Yury Kholopov
Some Principles of Fugue Writing in Bach’s Era in the Context of the Historical Evolution of Formal Categories (Publication and Commentary by T. S. Kyuregyan)
Tatyana Kyuregyan
Johann Sebastian Bach in the Scholarly Work and Intellectual Legacy of Yury N. Kholopov
Sayida Iskhakova
John of Garland on the Rhythmic Mode of the Organum in Speciali
Lyudmila Sundukova
Cantus Floridus and Paraphrase: Observations on the Compositional Process in 15th-Century Music
Darina Vorontsova
Polyphonic Texture as a Component of the Local Style of Lingering Singing: A Case Study of the Tikhaya Sosna Basin Tradition
Krzysztof Meyer
Paul Hindemith: From Provocateur to Professor
Levon Hakobian (Akopyan)
György Kurtág: First Works
Olga Krasnogorova
A New Sound Image of the Instrument in Piano Music of the Second Half of the 20th and 21st Centuries
Marina Raku
From Орus 4 to Орus 12: Sergei Prokofiev’s Path to a Piano Cycle
Evgeniya Shelukho
Tchaikovsky in Gavrilin’s creative world
Yaroslav Timofeev
Alexey Sysoev and Vladimir Gorlinsky in a Leap Above Their Own Heads
Anton Rovner
Azamat Khasanshin: “The Moment Form Is Time That Finds Its Own Content”
Vladimir Martynov: “An Opera Should Be Unintelligible”
Vladimir Dudin
Elena Zaremba: “Music, Sung to Death, Suddenly Came to Life”
Vyacheslav Tsypin
“Fragments” of Aristoxenus: On the Publication of the New Edition by Stefan Kaiser
Rauf Farhadov
Non-linearity of Yury Korev
Виктор Лихт
My First Editor-in-Chief
