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Issue № 2 | 2021 (774)

Leonid Desyatnikov. Premiere

Nastasia Khrustcheva

Leonid Desyatnikov’s “From 19th Century” and We As Children of Aronzon

Yaroslav I. Timofeev

Leonid Desyatnikov: “I Added a Romantic Minor—and Failed”

130 Years of Prokofiev

Artem Liakhovych

“Mechanical” as a Metaplot in Prokofiev’s Music

Nataliya Savkina

Sergei Prokofiev. Relatives

Half a Century After Stravinsky

Tatiana Baranova-Monighetti

Stravinsky’s Music Library in the Context of His Biography and Work (Based on Archival Materials from Paul Sacher Foundation)

In memoriam

In Memory of Valeriya Bazarnova

Semen Skigin

“Tell me, Zhenechka”

20th Century Music

Semion Shmelkov

“...Against the Background of the Russian Landscape” by Roman Ledenev: Features of the Compositional Structure

Elena Blagodarskaya

“Three Anecdotes for Radio”: The Fate of Paul Hindemithʼs Forgotten Opus

Irina Nikol’skaya

Witold Lutosławski: Between Classic and Avant-garde

Interview

Ilya Ovchinnikov, Nataliya Surnina

Matthias Pintscher: “It’s Time to Move Image of Boulez at the Stand a Bit Aside”

Music Today

Vera Geslin

Digital Interactivity: A New Impetus for Musical Composition?

Organology

Mikhail Imkhanitskii

Is There a Need for a Fundamentally New Classification of Musical Instruments?

Igor Macievski

Peer Review of Mikhail Imkhanitskii’s Article “Is There a Need for a Fundamentally New Classification of Musical Instruments?”

Around Music

Evgenia Chigareva

On the Musicality of Fiction (the Case of Nikolay Leskov’s Story “Islanders”)

Larisa Gerver

Peer Review of Evgenia Chigareva’s Article “On the Musicality of Fiction (the Case of Nikolay Leskov’s Story ‘Islanders’)”

Books

Anna Porfir’eva

Logos & Passion: Completion of the Operatic Tetralogy

Memoirs

Lev Chistyakov

Rudolf Barshai Moscow Chamber Orchestra in 1967–1977

Dmitriy Kapyrin

About Conductors

How to Buy
Ресурс 30
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