Research article

John of Garland on the Rhythmic Mode of the Organum in Speciali

Research article

John of Garland on the Rhythmic Mode of the Organum in Speciali

This article is written in Russian. You can read it here.

References

  1. Pospelova, R. L. “Treatise ‘On Mensural Music’ by John of Garland, poet and musician,” Zhurnal Obshchestva teorii muzyki [The Music Theory Society’s Journal], no. 1, 2013, pp. 120–133. (In Russ.)
  2. Allison, Ch. N. “The creation of Parisian organum purum: office organa dupla in the MLO sources,” Cand. Sci. (Art Criticism) Dissertation, Cambridge : University of Cambridge, 2020.
  3. Anonymous. “De expositione musice,” H. Sowa. Ein anonymer glossierter Mensuraltraktat 1279. Königs­berger Studien zur Musikwissenschaft, vol. 9, Kas­sel : Bärenreiter, 1930, pp. 1–132.
  4. Anonymous IV. “[Musica],” F. Reckow. Der Musiktrak­tat des Anonymus 4, vol. 1, Beihefte zum Archiv für Musikwissenschaft, vols. 4–5, Wiesbaden : Franz Steiner, 1967, pp. 22–89.
  5. Anonymous of St. Emmeram. De Musica Mensurata, ed., trans., and comm. by J. Yudkin, Bloomington : Indiana University Press, 1990.
  6. Anonymous. “Tractatus de musica,” A. de La Fage. Essais de diphthérographie musicale, vol. 1, Paris : Legouix, 1864, pp. 355–362.
  7. Atkinson, Ch. M. “Franco of Cologne on the rhythm of organum purum,” Early Music History, vol. 9, 1989, pp. 1–26.
  8. Franco [of Cologne]. “Ars cantus mensurabilis,” Scrip­tores ecclesiastici de musica sacra potissimum, vol. 3, ed. by M. Gerbert, St. Blaise : Typis San-Bla­sianis, 1784; reprint ed., Hildesheim : Olms, 1963, pp. 1–16.
  9. Franco [of Cologne]. “Ars cantus mensurabilis,” Scriptorum de musica medii aevi nova series a Ger­bertina altera, vol. 1, ed. by E. de Coussemaker, Paris : Durand, 1864–1876; reprint ed., Hildesheim : Olms, 1963, pp. 117–136.
  10. Fuller, S. “An Anonymous treatise ‘Dictus de Sanc­to Martiale’: a new source for Cistercian music theory,” Musica Disciplina, vol. 31, 1977, pp. 5–30.
  11. Hieronymus de Moravia. Tractatus de Musica, ed. by S. M. Cserba, Freiburger Studien zur Musik­wissenschaft, vol. 2, Regensburg : Verlag Friedrich Pustet, 1935.
  12. Jacobi Leodiensis [Jacques de Liege]. Speculum musicae, ed. by R. Bragard, Corpus scriptorum de musica, 3, vol. 7, [Rome] : American Institute of Musicology, 1973.
  13. Johannes de Garlandia. “De musica mensurabili positio,” Scriptorum de musica medii aevi nova series a Gerbertina altera, vol. 1, ed. by E. de Coussemaker, Paris : Durand, 1864–1876; reprint ed., Hildesheim : Olms, 1963, pp. 97–117.
  14. Johannes de Garlandia. “De mensurabili musica,” E. Reimer. Johannes de Garlandia: De mensurabili musica, kritische Edition mit Kommentar und Interpre­tation der Notationslehre, Beihefte zum Archiv für Musik­wissenschaft, vol. 10, Wiesbaden : Steiner, 1972.
  15. Larkowski, Ch. S. “The ‘De Musica Mensurabili Positio’ of Johannes de Garlandia: translation and commentary,” Cand. Sci. (Art Criticism) Dissertation, Ann Arbor : University of Michigan, 1977.
  16. Mews, C. J. “Jerome of Moray: a Scottish Domi­nican and the evolution of Parisian music theory 1220–1280,” Plainsong and Medieval Music, vol. 31, no. 2, 2022, pp. 123–142.
  17. Müller, H. Eine Abhandlung über Mensuralmusik. Der Karlsruher Handschrift St. Peter pergamen 29 a, Karlsruhe : B. G. Teubner, 1886.
  18. Picazos, R. Habito de ipsa plana musica (J. de Gar­lan­dia?), 2025, https://shs.hal.science/halshs-­05064717v1/file/16-HABITO%20DE%20IPSA%­20PLANA%20MUSICA%20%28GAR­LAN­DE%29%20.pdf (accessed 29 July 2025).
  19. Reckow, F. Der Musiktraktat des Anonymus 4, part 2: Interpretation der Organum-Purum-Lehre, Beihefte zum Archiv für Musikwissenschaft, vols. 4–5, Wies­baden : Franz Steiner, 1967.
  20. Reckow, F. Die Copula: Über einige Zusammenhänge zwischen Setzweise, Formbildung, Rhythmus und Vortragsstil in der Mehrstimmigkeit von Notre Dame, Akademie der Wissenschaften und der Literatur, no. 13, Mainz : Abhandlungen der Geistes- und Sozial­wissenschaftlichen Klasse, 1972 [Wiesbaden, 1972].
  21. Reckow, F. “Proprietas und perfectio,” Acta musico­logica, vol. 39, 1967, pp. 115–143.
  22. Reckow, F., Roesner, E. H., Flotzinger, R. “Orga­num,” The New Grove Dictionary of Music and Musicians, vol. 18, London : Macmillan, 2001, pp. 671–695.
  23. Reimer, E. Johannes de Garlandia: “De mensurabili mu­sica,” kritische Edition mit Kommentar und Interpre­tation der Notationslehre, Beihefte zum Archiv für Musik­wissenschaft, vol. 11, Wiesbaden : Steiner, 1972.
  24. Roesner, E. H. “Johannes de Garlandia on orga­num in speciali,” Early Music History, vol. 2, 1982, pp. 129–160.
  25. Tischler, H. “Preface,” The Parisian Two-Part Organa: The Complete Comparative Edition, ed. by H. Tischler, vol. 1, Stuyvesant, New York : Pendragon Press, 1988, pp. vii–lxviii.
  26. Yudkin, J. “The Anonymous of St. Emmeram and Anonymous IV on the ‘Copula’,” The Musical Quar­terly, vol. 70, no. 1, 1984, pp. 1–22.
  27. Yudkin, J. “The “Copula” according to Johannes de Garlandia,” Musica Disciplina, vol. 34, 1980, pp. 67–74.
  28. Yudkin, J. “The rhythm of organum purum,” Journal of Musicology, vol. 2, no. 4, 1983, pp. 355–376.