Grigoriy Lyzhov, Tatyana Kyuregyan, Alexander Sokolov, Evgenia Chigareva, Yuliya Moskva, Irina Vorontsova, Ekaterina Ivanova, Ekaterina Dmitrieva, Tat’yana Gordon
In Memory of Marina Voinova: Strokes to a Portrait. A Mosaic of Recollections by Grateful Colleagues
Elena Arutyunova
The “Coin du Roi” Strikes. Mondonville’s Heroic Pastoral “Titon et L’Aurore”
Leyla Abdullayeva
Lyrical-Psychological Dimension of Heroic Opera. Mikhail Glinka’s “A Life for the Tsar” and Uzeyir Hajibeyli’s “Koroglu”: A Comparative Analysis
Sophia Ignatenko
Gogol’s Text in the Opera “Sorochinsky Fair”: About M. P. Mussorgsky as a Comic Librettist
Natalia Vlasova
Richard Strauss and Bayreuth (on the 150th Anniversary of the Bayreuth Festival)
Elena Petrushanskaya
Through the Subtexts of Soviet Sci-Fi Movie Music
Vitaliy Zakharov
Features of the Thematic System in Nikolai Karetnikov’s Music for the Film “Pervorossiyane”
Andrey Kovalev
On the Symbolism of Dies Irae in S. V. Rachmaninoff’s “Symphonic Dances”
Vera Val’kova
S. V. Rachmaninoff the Conductor: Paradoxes and Facets of an Artistic Career
Il’yas Uzbekov
“Let Them Guess for Themselves”: On the Possible Program of the Fantaisie in F minor Op. 49 by Frédéric Chopin
Stephan Naumovich
“In the Great Cycle of Time…”: Some Analytical Observations on the Music of Late Schumann
Larisa Belyakaeva-Kazanskaya
P. I. Tchaikovsky’s Forgotten St. Petersburg Address
Rauf Farhadov
“Baku Days” in Baku May
Hibla Gerzmava
From Competition to Workshop: A New Ecosystem for Supporting Young Musicians
