References

1. Magistro Georgio Septuaginta. K 70-letiyu Yuriya Niko­laevicha Kholopova [Magistro Georgio Septuaginta. To the 70th Anniversary of Yury N. Kholopov], comp. and ed. by V. S. Tsenova, Moscow : Kom­pozitor, 2002. (In Russ.)
2. Amrakhova, A. A., Vorontsov, Yu. V., Zenkin, K. V., Umanskiy, K. A., Tsypin, V. G. “Metadiscourse of con­tem­porary Russian musical culture (conver­sations about Webern),” Zhurnal Obshchestva teorii mu­zyki [Journal of the Music Theory Society], no. 4 (40), 2022, 1–21, doi:10.26176/otmroo.2022.40.4.001. (In Russ.)
3. Kirillina, L. V. “Kholopov’s course on the history of polyphony: from its origins to the 18th century,” Muzykal’nye miry Yuriya Nikolaevicha Kholopova [Musical Worlds of Yuri Nikolaevich Kholopov], collected articles, ed. by K. V. Zenkin, M. I. Katunyan, A. S. Sokolov, Mos­cow : NITs “Moskovskaya kon­servatoriya,” 2016, pp. 58–66. (In Russ.)
4. Kyuregyan, T. S. “Scientific activity of Yu. N. Kho­lo­pov in the 1960s,” Kholopovskiye chteniya [Kholopov Readings], proceedings of the All-Russian con­ference dedicated to the 90th anniversary of the birth of <...> Yu. N. Kholopov, Ryazan : s. n., 2022, pp. 14–30. (In Russ.)
5. Kholopov, Yu. N. Sovremennye cherty garmonii Prokof’yeva [Modern Features of Prokofiev’s Harmony], Moscow : Muzyka, 1967. (In Russ.)
6. Kholopov, Yu. N. “Homophony,” Mu­zykal’naya entsik­lo­pediya [Musical Encyclopedia], vol. 1, Moscow : Sovet­skaya entsiklopediya, 1973, pp. 1047–1055. (In Russ.)
7. Kholopov, Yu. N. “Bach’s concert form,” O muzyke. Problemy analiza [On Music. Issues of Analysis], ed. by V. P. Bobrovskiy, G. L. Golovinskiy, Moscow : Mu­zyka, 1974, pp. 119–149. (In Russ.)
8. [Kholopov, Yu. N.] “Baroque musical forms,” Ana­liz muzykal’nykh proizvedeniy [Analysis of Musical Works], syllabus for the history, theory, and compo­sition departments at conservatories, part 2, Mos­cow : s. n., 1977, pp. 11–27. (In Russ.)
9. Kholopov, Yu. N. “The changing and the unchanging in the evolution of musical thinking,” Proble­my traditsiy i novatorstva v sovremennoy muzyke [Issues of Tradition and Innovation in Modern Music], comp. by A. M. Goltsman, ed. by M. E. Tarakanov, Mos­cow : Sovetskiy kompozitor, 1982, pp. 52–104. (In Russ.)
10. Kholopov, Yu. N. Zadaniya po garmonii [Harmony Exercises], a study guide for students of composition departments at conservatories, Moscow : Muzyka, 1983. (In Russ.)
11. Kholopov, Yu. N. “On the concept of ‘symphonism’,” B. V. Asaf’yev i sovetskaya muzykal’naya kul’­tura [B. V. Asafyev and Soviet Musical Culture], pro­ceedings of the All-Union scientific and theo­re­tical conference, ed. by Yu. V. Keldysh, Mos­cow : So­vetskiy kompozitor, 1986, pp. 186–204. (In Russ.)
12. Kholopov, Yu. N. “Baroque harmony,” Yu. N. Kho­lopov. Garmonicheskiy analiz [Yu. N. Kholopov. Harmonic Analysis], textbook, in 3 parts, part 1, Moscow : Muzyka, 1996, pp. 25–37. (In Russ.)
13. Kholopov, Yu. N. “The J. S. Bach’s era,” Garmoniya. Prakticheskiy kurs [Harmony. A Practical Course], in 2 parts, part 1, ed. by V. S. Tsenova, Moscow : Kom­pozitor, 2003, pp. 15–96. (In Russ.)
14. Kholopov, Yu. N. “The structure of Bach’s fugue in the context of the historical evolution of harmony and thematism,” Muzykal’noe iskusstvo barokko: Stili, zhanry, traditsii ispolneniya [Baroque Musical Art: Styles, Genres, and Performance Traditions], ed. by T. N. Dubravskaya and A. M. Merkulov, Mos­cow : MGK im. P. I. Chaykovskogo, 2003, pp. 4–31. Scien­tific Works of the Moscow State Tchai­kov­sky Conservatory, vol. 37. (In Russ.)
15. Kholopov, Yu. N. “Theme with variations,” Yu. N. Kho­lo­pov. Muzykal’nye formy klassicheskoy tra­ditsii. Stat’i. Materialy [Yu. N. Kholopov. Musical Forms of the Clas­sical Tradition. Articles. Materials], ed. by T. S. Kyu­re­gyan, Moscow : NITs “Moskovskaya kon­ser­va­toriya,” 2012, pp. 137–214. (In Russ.)
16. Kholopov, Yu. N. “Some issues of musical form in instrumental compositions by J. S. Bach,” Yu. N. Kho­lopov. Printsipy kompozitsii starinnoy muzyki. Stat’i. Materialy [Yu. N. Kholopov. Principles of Com­po­sition in Early Music. Articles. Materials], ed. by T. S. Kyuregyan, Moscow : NITs “Moskovskaya kon­servatoriya,” 2015, pp. 351–391. (In Russ.)
17. Kholopov, Yu. N. “Organ choral settings by J. S. Bach,” Yu. N. Kholopov. Printsipy kompozitsii starinnoy muzyki. Stat’i. Materialy [Yu. N. Kholopov. Principles of Composition in Early Music. Articles. Materials], ed. by T. S. Kyuregyan, Moscow : NITs “Moskovskaya konservatoriya,” 2015, pp. 392–399. (In Russ.)
18. Kholopov, Yu. N. “On the musical language of J. S. Bach: affects and rhetoric,” Yu. N. Kholopov. Printsipy kompozitsii starinnoy muzyki. Stat’i i materialy [Yu. N. Kholopov. Principles of Composition in Early Music. Articles. Materials], ed. by T. S. Kyuregyan, Moscow : NITs “Moskovskaya konservatoriya,” 2015, pp. 505–519. (In Russ.)
19. Kholopov, Yu. N. “Polyphony [in Tchaikovsky’s music],” Yu. N. Kholopov. O russkoy i zarubezhnoy muzyke. Stat’i. Materialy [Yu. N. Kholopov. On Russian and Foreign Music. Articles. Materials], ed. by T. S. Kyuregyan, Moscow : NITs “Moskovskaya kon­servatoriya,” 2022, pp. 154–164. (In Russ.)
20. Kholopov Yu. N. “Some issues of musical form in the instrumental works of J. S. Bach,” Muzikal’nii khorizonti [Musical Horizons], no. 5, 1986, pp. 27–43. (In Bulg.)
21. Kholopov, Yu. N. “Prinzipien der musikalischen Formbildung bei J. S. Bach. Die Struktur der Bachschen Fuge im Kontext der Entwicklung von Harmonik und Thematismus,” Beiträge zur Musik­wissenschaft, vol. 25, no. 2, 1983.