Notes on Sonata Cycle of Cross-Cutting Development in Brahms’ Chamber Music

The article is written in Russian. You may read it here.

References

  1. Harnoncourt, N. Moi sovremenniki: Bakh, Motsart, Monteverdi [The Musical Dialogue: Thoughts on Mon­teverdi, Bach and Mozart], translated by S. V. Gro­khotov, Moscow : Klassika–XXI, 2005. (In Russ.)
  2. Herschkowitz, F. O muzyke: Stat’i. Zametki. Pis’ma. Vospominaniya [On Music: Articles. Notes. Letters. Reminiscences], edited by L. Herschkowitz, L. Gof­man and A. Vustin, Moscow : Sovetskiy kompozitor, 1991. (In Russ.)
  3. Herschkowitz, F. O muzyke [On Music], book 2. Edited by L. Herschkowitz, Moscow : s. n., 1993. (In Russ.)
  4. Kurth, E. Romanticheskaya garmoniya i ee krizis v “Tristane” Vagnera [Romantic Harmony and Its Crisis in Wagner’s “Tristan”], translated by G. Balter, Moscow : Muzyka, 1975. (In Russ.)
  5. Tsareva, E. Iogannes Brams [Johannes Brahms], Mos­cow : Muzyka, 1986. (In Russ.)

About the author: Nataliya S. Shlifshteyn, Associate Professor of the Musicology and Composition De­partment, Ippolitov-Ivanov State Music Pedagogy Institute