Research article

György Kurtág: First Works

Research article

György Kurtág: First Works

This article is written in Russian. You can read it here.

References

  1. Akopyan [Hakobian], L. O. “Possible models of mu­sical hermeneutics,” Moi muzykal’nye miry [My Musical Worlds], St. Petersburg : Izdatel’­stvo imeni N. I. Novikova, 2022, pp. 78–99. (In Russ.)
  2. “Bartók Béla,” Bol’shaya sovetskaya entsiklope­diya [The Great Soviet Encyclopedia], in 50 vols., vol. 4: B—Berezko, 2nd ed., ed. by S. I. Vavilov, Mos­cow : Bol’shaya sovetskaya entsiklopediya, 1950, p. 272. (In Russ.)
  3. Beckles Willson, R. György Kurtág: “The Sayings of Péter Bornemisza,” Op. 7: A Concerto for Sop­ra­no and Piano, Aldershot, UK, and Burlington, Vermont : Ashgate, 2004. Landmarks in Music Since 1950.
  4. Dalos, A. “György Kurtág’s Hungarian identity and ‘The Sayings of Péter Bornemisza’ (1963–1968),” Studia Musicologica, vol. 54, no. 3, 2013, pp. 319–330.
  5. Dalos A. “Von Darmstadt angezogen. György Kur­tág und die musikalische Avantgarde um 1959,” Musik-Konzepte Sonderband XI/2020. György Kurtág, ed. by U. Tadday, pp. 31–47.
  6. Fearn, R. The Music of Luigi Dallapiccola, Rochester : University of Rochester Press, 2003.
  7. Halász, P. “On Kurtág’s dodecaphony,” Studia Musi­cologica Academiae Scientiarum Hungaricae, vol. 43, fasc. 3/4, 2002, pp. 235–252.
  8. Hoffmann, P. “‘Die Kakerlake sucht den Weg zum Licht.’ Zum Streichquartett op. 1 von György Kurtág,” Die Musikforschung, vol. 44, no. 1, 1991, pp. 32–48.
  9. Hohmaier, S. “Meine Muttersprache ist Bartok…” Einfluss und Material in György Kurtág’s “Quartetto per archi” op. 1, Saarbrücken : Pfau, 1997.
  10. Kárpáti, J. “Some trends among younger compo­sers,” Tempo, no. 88, 1969, pp. 5–10.
  11. Kárpáti, J. “Kurtág György: Bornemisza Péter mon­dásai—Concerto szoprán hangra és zongorára op. 7,” Magyar Zene, vol. 15, no. 2, 1974, pp. 115–133.
  12. Kroó, G. “Kurtág György: Bornemisza Péter mon­dásai op. 7. Concerto szoprán hangra és zongorára,” Miért szép századunk zenéje?, ed. by G. Kroó, Budapest : Gondolat, 1974, pp. 319–367.
  13. Kurtág, G. Three Interviews and Ligeti Homages, comp. and ed. by B. A. Varga, Rochester : University of Rochester Press, 2009.
  14. Martins, J. O. “Matchsticks, harmonic space, and transpositional networks in the first movement of György Kurtág’s String Quartet op. 1,” Perspectives of New Music, vol. 58, no. 1, 2020, pp. 123–171.
  15. McLay, M. “Kurtág’s ‘Bornemisza’ Concerto,” The Musical Times, vol. 129, no. 1749, 1988, pp. 580–583.
  16. Walsh, S. “György Kurtág: an outline study (1),” Tempo. New Series, no. 140, 1982, pp. 11–21.
  17. Walsh, S. “György Kurtág: an outline study (2),” Tempo. New Series, no. 142, 1982, pp. 10–19.
  18. Walsh, S. “[Review of:] György Kurtág: ‘The Sayings of Péter Bornemisza,’ Op. 7: A сoncerto for soprano and piano. By Rachel Beckles Willson,” Music and Letters, vol. 87, no. 4, 2006, pp. 667–670.