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Issue № 3 (791) | 2025

Premiere: Edison Denisov’s “Blue Notebook”

Svetlana I. Savenko

On Edison Denisov’s “Blue Notebook”

Alena Verin-Galitskaya

Veniamin Smekhov: “Everyone was Laughing, but Denisov Listened Grimly”

Philosophy of Music

Vsevolod Zaderatsky

Musical Globalization: A New Dimension of the East–West Dichotomy

Эльвира Панаиотиди

“A Superfluous Concession to False Aesthetics?” On the Problem of “Hanslick’s Deleted Ending”

Mathematics of Music

The Technique of Musical Icosahedra

Archives

Harmony and the Dance Genre (Publication, Foreword and Comments by T. S. Kyuregyan)

Musical Forms in Jazz (Publication, Foreword, and Comments by Tatyana S. Kyuregyan)

Sergei A. Uvarov

“Celestial Baby Camels” by Mikhail Matyushin: Tender Shards of Russian Avant-Garde

Elena Biteryakova, Igor Klimov

Materials of the Early Tula Expeditions of Moscow Conservatory in the Funds of Kliment Kvitka Folk Music Research Centre

Spectral Music

Kristina Agaronyan

James Tenney: Spectralism “Across the Atlantic”

Marianna Vysotskaya

Dalbavie vs Gesualdo: On the Method of Reintegration in “Palimpseste”

Overview

Works by Foreign Composers in the Collection “Music Gifts for the Russian Emperors”

Григорий Ганзбург

About the Archive of Yuri Ahronovitch in Zurich

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