References

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2. Bibikhin, V. V. “Orpheus of the mad age. Andrey Bely in the West.” Andrey Belyy. Problemy tvor­chestva: Stat’i, vospominaniya, publikatsii [Andrey Bely. Problems of Creativity: Articles, Memoirs, Publications], ed. by S. Lesnevskiy, A. Mikhaylov, Moscow : So­vet­skiy pisatel’, 1988, pp. 502–520. (In Russ.)
3. Garmash, L. V. The artistic originality of Andrei Bely’s symphonies. Cand. Sci. (Philological Sci­ences) Dissertation, Kharkov: Skovoroda Khar­kov State Pedagogical University, 2000, pp. 8‒27, https://garmash.ucoz.ru/load/dissertacija/razdel_1_simfonii_andreja_belogo_v_sovremennom_literaturovedenii/3-1-0-22 (accessed 25 April 2021). (In Russ.)
4. Gerver, L. L. Muzyka i muzykal’naya mifologiya v tvor­chestve russkikh poetov (pervye desyatiletiya XX veka) [Music and Musical Mythology in the Works of Russian Poets (First Decades of the 20 th Century)], Moscow : Indrik, 2001, pp. 119–131, 148–197. (In Russ.)
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10. Tilkes-Zausskaya, O. К. Literatura i muzyka: Chetver­taya simfoniya Andreya Belogo [Literature and Music: Andrei Bely’s Fourth Symphony], Amsterdam, [19-?]. (In Russ.)
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12. Khrushcheva, N. А. Pominki po fuge: muzykal’nye strategii Dzheymsa Dzhoysa “Fugue wake: the musical strategies of James Joyce,” Opera musico­logica, no. 1, 2012, pp. 47–61, http://old.con­ser­vatory.ru/files/OM_11_Khruscheva_full.pdf (accessed 25 Ap­ril 2021). (In Russ.)
13. Steinberg, A. Word and Music in the Novels of Andrey Bely, Cambridge : Cambridge University Press, 1982.