References

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2. Uvarov, S. A. “Alexander Khubeev and Nikolai Popov: Millennial Composers.” Muzykal’naya aka­demiya [Music Academy], no. 1, 2019, pp. 128‒134. (In Russ.)
3. Uvarov, S. A. Golos millenialov [Voice of Millennials], Moscow : Kompozitor, 2022. (In Russ.)
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5. Uvarov, S. A. Muzykal’nyy mir Aleksandra Soku­rova [Musical World of Alexander Sokurov], Mos­cow : Klassika XXI, 2011. (In Russ.)
6. Kholopova, V. N. “Alfred Garrievich Schnittke.” Kompozitory Rossiyskoy Federatsii [Composers of the Russian Federation], issue 2, ed. by V. I. Kazenin, Moscow : Sovetskiy kompozitor, 1982, pp. 254‒287. (In Russ.)
7. Kholopova, V. N. “Dramaturgy and musical forms in the cantata ‘Night in Memphis’ by S. Gubaidu­lina.” Muzyka i sovremennost’ [Music and Modernity], ed. by D. V. Frishman, vol. 8, Moscow : Muzyka, 1974, pp. 109‒130. (In Russ.)
8. Kholopova, V. N. Kompozitor Nikolay Popov [Com­poser Nikolai Popov], Moscow : Al’teks, 2019. (In Russ.)
9. Kholopova, V. N. “The modernity of Nikolai Popov: novelty of music—novelty of his world view.” Problemy muzykal’noy nauki [Music Scholarship], no. 1, 2018, pp. 120‒130, doi:10.17674/1997-0854.2018.1.120-130. (In Russ.)
10. Kholopova, V. N. “The Artistic Principles in Multi­media Works: Nikolai Popov and Todor Pozarev (on the Example of ‘Martellato’ and ‘Artra’).” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], no. 3, 2018, pp. 168‒182, doi:10.26176/mosconsv.2018.34.3.07 (In Russ.)
11. Khrustcheva, N. A. Metamodern v muzyke i vokrug nee [Metamodernism in Music and Around It], Mos­cow : Ripol-Klassik, 2020. (In Russ.)