Essay

The State of “Between”: Is It Possible to Think in Plurality? (On the Example of the Work of George Aperghis)

Essay

The State of “Between”: Is It Possible to Think in Plurality? (On the Example of the Work of George Aperghis)

This article is written in Russian. You can read it here.


References

  1. Aperghis, G. “Musical palimpsest. Conver­sation with F. Madeleineer and F. Le­roux,” trans. by Yu. N. Pan­teleeva, Slovo kompo­zito­ra i o kompozitore [The Com­poser’s Word and About the Composer] ed. by N. S. Gu­lyanit­skaya, Moscow : RAM im. Gne­sinykh, 2016, pp. 147–154. (In Russ.)
  2. Arto, A. Teatr i ego dvoynik: Manifesty. Dra­ma­turgiya. Lektsii. Filosofiya teatra [Theater and its Doppelganger: Manifesto. Dra­ma­turgy. Lectures. Theater Philosophy], St. Peters­burg—Moscow : Simpozium, 2000. (In Russ.)
  3. Guattari, F. “Heterogenesis,” Kompozitory sovremen­noy Frantsii o muzyke i muzykal’noy kompozitsii [Com­posers of Modern Fran­ce on Music and Musi­cal Com­posi­tion], Mos­cow : Nauchno-izdatel’skiy tsentr «Mos­kov­skaya konservatoriya», 2020, pp. 66–69. (In Russ.)
  4. Goethe, J. W. Faust [Faust], trans. by N. Kho­lo­dov­skiy, Moscow : AST: LYUKS, 2004, p. 433–434. (In Russ.)
  5. Deleuze, G. “On the Benefits of Anglo-Ame­rican Literature.” https://academia.edu/6853065/Жиль_Делёз_О_преимуществах_англо_американской_литературы (accessed: 01 August 2022). (In Russ.)
  6. Deleuze, G., Guattari, F. Tysyacha plato: Kapitalizm i shizo­freniya [A Thousand Plateaus: Capita­lism and Schizophrenia], trans. by Ya. I. Svir­skiy, ed by. V. Yu. Kuznetsov, Ekaterinburg : U-Fak­to­riya ; Mos­cow : Astrel’, 2010. (In Russ.)
  7. Kolbasin, A. “Capitalism and schizophrenia. A thousand plateaus. Geology of morality. Deleuze and Guattari analysis.” https://syg.ma/@artem-kolbasin/gieologhiia-morali-tysiacha-plato-razbor (accessed 30 July 2022). (In Russ.)
  8. McLuhan, G. M. Ponimanie media: Vneshnie ras­shireniya cheloveka [Understanding Me­dia. The Exten­sions of Man], trans. by V. G. Ni­ko­la­ev, Mos­cow : Kuch­kovo pole, 2019. (In Russ.)
  9. Radeev, A. “Deleuze and multiple” Isto­ri­che­skie, filosofskie, politicheskie i yuridicheskie nauki, kul’tu­ro­logiya i iskusstvovedenie. Voprosy teorii i praktiki [Historical, Philosophical, Poli­tical and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice], vol. 1, no. 9 (59), 2015, pp. 142–146, http://gramota.net/materials/3/2015/9-1/40.html (accessed 30 July 2022). (In Russ.)
  10. Khaustov, D. Lektsii po filosofii postmoderna [Lectures on Postmodern Philosophy], Mos­cow : RIPOL-Klassik, 2018. (In Russ.)
  11. Aperghis, G. “Hidden theater. An interview with Cathy Bijur.” An independent online classical music magazine, 11 September 2017, https://van-magazine.com/mag/georges-aperghis/ (accessed 30 July 2022).
  12. Aperghis, G. “Organiser le chaos. Entretien avec Flore Garcin-Marrou.” Dans Chimères, vol. 79, no. 1, 2013, pp. 37–43, doi: 10.3917/chime.079.0037, https://cairn.info/revue-chi­meres-2013-1-page-37.htm (accessed 28 July 2022).
  13. Fricke, S. “Zu den werken. Begleitheft zum Konzert des Festivals ‘Acht Brücken’,” Kölner Philharmonie, pp. 3–6, 4 May 2019, https://koelner-philharmonie.de/media/filer_public/72/89/7289a595-b531-4399-bc04-9a0fb70310aa/2019-05-04_20_uhr.pdf (accessed 25 July 2022).
  14. Maximoff, C. Aperghis, G. Tempête sous un crane, Paris : Les Films du Présent, Idéale Audience, Arte France, 2006 (DVD).
  15. Composed Theatre: Aesthetics, Practices, Pro­cesses, ed. by M. Rebstock and D. Roesner, Bristol—Chi­cago : Intellect, 2012.
  16. Regnault, F. “Aperghis littéral,” 15 January 2004, https://ensembleintercontemporain.com/fr/ 2004/01/aperghis-litteral/ (accessed 25 July 2022).
  17. Wnuk, A. “Graffitis,” 22 January 2015, https://aleksanderwnuk.com/2015/01/22/graffitis/ (accessed 25 July 2022).