Research article

The Idea and Its Graphical Demonstration: Metrotectonic Schemes of Bach’s Fugues in the Archive of Georgi Conus

Research article

The Idea and Its Graphical Demonstration: Metrotectonic Schemes of Bach’s Fugues in the Archive of Georgi Conus

This article is written in Russian. You can read it here.

References

  1. Arensky, A. S. “Letter to S. I. Taneyev. March 15, 1902.” Taneyev, S. I. Materialy i dokumenty. T. 1. Perepiska i vospominaniya [Sergey Taneyev. Materials and Documents. Vol. 1. Correspondence and Memoirs], ed. by V. A. Kiselev, Moscow : Izdatel’stvo Akademii nauk SSSR, 1952, pp. 177–178. (In Russ.)
  2. Gerver, L. L. “The Metrotectonic Plans of Georgi Conus for Bach’s C Sharp Minor Fugue from WTC 1.” Opera musicologica, vol. 16, no. 4, 2024, pp. 208–224, https://doi.org/10.26156/operamus.2024.16.4.010. (In Russ.)
  3. Gerver, L. L. “Continuing on the Introduction to Daniil Kharms’ Musical Cases: Ideas and Reali­za­tions.” Muzykal’naya akademiya [Music Acade­my], no. 1, 2023, pp. 166–193, doi:10.34690/297. (In Russ.)
  4. Gerver, L. L. “‘The Riddle’ about the Centre in the Fifth Movement of Anton Webern’s Cantata op. 31.” Sovremennye problemy muzykoznaniya [Con­temporary Musicology], no. 2, 2023, pp. 95–115, doi:10.56620/2587-9731-2023-2-095-115.
  5. Herschkowitz, P. M. “Bach, Fuga cis-moll.” Philip Herschkowitz. O muzyke: Stat’i, zametki, pis’ma, vospominaniya [Philip Herschkowitz. On Music: Articles, Notes, Memoirs], vol. 3, foreword by L. D. Hofmann, Moscow: Sov. Kompozitor, 1991, pp. 185–193, https://wikilivres.ru/Fuga_cis-moll_­(Гершкович) (accessed 21 December, 2024). (In Russ.)
  6. Gorshkova, A. M. “Anton Arensky: Personality, works, style.” Candidate (Art Criticism) Disserta­tion, Moscow : 2021.
  7. Conus, G. E. “Analysis of Beethoven’s Sonata ‘Pathé­tique’.” G. E. Conus. Stat’i, materialy, vospo­minaniya [G. E. Conus. Articles, Materials, Memoirs], ed. and footnotes by L. G. Golovinsky, Mos­cow : Muzyka, 1965, pp. 76–86.
  8. Conus, G. E. Kak issleduet formu muzykal’nykh organizmov metrotektonicheskiy metod: Nauchnoe soobshchenie, illyustrirovannoe 46 graficheskimi preparirovannymi notnymi primerami iz razlichnykh muzykal’nykh proizvedeniy [How the Metrotectonic Method Studies the Form of Musical Organisms: Research Report Illustrated with 46 Graphically Prepared Examples from Different Musical Com­po­sitions], Moscow : Gosudarstvennoe muzykal’noe izdatel’stvo, 1933. (In Russ.)
  9. Conus, G. E. Kurs kontrapunkta strogogo pis’ma v ladakh [Course of Strict Contrapuntal Writing in Modes], 2nd revised edition, St. Petersburg : Pla­neta muzyki, 2022. (In Russ.)
  10. Conus, G. E. “Metrotectonic solutions of the musical form issues.” Muzykal’naya kul’tura [Musical Culture], no. 1, 1924, pp. 36–41, 95, 96.
    (In Russ.)
  11. Conus, G. E. “Metrotectonic solutions of the mu­si­cal form issues.” G. E. Conus. Stat’i, materialy, vos­po­minaniya [G. E. Conus. Articles, Materials, Memoirs], ed. and footnotes by L. G. Golovinsky, Mos­cow : Muzyka, 1965, pp. 87–96. (In Russ.)
  12. Conus, G. E. Nauchnoe obosnovanie muzykal’nogo sintaksisa (K izucheniyu voprosa) [Scientific Grounding of the Musical Syntax (Towards the study of the issue)], Moscow : Gosudarstvennoe muzykal’noe izdatel’stvo, 1935. (In Russ.)
  13. Conus, G. E. “Adagio sostenuto from Beethoven’s Sonata op. 27, no. 2 in the metrotectonic illumi­nation.” G. E. Conus. Stat’i, materialy, vospominaniya [G. E. Conus. Articles, Materials, Memoirs], ed. and footnotes by L. G. Golovinsky, Moscow : Muzyka, 1965, pp. 97–109. (In Russ.)
  14. Losev, A. F. “Music as a subject of logic. ” Lo­sev, A. F. Iz rannikh proizvedeniy [Losev, A. F. From Early Works], ed. and preparation by I. I. Makhan­kov, introduction by A. A. Takho-Godi and L. A. Go­go­­tishvili, footnotes by L. A. Gogotishvili at all, Mos­cow : Pravda, 1990, pp. 195–392. (In Russ.)
  15. Lyzhov, G. I.; Kholopov, Yu. N. “Metrotectonicism by Georgi Conus.” Muzykal’no-teoreticheskie sistemy. Uchebnik dlya istoriko-teoreticheskikh i kompozitorskikh fakul’tetov muzykal’nykh vuzov [Musical-Theoretical Systems. A Program for High School, Majors in Composition and Musicology], Mos­cow : Kompozitor, 2006, pp. 395–410. (In Russ.)
  16. “Symmetry.” Bol’shaya rossiyskaya entsiklopediya [Great Russian Encyclopedia], https://bigenc.ru/c/simmetriia-26c9e1 (accessed 21 December, 2024). (In Russ.)
  17. Slovar’ russkikh sinonimov. Kontekst 5. 0—Informatik [Dictionary of Russian Synonyms. 5. 0—Informatic], 2012, https://dic.academic.ru/dic.nsf/dic_synonims/263178/%D1%80%D0%B0%D1%81%D1%81%D0%B5%D0%BA%D0%B0%D1%82%D1%8C (accessed 21 December, 2024). (In Russ.)
  18. Surat, I. Z. “Salieri and Mozart.” Novyy mir [New World], no. 6, 2007, https://nm1925.ru/articles/­2007/­200706/saleri-i-motsart-2070 (accessed 21 December, 2024). (In Russ.)
  19. Chugaev, A. G. Osobennosti stroeniya klavirnykh fug Bacha [Structural Features of Clavier Fugues by J. S. Bach], Moscow : Muzyka, 1975. (In Russ.)
  20. Shkapa, E. A. “The theory of the metrotectonicism by Georgi Conus: Its place in the history of musicology and applying possibilities.” Cand. Sci. (Art Criticism) Dissertation, Moscow : Tchaikovsky Moscow State Conservatory, 2006. (In Russ.)
  21. Schröder, G. “Georgi Conus’ studies on musical form in the context of German theory at 1980s: An antidote to Theodor W. Adorno.” trans. by G. A. Moiseev and S. N. Nikiforov, Moskovskaya konservatoriya v proshlom, nastoyashchem i budu­shchem: sbornik statey po materialam mezhdunarod­noy nauchnoy konferentsii k 150-letiyu Moskovskoy konservatorii [Tchaikovsky Moscow State Conservatory in the Past, Present and Future: Proceedings of International Scientific Conference Dedicated to 150th Anniversary of Moscow Conservatory], ed. and comp. by K. V. Zenkin, N. O. Vlasova, G. A. Moi­se­ev, Мoscow : Nauchno-izdatel’skiy tsentr “Moskovskaya konservatoriya,” 2018, pp. 329–340. (In Russ.)
  22. Yanson, Yu. E. Teoriya statistiki. Novoe izdanie. S 18-yu diagrammami v tekste [Theory of Statistics. New Edition. With 18 Diagrams in Text], St. Peters­burg : [Tipo-Litografiya Schredera], 1891. (In Russ.)
  23. Werker, W. Studien über die Symmetrie im Bau der Fugen und die Motivische Zusammengehörigkeit der Präludien und Fugen des Wohltemperierten Klaviers von Johann Sebastian Bach, Leipzig : Breitkopf & Här­tel, 1922.
  24. Koslovsky, J. “Eric Wen, Graphic Music Analysis: an Introduction to Schenkerian Theory and Practice.” Music Analysis, no. 41, 2022, pp. 183–207, https://doi.org/10.1111/musa.12188.