References

1. Bazzana, K. Ocharovannyy strannik. Zhizn’ i iskusstvo Glenna Gul’da [Wondrous Strange: The Life and Art of Glenn Gould], trans. by N. Gugina and S. Grokhotov, Moscow : Klassika-XXI, 2007. (In Russ.)
2. Bakhtin, M. M. “Problems of Dostoevsky’s creative work,” M. М. Bakhtin. Problemy poetiki Dostoevskogo [M. М. Bakhtin. Problems of Dostoevsky’s Poetics], Moscow : Eksmo, 2017, pp. 7–105. (In Russ.)
3. Benjamin, V. “The task of the translator,” trans. by I. S. Alekseeva. Maski vremeni. Esse o kul’ture i litera­ture [Masks of Time: Essays on Culture and Litera­ture], comp. by A. V. Belobratov, St. Petersburg : Sym­po­sium, 2004, pp. 27–46. (In Russ.)
4. Gould, G. Izbrannoe [Selected Writings], in 2 vols., vol. 1, Moscow : Klassika-XXI, 2006. (In Russ.)
5. Derrida, J. Pis’mo i razlichie [Writing and Difference], St. Petersburg : Akademicheskiy proekt, 2000. (In Russ.)
6. Dolinskaya, E. B. Nikolay Metner [Nikolai Medtner], Moscow : Muzyka, P. Yurgenson, 2013. (In Russ.)
7. Sedlmayr, G. Iskusstvo i istina: Teoriya i metod istorii iskusstva [Art and Truth: Theory and Method of Art History], trans. by Yu. N. Popov, St. Petersburg : Aksio­ma, 2000. (In Russ.)
8. Liberman, E. Ya. Tvorcheskaya rabota pianista s avtor­skim tekstom [The Pianist’s Creative Work with the Author’s Text], Moscow : Muzyka, 1988. (In Russ.)
9. Monastyrshina, Yu. A. 77 zakonov kreativnosti [77 Laws of Creativity], Moscow : AST, 2024. (In Russ.)
10. Monsaingeon, B. Glen Gul’d. Net, ya ne ekstsentrik! [Glenn Gould. No, I’m not an Eccentric!], trans. by M. L. Ivanova-Anninskaya, Moscow : Klassika-XXI, 2008. (In Russ.)
11. Rubinstein, A. G. Lektsii po istorii fortepiannoy litera­tury [Lectures on the History of Piano Literature], Moscow : Muzyka, 1974. (In Russ.)
12. Huizinga, J. Homo ludens. Chelovek igrayushchiy [Homo Ludens. A Playing Man], Moscow : Progress, Progress-Akademiya, 1992. (In Russ.)
13. Khramov, V. B. Glenn Gul’d kak muzykant i mysli­tel’. Monografiya [Glenn Gould as a Musician and a Thinker. A Monograph], Moscow : Direkt-Media, 2022.
    (In Russ.)
14. Shklovskiy, V. B. “Art as a technique,” O teorii pro­zy [On the Theory of Prose], Moscow : Krug, 1925, pp. 7–20. (In Russ.)
15. Eco, U. Zametki na polyakh “Imeni rozy” [Postscript to “The Name of the Rose”], trans. by E. A. Kostyukevich, St. Petersburg : Simpozium, 2003. (In Russ.)
16. Eco, U. Otkrytoe proizvedenie. Forma i neoprede­len­nost’ v sovremennoy poetike [Open Work. Form and Indeterminacy in Contemporary Poetics], trans. by A. P. Shurbelev, St. Petersburg : Akademicheskiy proekt, 2004. (In Russ.)
17. Schoenberg, A. Style and Idea. Selected Writings of Arnold Schoenberg, ed. by L. Stein, Berkeley : Uni­ver­sity of California Press, 2010.