References

1. Akopyan [Hakobian], L. Analiz glubinnoy struk­tu­ry muzykal’nogo teksta [Analysis of the Deep Structure of Music Text], Moscow : Praktika, 1995. (In Russ.)
2. Vayl’, P. Stikhi pro menya [Poetry About Myself], Moscow : Astrel’ : CORPUS, 2011. (In Russ.)
3. Ksenakis, Ya. [Xenakis, I.]. Formalizovannaya muzy­ka. Novye formal’nye printsipy muzykal’noy kom­po­zi­tsii [Formalized Music. New Formal Principles of Mu­si­cal Composition], Saint-Petersburg : N. A. Rimsky-Korsakov Conservatoire, 2008. (In Russ.)
4. Bayer, F. De Schönberg à Cage. Essai sur la notion d’espace sonore dans la musique contemporaine, Pa­ris : Klincksieck, 1981.
5. Childs, E. “‘Achorripsis’: a Sonification of Proba­bi­lity Distributions.” Proceedings of the 2002 Inter­na­tional Conference on Auditory Display. Kyoto, Japan, July 2–5, 2002, http:// icad.org/websiteV2.0/Con­ferences/ICAD2002/proceedings/16_Edward­Childs.pdf (accessed 15 October 2020).
6. Chrissochoidis, I., Mitsakis, C., Houliaras, S. “Set theory in Xenakis’ EONTA.” International sympo­sium Iannis Xenakis. Edited by A. Georgaki and M. Solomos, Athens : The National and Kapo­distrian University, 2005, pp. 241–249.
7. Exarchos, D., Jones, D. “Sieve analysis and construction: Theory and implementation.” Proceedings of the Xenakis International Symposium. Southbank Centre, London, 1–3 April 2011, https://research.gold.ac.uk/15753/1/11.2-Dimitris-Exarchos-%26-Daniel-Jones.pdf (accessed 15 October 2020).
8. Fleuret, M. “Notes sur ‘Synaphai’.” Xenakis I. Syna­phaï, Paris : Salabert 17395, 1985, p. II.
9. Jones, E. “An Experiential Account of Musical Form in Xenakis’s String Quartets.” Intimate Voices. The Twentieth-Century String Quartet. Vol. 2: Shosta­kovich to the Avant-garde. Edited by E. Jones, Rochester : University of Rochester Press, 2009, pp. 138–161.
10. Schaeffer, P. Traité des objets musicaux, Paris : Seuil, 1966.
11. Solomos, M. “Iannis Xenakis. Trois composantes de l’univers xenakien.” Théories de la composition musicale au XXe siècle. Vol. 2. Sous la direction scientifique de N. Donin et L. Feneyrou, Lyon : Symétrie, 2013, pp. 1057–1080.
12. Squibbs, R. “The Composer’s Flair: ‘Achorripsis’ as Music.” International symposium Iannis Xenakis. Edited by A. Georgaki and M. Solomos, Athens : The Natio­nal and Kapodistrian University, 2005, pp. 258–264.
13. Varga, B. A. Conversations with Iannis Xenakis, Lon­don : Faber & Faber, 1996.
14. Vriend, J. “‘Nomos alpha.’ Analysis and Comments.” Interface, no. 10, 1981, pp. 15–82.
15. Xenakis, I. Antikhthon, Paris : Salabert 17038, 1986.
16. Xenakis, I. Arts/Sciences. Alliages, Tournai : Caster­man, 1979.
17. Xenakis, I. Cendrées, Paris : Salabert 17187, 1974.
18. Xenakis, I. Formalized Music. Thought and Mathe­matics in Composition. Revised edition, Stuyvesant, NY : Pendragon Press, 1992.
19. Xenakis, I. Musiques formelles: nouveaux principes formels de composition musicale, Paris : Richard-Masse, 1963.