

Russian Chanson as a Phenomenon of Archaeomodernism

How to Buy
Ресурс 30
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