References

1. Aytmatov, Ch. Plakha [Scaffold]. Moscow : Molo­daya gvardiya, 1987. (In Russ.)
2. Vysotskaya, M. S. “Marc-André Dalbavie’s ‘Dia­demes’: from the polyphony of layers to the ‘poly­phony of processes’,” Vestnik Sankt-Peter­burgskogo universiteta [Bulletin of St. Petersburg University], vol. 13, no. 4, 2023, рр. 621–38, doi:10.21638/spbu15.2023.402. (In Russ.)
3. Garbuz, O. V. “Palimpsest in the Music of Pascal Dusapin,” Extended Abstract of Cand. Sci. (Art Criticism) Dissertation, Moscow : Tchaikovsky Moscow State Conservatory, 2012. (In Russ.)
4. Grigor’eva, M. A. “The problem of harmony in the late works of Carlo Gesualdo,” Extended Abst­ract of Cand. Sci. (Art Criticism) Dissertation, Mos­cow : Tchaikovsky Moscow State Conservatory, 2010. (In Russ.)
5. Grisey, G. “‘Tempus ex machina’: the composer’s reflections on musical time,” trans. and ed. by M. S. Vysotskaya, Kompozitory sovremennoi Frantsii o muzyke i muzykal’noi komozitsii: uchebnoe posobie [Composers of Modern France about Music and Musical Composition: a Textbook], comp. and ed. by V. G. Tarnopol’sky, M. S. Vysotskaya, T. V. Tsare­gradskaya. Moscow : NITs “Moskovskaya konserva­toriya”, 2020, рр. 83‒117. (In Russ.)
6. Genette, G. Palimpsesty: literatura vo vtoroy stepeni [Palimpsests: Literature in the Second Degree]. Moscow : Nauchnyy mir, 1982. (In Russ.)
7. Lebedev, S. N. “Prototonality in the music of the Western European Middle Ages and Renaissance,” Ad musicum, Moscow : NITs “Moskovskaya konser­vatoriya”, 2008, рр. 33–47. (In Russ.)
8. Chupova, A. G. “Salvatore Sciarrino’s operas of the 1990s–2000s: aesthetics, dramaturgy, com­po­sitional technique,” Extended Abstract of Cand. Sci. (Art Criticism) Dissertation, Petrozavodsk : Gla­zunov Petrozavodsk State Conservatory, 2024. (In Russ.)
9. Dalbavie, M.-A., Le son en tout sens. Entretiens avec Guy Lelong. Paris : Gérard Billaudot Éditeur, 2005.
10. Dalbavie, M.-A., Palimpseste, https://bcmg.org.uk/palimpseste (accessed 22 August 2025).
11. Dalbavie, M.-A., “Pour sortir de l’avantgarde,” Le timbre: Métaphore pour la composition, ed. by Jean-Baptiste Barrière, Paris : IRCAM ; Christian Bourgois Éditeur, 1991, pp. 303‒334. Collection Musique / Passé / Présent.
12. Lelong, G. “Entretien avec Philippe Hurel,” Cahiers de l’IRCAM, no. 5, 1994, pp. 7–41.
13. Texier, M. “Entretien avec Marc-André Dalbavie,” Cahiers de l’IRCAM, no. 3, 1993, pp. 9‒18.