References

1. Bakhtin, M. M. Estetika slovesnogo tvorchestva [Aesthetics of Verbal Art] / comp. by S. G. Bocharov, notes by S. S. Averintsev, S. G. Bocharov, Mos­cow : Iskusstvo, 1979. (In Russ.)
2. Beckett, S. “Concentrism,” S. Beckett. Oskolki. Esse, retsenzii, kriticheskie stat’i [S. Beckett. Shards. Essays, Reviews, Critical Articles] / ed., comp., trans. by M. A. Dadayan, Moscow : Tekst, 2009, pp. 86–95. (In Russ.)
3. Mann, T. Doktor Faustus [Doctor Faustus], T. Mann. Sobranie sochineniy [T. Mann. Collected Works], in 10 vols., vol. 5, ed. by N. N. Vilmont and B. L. Suchkov, trans. by S. Apt and N. Man, Mos­cow : Khudozhestvennaya literatura, 1960. (In Russ.)
4. Martienssen, C. A. Individual’naya fortepiannaya tekhnika na osnove zvukotvorcheskoy voli [Individual Piano Technique Based on Sound-Creative Will], trans. by V. L. Mikhelis, ed., notes and introd. by G. M. Kogan, Moscow : Muzyka, 1966. (In Russ.)
5. Yavorsky, B. L. “Notes on the creative thinking of Russian composers from Glinka to Scriabin. Gene­ral definitions,” B. Yavorsky. Izbrannye trudy [Selected Works], in 2 vols., vol. 2, part 1, Moscow : Sovetskiy kompozitor, 1987, pp. 41–102. (In Russ.)