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Issue № 2 (782) | 2023

Music Today: The State of “Between”

Olga Bochikhina, Tatyana Yakovleva

The State of “Between”: Is It Possible to Think in Plurality? (On the Example of the Work of George Aperghis)

Yana Gorelik

Olga Bochikhina: “While Everybody is Ready, I’m Still Preparing”

Tatyana Yakovleva

Pierre Jodlowski: “The Archive of the Piece is More Important for Me than the Piece Itself”

Richard Taruskin

Richard Taruskin

Everybody Gotta Be Someplace (On Context)

Richard Taruskin

Six Times Six: A Bach Suite Selection

Early Music

Lyudmila Sundukova

The Inganno Technique in Ostinato Forms of the Early Renaissance

Sayida Iskhakova

On Metro-Rhythmic Difficulties in Western European Music of the 16th Century

Ekaterina Antonenko

Concerto and Motet in Russian Sacred Music of the Second Half of the 18th Century: Different Genres or Historical Terms?

Interview

Nailya Nasibulina

Marina Raku: “Genius is a Friend of Paradoxes, But Not Our Friend”

Andrey Goretsky

Oleg Krokhalev: “It’s Sad to Have a Creative Reference Point: Why Should I Know What’s Ahead?”

Russian Music

Irina Stepanova

Borodin’s “Prince Igor” as an Orthodox Concept

Tatjana Frumkis

“And the Noise is Full of Silence.” Andrei Platonov and Contemporary Russian Music

Music Theory

Galina Grigorieva

Sonata-Strophic Form: To Clarify the Concept (On Examples from Russian Choral Music).

Igor Macievski

Structural and Stylistic Multi-Layering in Traditional Music and the Ways of Its Formation

Memoirs

Evgenia Chigareva

Password «Webern»: Remembering the Lessons of Alfred Schnittke

Semyon Skigin

At the Piano It’s the Same as Before

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