Peer Review of Evgenia Chigareva’s Article “On the Musicality of Fiction (the Case of Nikolay Leskov’s Story ‘Islanders’)”

The article is written in Russian. You may read it here.

References

  1. Belyy, A. Masterstvo Gogolya [Mastery of Gogol], Moscow‒Leningrad : OGIZ‒GIKhL, 1934. (In Russ.)
  2. Bibikhin, V. V. “Orpheus of the mad age. Andrey Bely in the West.” Andrey Belyy. Problemy tvor­chestva: Stat’i, vospominaniya, publikatsii [Andrey Bely. Problems of Creativity: Articles, Memoirs, Publications], ed. by S. Lesnevskiy, A. Mikhaylov, Moscow : So­vet­skiy pisatel’, 1988, pp. 502–520. (In Russ.)
  3. Garmash, L. V. The artistic originality of Andrei Bely’s symphonies. Cand. Sci. (Philological Sci­ences) Dissertation, Kharkov: Skovoroda Khar­kov State Pedagogical University, 2000, pp. 8‒27, https://garmash.ucoz.ru/load/dissertacija/razdel_1_simfonii_andreja_belogo_v_sovremennom_literaturovedenii/3-1-0-22 (accessed 25 April 2021). (In Russ.)
  4. Gerver, L. L. Muzyka i muzykal’naya mifologiya v tvor­chestve russkikh poetov (pervye desyatiletiya XX veka) [Music and Musical Mythology in the Works of Russian Poets (First Decades of the 20 th Century)], Moscow : Indrik, 2001, pp. 119–131, 148–197. (In Russ.)
  5. Kutepov, V. Tsifrovaya filologiya 1910: kak Andrey Belyy vychislyal otkloneniya yamba [Digital Philology 1910: How Andrei Bely Calculated Iambic Deviations], https://sysblok.ru/philology/cifrovaja-filologija-1910-kak-andrej-belyj-vychisljal-otklonenija-jamba (accessed 25 April 2021). (In Russ.)
  6. Rubinskaya, E. S. Problema muzykal’nosti khudo­zhestvennoy prozy [The Problem of the Musicality of Fiction], https://academia.edu/4614891/Problema_muzykal'nosti_khudozhestvennoy_prozy (accessed 25 April 2021). (In Russ.)
  7. [Semenov, V. B.] “Metrized prose.” Lingvokul’tu­rolo­gicheskiy tezaurus “Gumanitarnaya Rossiya” [Linguistic and Cultural Thesaurus “Humanitarian Russia”], https://philol.msu.ru/~tezaurus/library.php?view=d&course=4&raz=1&pod=2&par=1 (accessed 25 Ap­ril 2021). (In Russ.)
  8. [Semenov, V. B.] “An example of the experimental transformation of a prosaic form into a verse form.” Lingvokul’turologicheskiy tezaurus “Gumani­tar­naya Rossiya” [Linguistic and Cultural Thesaurus “Huma­nitarian Russia”], https://philol.msu.ru/~tezau­rus/library.php?view=d&course=4&raz=1&pod=2&par=1 (accessed 25 April 2021). (In Russ.)
  9. Silard, E. O. “On the structure of A. Bely's Second Symphony.” Studia Slavica, vol. XIII, 1967, pp. 311–322. (In Russ.)
  10. Tilkes-Zausskaya, O. К. Literatura i muzyka: Chetver­taya simfoniya Andreya Belogo [Literature and Music: Andrei Bely’s Fourth Symphony], Amsterdam, [19-?]. (In Russ.)
  11. [Florenskiy, P. A.]. “From the heritage of P. A. Flo­rensky.” Kontekst-1991: Literaturno-teoreti­cheskie issledovaniya [Context 1991: Literary Theore­tical Studies], Moscow: Nauka, 1991, pp. 3–99. (In Russ.)
  12. Khrushcheva, N. А. Pominki po fuge: muzykal’nye strategii Dzheymsa Dzhoysa “Fugue wake: the musical strategies of James Joyce,” Opera musico­logica, no. 1, 2012, pp. 47–61, http://old.con­ser­vatory.ru/files/OM_11_Khruscheva_full.pdf (accessed 25 Ap­ril 2021). (In Russ.)
  13. Steinberg, A. Word and Music in the Novels of Andrey Bely, Cambridge : Cambridge University Press, 1982.

About the author: Larisa L. Gerver, Doctor of Art Cri­ticism, Professor of the Department of Analytic Musi­cology, The Gnesins Russian Academy of Music