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Issue № 4 (768) | 2019

Vladimir Martynov

Margarita Katunyan

Sonata for Violin and Piano by Vladimir Martynov

Yaroslav I. Timofeev

Vladimir Martynov: “Dealing with Content is Not a Composer’s Business”

Ivan Abramov

“The End of History” Ideas in Vladimir Martynov’s “Singapore”

Memory

Natal’ya Zeyfas

He Passed Without Saying Goodbye. In Loving Memory of Giya Kancheli

Early Music

Danil Ryabchikov

Medieval Music: From Manuscript to Performance

Roman Nasonov

Who Sings the “Aria of Peter” and Why It Matters

20th Century

Svetlana Pasynkova

Leonid Polovinkin: Few Strokes to the Portrait of the Composer

Marina Mikheeva

Vladimir Shсherbachev’s Fourth Symphony (“Izhorskaya”): The Past and the Present

Denis Velikzhanin

Natal’ya Gavrilina: “I Could Feel that Gavrilin was Composing by the Rhythm of His Steps”

Music Today

Darya Tcherkassova

Composer on Guard of Nature

Popular Culture

Anatoly Zucker

Rock in the Russian Cinematography of the 1980s

Literary Heritage

Svetlana Petukhova

Autobiographies, Diaries, Memoirs of Musicians: An Attempt of Classification and Problems of Use in Scientific Texts

Antonina Maksimova

“Can a Leopard Change His Spots?”: The American Composers’ Fortunes in Nicolas Slonimsky’s Letters to Vladimir Dukelsky

Max Reger in Russian

Marina Raku

The Music of Max Reger in Russia: About Paradoxes of Reception’s History

Carl Dahlhaus

Why Reger’s Music is So Difficult to Understand

Books

Mikhail Mishchenko

The Musical-Historical “Theology” of Carl Dahlhaus

Rauf Farhadov

Conversations of Elders and Middle-aged

How to Buy
Ресурс 30
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