Contrasting Effects of World Perception as a Principle of Sofia Gubaidulina’s Musical-Philosophical Thinking

Contrasting Effects of World Perception as a Principle of Sofia Gubaidulina’s Musical-Philosophical Thinking

This article is written in Russian. You can read it here.

References

  1. Abdullin, R. “Introduction to the depths of creativity.” Pod znakom lyubvi. Kompozitor Sofiya Gubay­dulina. K 85-letiyu so dnya rozhdeniya [Under the Sign of Love. Composer Sofia Gubaidulina. To the 85th Anni­versary of Birth], Kazan : [unedited], 2016, pp. 118–120. (In Russ.)
  2. Buber, M. Dva obraza very [Two Images of Faith], Moscow : Respublika, 1995. (In Russ.)
  3. Getseleva, E. “Organ in the works of Sofia Gubai­du­lina”. Gradus ad Parnassum. Sbornik statey molodykh muzykovedov [Gradus ad Parnassum. Collection of Articles by Young Musicologists], Nizhny Novgorod : [unedited], 1998, pp. 83–103. (In Russ.)
  4. Gubaidulina, S. “It is impossible to be included in hatred.” Interview with E. Eremenko. Muzykal’noe obozrenie [Musical Review], no. 12 (376), 2014, p. 4. (In Russ.)
  5. Gubaidulina, S. “Traveling in an imaginary space: Meeting with students and teachers of Moscow Conservatory.” Tribuna molodogo zhurnalista [Tribune of a Young Journalist], no. 1, 2011, p. 2. (In Russ.)
  6. Dederer, N. S. Music by S. A. Gubaidulina for percussion instruments (percussion ensembles and concerts with solo drums). Graduate work, Moscow : Tchai­kovsky Moscow State Conservatory, 2012. (In Russ.)
  7. Diderot, D. “About dramatic poetry”, transl. by R. Lin­zer. Estetika i literaturnaya kritika [Aesthetics and Literary Criticism], Moscow : Khudozhestvennaya lite­ra­tura, 1980, pp. 216–300. (In Russ.)
  8. Moskvina, O. A. Instrumental creativity of Sofia Gubai­dulina in the aspect of religious-symbolic programmaticity. Cand. Sci. (Art Criticism) Dissertation, Nizhny Novgorod : Glinka Nizhny Novgorod State Conservatory, 2017. (In Russ.)
  9. Nikolay Kuzanskiy [Nicholas of Cusa]. Collected works in 2 volumes. Vol. 1, Moscow : Mysl’, 1979. (In Russ.)
  10. “...But I consider myself a happy person.” Conversation with S. Gubaidulina by L. Monasypova, R. Useinova, N. Khairullina. Sovremennaya muzyka kak fenomen kul’turnogo prostranstva. Gubaydulinskie chteniya [Contemporary Music as a Phenomenon of Cultural Space. Gubaidulina’s Readings], Kazan : Kazan State Conservatory; TsSM named after S. Gubaidulina, 2015, pp. 125–133. (In Russ.)
  11. Uspensky, N. Obraztsy drevnerusskogo pevcheskogo iskusstva [Samples of Old Russian Singing Art], Lenin­grad : Muzyka, 1971. (In Russ.)
  12. Khadzhikurbanova, G. A. “Problems of studying the antithesis in linguistics.” Molodoy uchenyy [Young Scientist], no. 22 (312), 2020, pp. 623–639. (In Russ.)
  13. Kholopova, V. N. “Time and outside time. About the creative process of Sofia Gubaidulina.” Protsessy muzykal’nogo tvorchestva [Processes of Musical Creativity], Issue 3, Moscow : RAM im. Gnesinykh, 1999, pp. 99–113. (In Russ.)
  14. Kholopova, V. N. “The world of dialogues in the works of Sofia Gubaidulina.” Zvukovye prostranstva Sofii Gubaydulinoy. Gubaydulinskie chteniya [Sound Spaces of Sofia Gubaidulina. Gubaidulina’s Readings], Kazan : Kazan State Conservatory; TsSM named after S. Gubaidulina, 2016, pp. 8–20. (In Russ.)
  15. Kholopova, V. N. “‘Music’ by Sofia Gubaidulina: microtones of altitude and the greatness of meaning.” Muzykal’naya akademiya [Music Academy], no. 2, 2005, pp. 34–40. (In Russ.)
  16. Kholopova, V., Restano, E. Sofiya Gubaydulina. Mo­no­graficheskoe issledovanie [Sofia Gubaidulina. Monographic Research. Interview with S. Gubaidu­lina / E. Restag­no], Moscow : Kompozitor, 2020. (In Russ.)
  17. Shevtsova, I. V. Works by Sofia Gubaidulina for cello: problems of musical content, composition and interpretation of the instrument. Cand. Sci. (Art Cri­ticism) Dissertation, Moscow : Tchaikovsky Moscow State Conservatory, 2014. (In Russ.)
  18. Shevtsova, I. V. “Philosophical concepts in the works of Sofia Gubaidulina.” Sovremennaya muzyka kak fenomen kul’turnogo prostranstva. Gubaydulinskie chteniya [Contemporary Music as a Phenomenon of Cultural Space. Gubaidulina’s Readings], Kazan : Ka­zan State Conservatory; TsSM named after S. Gu­bai­dulina, 2015, pp. 37–67. (In Russ.)
  19. Shirieva, N. V. Principles of the structural organization of the choral works by Sofia Gubaidulina. Cand. Sci. (Art Criticism) Dissertation, Saratov : Sobinov Sara­tov State Conservatory, 2011. (In Russ.)
  20. Kurtz, M. Sofia Gubaidulina. Eine Biografie, Stutt­gart : Verlag Freies Geistesleben & Urachhaus GmbH, 2001.