References

1. Anikienko, S. V. Musical, Social and Creative Activity M. F. Gnesin in Yekaterinodar (Source Study Aspect). Art Criticism Dissertation, Rostov-on-Don, 2015. (In Russ.)
2. Belyy, A. Beginning of the Century, Moscow: Khudozhestvennaya literatura, 1990. (In Russ.)
3. Bokov, V. “The Interlocutor of Groves.” Pasternak Boris. Polnoe sobranie sochineniy s prilozheniyami: v 11 t. T. 11. Boris Pasternak v vospominaniyakh sovremennikov [Pasternak Boris. Complete Works with Appendices: In 11 vol. Vol. 11. Boris Pasternak in the Memoirs of Contemporaries], сompiled and сommentary by E. B. Pasternak and E. V. Pasternak, Moscow: Slovo, 2005, pp. 347–352. (In Russ.)
4. [N. s.] “Chronicle.” Rossiyskaya muzykal’naya gazeta [Russian Musical Newspaper], no. 1, 1905, col. 24. (In Russ.)
5. [N. s.] “Chronicle.” Rossiyskaya muzykal’naya gazeta [Russian Musical Newspaper], no. 9, 1906, col. 218. (In Russ.)
6. [N. s.] “Chronicle.” Rossiyskaya muzykal’naya gazeta [Russian Musical Newspaper], no. 11, 1906, col. 286. (In Russ.)
7. [N. s.] “Chronicle.” Rossiyskaya muzykal’naya gazeta [Rossiyskaya muzykal’naya gazeta], no. 16, 1906, col. 407. (In Russ.)
8. Bugoslavskiy, S. “Evgeni Maksimovich Braudo.” Bol’shaya biograficheskaya entsiklopediya [Big Biogra­phical Encyclopedia], https://drugoe-kino.livejournal.com/2179394.html (accessed 6 November 2019). (In Russ.)
9. Vol’fing [Metner E.] Modernizm i muzyka: Stat’i kriticheskie i polemicheskie [Modernism and Music: Articles Critical and Polemical], Moscow: Musaget, 1912. (In Russ.)
10. Vyurts, I. R. “Modulation and Harmony in Max Reger’s Compositions.” Rossiyskaya muzykal’naya gazeta [Russian Musical Newspaper], no. 38, col. 759–770. (In Russ.)
11. Istoriya russkoy muzyki. T. 10B: 1890–1917. Kn. I: Khronograf [History of Russian Music. Vol. 10B: 1890–1917. B. I: Chronograph], edited and compiled by E. M. Levashev, Moscow: Azbuka slavyanskoy kul’tury, 2011. (In Russ.)
12. Istoriya russkoy muzyki. T. 10B: 1890–1917. Kn. II: Khronograf [History of Russian Music. Vol. 10B: 1890–1917. B. II: Chronograph], edited and compiled by E. M. Levashev, Moscow: Azbuka slavyanskoy kul’tury, 2011. (In Russ.)
13. Karatygin, V. “Evening in Memory of Reger.” Rech’, 21 May, 1916. (In Russ.)
14. Karatygin, V. Izbrannye stat’i [Selected Articles], compiled and edited by I. Golubovsky, Moscow—Leningrad: Muzyka, 1965. (In Russ.)
15. Karatygin, V. G. “Young Russian Composers.” Apollon, no. 11–12, 1910. (In Russ.)
16. Kreynina, Yu. Maks Reger. Zhizn’ i tvorchestvo [Max Reger. Life and Art], Moscow: Muzyka, 1991. (In Russ.)
17. Kuzmin, M. Dnevnik 1905–1907 [Diary 1905–1907], foreword, redaction and commentary by N. A. Bogomolov and S. V. Shumilov, St. Petersburg: Izdatel’stvo Ivana Limbakha, 2000. (In Russ.)
18. Mal’tseva, E. G. Alexander Ilyich Ziloti: Pianist, Teacher, Organizer of Concert Life. Art Criticism Dissertation. Rostov-on-Don, 2014. (In Russ.)
19. Masanov, I. F. Slovar’ psevdonimov russkikh pisateley, uchenykh i obshchestvennykh deyateley: v 4 t. T. 4 [Dictionary of Pseudonyms of Russian Writers, Scientists and Public Figures: in 4 vol. Vol. 4], redaction by Yu. I. Masanov, edited by B. P. Kozmin, Moscow: Vsesoyuznaya knizhnaya palata, 1960. (In Russ.)
20. Metner, N. K. Pis’ma [Letters], compiled by Z. A. Apetyan, Moscow: Sovetskiy kompozitor, 1973. (In Russ.)
21. Mizantrop [Myaskovskiy, N.] “Petersburg Letters.” Muzyka [Music], no. 67, 1912, pp. 263–267. (In Russ.)
22. Mizantrop [Myaskovskiy, N.] “Petersburg Letters.” Muzyka [Music], no. 13, 1913, p. 139. (In Russ.)
23. Moiseev, G. Kamernye ansambli P. I. Chaykovskogo [Chamber Ensembles of P. I. Tchaikovsky], Moscow: Muzyka, 2009. (In Russ.)
24. Neygauz, G. G. “Composer-performer.” S. S. Pro­kof’ev: Materialy, dokumenty, vospominaniya [S. S. Pro­kofiev: Materials, Documents, Memoirs], com­piled by S. I. Shlifshtein, 2nd ed., Moscow: Gosmuzizdat, 1961, pp. 438–447. (In Russ.)
25. Nest’ev, I. Prokof’ev [Prokofiev], Moscow: Muzgiz, 1957. (In Russ.)
26. O. V-va [Olenina-d’Al’geym] “Max Reger (On his Arrival in St. Petersburg).” Russkaya muzykal’naya gazeta [Russian Musical Newspaper], no. 49, 1906, col. 1153. (In Russ.)
27. Prokof’ev S. Avtobiografiya [Autobiography], foreword by N. Savkina, afterword, commentary by M. Kozlova, Moscow: Klassika-XXI, 2007. (In Russ.)
28. Prokof’ev, S. Dnevnik. Kn. I: 1907–1918 [Diary. B. I: 1907–1918], foreword by S. Prokofiev, Paris: sprkfv, 2002. (In Russ.)
29. Raku, M. Vagner. Putevoditel’ [Wagner. Guide], Moscow: Klassika-XXI, 2007. (In Russ.)
30. Reger, M. K ucheniyu o modulyatsii [To the Doctrine of Modulation], translation and commentary by V. V. Shpinitsky, St. Petersburg: Kompozitor, 2009. (In Russ.)
31. Reger, M. O modulyatsii [About Modulation], translation and foreword by P. Ryazanov, Leningrad: Triton, 1926. (In Russ.)
32. Reger, M. «Proshu slova!» Iz epistolyarnogo i publitsisticheskogo naslediya [“I ask for the Words!”: From the Epistolary and Journalistic Heritage], translation and commentary by V. V. Shpinitsky, Moscow: ArsisBooks, 2018. (In Russ.)
33. Sabaneev, L. Evreyskaya natsional’naya shkola v muzyke [Jewish National School of Music], Moscow: Obshchestvo evreyskoy muzyki, 1924. (In Russ.)
34. Findeyzen, N. Dnevniki. 1902–1909 [The Diaries. 1902–1909], foreword, transcription of manuscripts, research, commentary, redaction M. L. Kosmovskaya, St. Petersburg: Dmitriy Bulanin, 2010. (In Russ.)
35. [Findeyzen, N.] “Chronicle. Concerts.” Russkaya muzykal’naya gazeta [Russian Musical Newspaper], no. 50, 1906, col. 1208. (In Russ.)
36. Khazdan E. “Two Palestinian Trips of M. F. Gnesin.” Opera musicologica, no. 1 (11), 2012, pp. 26–46. (In Russ.)
37. Shpinitskiy, V. “Max Reger: Memories of a Trip to St. Petersburg.” Severnoe siyanie = Aurora borealis [Northern Lights = Aurora borealis], issue 2, edited and compiled by L. Kupets, Petrosawodsk, 2001, pp. 35–45. (In Russ.)
38. Shpinitskiy, V. “Elsa Reger: Letters from St.  Petersburg.” Severnoe siyanie = Aurora borealis [Northern Lights = Aurora borealis], issue 3, edited and compiled by L. Kupets, Petrosawodsk, 2001, pp. 138–142. (In Russ.)
39. “VIII International Festival of Organ Music ‘Royal Audiences’.” Sayt Samarskoy gosudarstvennoy filarmonii. https://filarm.ru/festivals/festival79.html (ac­­­­cessed 6 November 2019).
40. Dahlhaus C. “Warum ist Regers Musik so schwer verständlich?” Neue Zeitschrift für Musik. 1973 / 3 (№ 134). S. 134.
41. Gourevich V. “Max Reger in den Ausgaben der ‘Russischen Musikzeitung’” Musikgeschichte in Mittel- und Osteuropa. Mitteilungen der internationalen Arbeitsgemeinschaft an der Universität Leipzig. Heft 18. Max Reger — ein nationaler oder ein universaler Komponist? / hrsg. v. Helmut Loos, Klaus-Peter Koch u. Susanne Popp. Leipzig: Gudrun Schröder, 2017. S. 18–29.
42. Kniazeva J. “Jacques Handschin als Reger-Schüler.” Musikgeschichte in Mittel- und Osteuropa. Mittei­lungen der internationalen Arbeits­gemein­schaft an der Universität Leipzig. Heft 18. Max Reger — ein nationaler oder ein universaler Kom­ponist? / hrsg. v. Helmut Loos, Klaus-Peter Koch u. Susanne Popp. Leipzig: Gudrun Schröder, 2017. S. 30–38.
43. Niemann H. “Max Regers Konzerterfolge in Rus­s­land.” Mitteilungen des Max-Regers-Institut. Heft 16. Wiesbaden, 1966. S. 59–65.
44. Raku M.  “Reger und Russland.” Musikgeschichte in Mittel- und Osteuropa. Mitteilungen der internationalen Arbeitsgemeinschaft an der Universität Leipzig. Heft 18. Max Reger — ein nationaler oder ein universaler Komponist? / hrsg. v. Helmut Loos, Klaus-Peter Koch u. Susanne Popp. Leipzig: Gudrun Schröder, 2017. S. 1–17.
45. Sander M. “Der Aufstehensgedanke im Werk von Max Reger.” Ars organi. Internationale Zeitschrift für das Orgelwesen. Вd. 51. 2003. № 1. S. 10–19.
46. Schaltuper J. “Reger in Russland.” Max-Reger-Festschrift 1973. Meiningen, 1974. S. 17–21.
47. Weprik Alexander Moiseyevich. Jewish Music WebCenter, http://jmwc.org/moiseyevich-weprik- alexander (accessed 6 November 2019).