References

1. Al’shvang, A. A. “Opera genres of ‘Carmen’,” Sovet­skaya Muzyka [Soviet Music], no. 12, 1938, pp. 27–41. (In Russ.)
2. Blok, L. D. Klassicheskiy tanets: Istoriya i sovre­men­nost’ [Classical Dance: History and Modernity], Moscow : Iskusstvo, 1987. (In Russ.)
3. Verdi, G. Izbrannye pis’ma [Selected Letters], trans. by A. D. Bushen, Moscow : Gosudarstvennoe mu­zykal’noe izdatel’stvo, 1959. (In Russ.)
4. Dmitri Shostakovich v pis’makh i dokumentakh [Dmitri Shostakovich in Letters and Documents], ed. and comp. by I. A. Bobykina, Moscow : Tsentral’nyy muzey muzykal’noy kul’tury im. M. I. Glinki, 2000. (In Russ.)
5. Zubova, O. V., Kyuregyan T. S. Srednevekovye i re­nes­sansnye tantsy: muzika v dvizhenii [Medieval and Renaissance Dances: Music in Motion], Mos­cow : Mos­kovskaya konservatoriya, 2018. Russian Thought on Ballet. (In Russ.)
6. Kirillina, L. V. Klassicheskiy stil’ v muzyke 18–nacha­la 19 vekov: samozonanie epokhi i muzykal’naya prak­tika [Classical Style in Music of the 18th and Early 19th Centuries: The Self-Understanding of the Era and Musical Practice], Moscow : Moskovskaya gos. konservatoriya, 1996. (In Russ.)
7. Kirnarskaya, D. K. Klassika na begu: muzykal’nye she­devry ot Srednevekov’ya do sovremennosti [Classics on the Run: Musical Masterpieces from the Middle Ages to Modernity], Moscow : Slovo, 2022. (In Russ.)
8. Korobova, A. G. “Pastoral in the music of European tradition: toward the theory and history of the genre,” Extended Abstract of Doctoral (Art Criti­cism) Dissertation, Moscow : Tchaikovsky Moscow State Conservatory, 2008. (In Russ.)
9. Korobova, A. G. “Problems of contemporary mu­sical genelogy,” Nauchnyy vestnik Moskovskoy kon­servatorii [Journal of Moscow Conservatory], vol. 15, no. 2 (57), 2024, pp. 184–199, doi:10.26176/mos­consv.2024.57.2.01. (In Russ.)
10. Leopold, S. Opery Gendelya [Handel’s Operas], trans. by T. Vereshchagina, Moscow : Agraf, 2014. (In Russ.)
11. Muginstein, M. L. Khronika mirovoy opery: 1851–1900 [Chronicle of the World Opera: 1851–1900], Yekate­rinburg : Anteverta, 2012. (In Russ.)
12. Porfir’eva, A. L. “Bolero as a dramatic gesture. Spa­nish dances in Italian оperatic belcanto,” Tezisy i materialy Vtoroy mezhdunarodnoy nauchno-prak­ticheskoy konferentsii “Audial’noe prostranstvo. Zhest. Traditsiya” [Abstracts and Materials of the Second International Scientific and Practical Conference “Auditory Space. Gesture. Tradition”], December 18–19, 2024, ed. and comp. by I. A. Chudnova, M. A. Sen’, St. Petersburg : Rossiyskiy institut istorii iskusstv, 2024, p. 48. (In Russ.)
13. Porfir’eva, A. L. “The magic of opera,” Muzykal’nyy teatr. Sbornik nauchnykh trudov [Musical Theater. Collected Scientific Works], St. Petersburg : Rossiyskiy institut istorii iskusstv, 1991, pp. 9–35. (In Russ.)
14. Rogal’-Levitskiy, D. R. Sovremennyy orkestr [The Modern Orchestra], Moscow : Gosudarstvennoe mu­zykal’noe izdatel’stvo, 1953. (In Russ.)
15. Tsareva, E. M. “Musical genre,” Muzykal’naya entsi­klo­pediya [Musical Encyclopedia], in 6 vols., vol. 2, ed. by Yu. V. Keldysh, Moscow : Sovetskaya entsi­klopediya, 1974, pp. 384–388. (In Russ.)
16. Allanbrook, W. J., Hilton, W. “Dance rhythms in Mozart’s arias,” Early Music, vol. 20, no. 1, Performing Mozart’s Music 2, 1992, pp. 142–149.
17. Anstruther-Thomson, C., Vernon L. Beauty and Ugliness: And Other Studies in Psychological Aesthe­tics, London ; New York : John Lane, 1912.
18. Basevi, A. The Operas of Giuseppe Verdi, ed. by S. Castelvecchi, trans. by E. Schneider, Chicago : University of Chicago Press, 2013.
19. Maugham W. S. Theatre. London : Heinemann, 1937.
20. Sala, E. The Sounds of Paris in Verdi’s La Tra­via­ta, trans. by D. Casadei, New York : Cam­bridge University Press, 2013, doi:10.1017/CBO­9780511920615. Cam­bridge Studies in Opera.
21. Sheets-Johnstone, M. The Primacy of Movement, Amsterdam : J. Benjamins, 2011. Advances in Consciousness Research.
22. Smart, M. A. Mimomania: Music and Gesture in Nineteenth-Century Opera, Berkeley : University of California Press, 2004, doi:10.1525/california/9780520239951.001.0001. California Studies in 19th-Century Music.
23. Van Wyck, H. H. “Mourning into dancing: dance rhythms in J. S. Bach’s ‘St. Matthew Passion’,” The Choral Journal, vol. 40, no. 3, 1999, pp. 9–22.
24. Verdi, G. I copialettere, ed. by C. Gaetano and L. Alessandro, Milan : Tip. Stucchi Ceretti, 1913.
25. Zbikowski, L. M. “Dance topoi, sonic analogues and musical grammar,” Communication in Eighteenth-Century Music, ed. by D. Mirka and K. Agawu, Cam­bridge University Press, 2008, pp. 283–309, doi:10.1017/­CBO9780511481376.011.