References

1. Alekseev, B. С. Zadachi po garmonii : uchebnoe po­so­bie dlya konservatoriy i muzykal’nyh uchilishch [Tasks on Harmony : а Textbook for Conservatories and Music Colleges], 2nd ed., Moscow : Muzyka, 1976. (In Russ.)
2. Arenskiy, A. S. Sbornik zadach (1000) dlya prak­ti­cheskogo izucheniya garmonii [Collection of Tasks (1000) for the Practical Study of Harmony], Mos­cow : Muzyka, 1965. (In Russ.)
3. Berkov, V. O, Stepanov, A. A. Zadachi po garmonii [Tasks on Harmony], 2nd, expanded ed., Moscow : Muzyka, 1973. (In Russ.)
4. Berezin, V. V. “Some peculiarities of the wind ensemble classes,” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], vol. 3, no. 4, 2012, pp. 160–175, doi:10.26176. (In Russ.)
5. Busse Berger, А. М. Srednevekovaya muzyka i iskus­stvo pamyati [Medieval Music and the Art of Memory], trans. by М. Akimova, St. Petersburg : Academic Studies Press / Bibliorossika, 2023. (In Russ.)
6. Gulianitskaia, N. S. Vvedenie v sovremennuyu gar­mo­niyu: uchebnoe posobie [Introduction to Modern Har­mo­ny: a Textbook], Moscow : Muzyka, 1984. (In Russ.)
7. Devutsky, V. E. Stilisticheskiy kurs garmonii: ucheb­noe posobie [Stylistic Harmony Course: A Textbook], Voronezh : Voronezhskiy gosudarstvennyy univer­sitet, 1994. (In Russ.)
8. Devutsky, V. E., Devutsky, O. V. Vsem izu­chayu­shchim garmoniyu. Obraztsy resheniya populyarnykh garmonicheskikh zadach [For All Who Study Harmo­ny. Keys to Popular Harmonic Exercises], Moscow : Kom­pozitor, 2014. (In Russ.)
9. Dubovsky, I. I. Pyati-devyatigolosie v kurse gar­monii [From Five to Nine-Voices Texture in the Har­mony Course], Moscow : Muzyka, 1970. (In Russ.)
10. Dubovsky, I. I., Evseev, S. V., Sposobin, I. V., Soko­lov, V. V. Uchebnik garmonii [Harmony Textbook], Moscow : Muzyka, 2012. (In Russ.)
11. Diachkova, L. S. Garmoniya v muzyke dvadtsatogo veka: uchebnoe posobie [Harmony in the Music of the 20th Century: a Textbook], Moscow : RAM im. Gne­sinykh, 2003. (In Russ.)
12. Myasoedov, A. N. O garmonii russkoy muzyki (korni natsional’noy specifiki) [On the Harmony of Russian music (Roots of National Specificity)], Moscow : Mu­zyka, 1998. (In Russ.)
13. Katuar, G. L. Teoreticheskiy kurs garmonii [Theoreti­cal Course of Harmony], Moscow : Librokom, 2002. (In Russ.)
14. Sereda, V. P. 101 garmonicheskaya zadacha s va­ri­an­tamy rescheniy [101 Harmonic Tasks with Possible Keys], https://valentin-sereda.ru/Portals/­0/101zadacha/101.pdf (accessed 10 August 2025). (In Russ.)
15. Skrebkov, S. S. “On the issue of performer’s inter­pretation of musical works,” S. S. Skrebkov. Izbran­nye stat’i [S. S. Skrebkov. Selected Articles], ed. by D. A. Arutyunov, Moscow : Muzyka, 1980, pp. 17–23. (In Russ.)
16. Trembovel’skiy, E. B. Stil’ Musorgskogo: lad, gar­moniya, sklad [Mussorgsky’s Style: Mode, Harmony, Structure], 2nd ed., Moscow : Kompozitor, 2010. (In Russ.)
17. Tyulin, Y. N., Privano, N. G. Obraztsy resheniya gar­monicheskikh zadach [Keys to Harmony Exercises], Moscow : Muzyka, 1966. (In Russ.)
18. Kholopov, Yu. N. Garmoniya. Teoreticheskiy kurs [Harmony. Theoretical Course], Moscow : Muzyka, 1988. (In Russ.)