Essay
Strategies of Harmonic Analysis. Examples and Notes
Essay
Strategies of Harmonic Analysis. Examples and Notes
References
- Webern, A. Lektsii o muzyke. Izbrannye pis’ma [Lectures on Music. Selected Letters], trans. by V. G. Schnittke, Moscow : Muzyka, 1975. (In Russ.)
- Presnyakova, I. A. “Formation of Russian-language music theory terminology in domestic music manuals of the late 18th and first half of the 19th centuries: 1773–1862,” Cand. Sci. (Art Criticism) Dissertation, Kazan : Zhiganov Kazan State Conservatory, 2004. (In Russ.)
- Prostov, D. “Russian text of ‘Barcarolle’ by F. Schubert,” Forum “Klassika,” 25 July 2006, http://forumklassika.ru/showthread.php?t=8394 (accessed 8 October 2025). (In Russ.)
- Khannanov, I. D. Muzyka Sergeya Rakhmaninova: sem’ muzykal’no-teoreticheskikh etyudov [The Music of Sergei Rachmaninov: Seven Music Theory Studies], Moscow : Kompozitor, 2011. (In Russ.)
- Kholopov, Yu. N. Garmoniya. Prakticheskiy kurs [Harmony. A Practical Course], textbook, part 1: Garmoniya epokhi barokko. Garmoniya epokhi venskikh klassikov. Garmoniya epokhi romantizma [Harmony of the Baroque Era. Harmony of the Viennese Classics. Harmony of the Romantic Era], Moscow : Kompozitor, 2005. (In Russ.)
- Kholopov, Yu. N. Garmoniya. Prakticheskiy kurs [Harmony. A Practical Course], textbook, part 2: Garmoniya 20 veka [Harmony of the 20th Century], Moscow : Kompozitor, 2005. (In Russ.)
- Kholopov, Yu. N. Zadaniya po garmonii [Harmony Exercises], Moscow : Muzyka, 1983. (In Russ.)
- Kholopov, Yu. N. “Musical forms in Debussy’s piano preludes,” Yu. N. Kholopov. Muzykal’nye formy klassicheskoy traditsii. Stat’i. Materialy [Musical Forms of the Classical Tradition. Articles. Materials], ed. and comp. by T. S. Kyuregyan, Moscow : NITs “Moskovskaya konservatoriya,” 2012, pp. 484–549. (In Russ.)
- Tchaikovsky, P. I. Rukovodstvo k prakticheskomu izucheniyu garmonii [A Guide to the Practical Study of Harmony], Moscow : P. Yurgenson, 1897. (In Russ.)
- Euler, L. “‘Attempt at a new theory of music.’ Excerpts from the treatise translated by R. A. Nasonov,” Muzykal’naya akademiya [Music Academy], no. 1, 1995, pp. 140–150. (In Russ.)
- Cohn, R. “Peter, the wolf, and the hexatonic uncanny,” Tonality 1900–1950: Concept and Praсtice, ed. by F. Wörner, U. Scheideler, Ph. Rupprecht, Stuttgart : Franz Steiner, 2012, pp. 47–62.
- Conversations with Igor Stravinsky, ed. by R. Craft, Garden City, NY : Doubleday, 1959.