References

1. Fratris Michaeli “Dialogus de musica.” Edition of La­tin text, translation, and commentary by S. N. Le­bedev, Nauchnyy vestnik Moskovskoy konser­vatorii [Journal of Moscow Conservatory], vol. 12, no. 1, March 2021, pp. 8–33, doi:10.26176/mosconsv. 2021.44.1.001. (In Russ.)
2. Guido of Arezzo. “Micrologus.” Trans. from Latin, intro­duction, and comment. by S. N. Lebedev, Nauch­nyy vestnik Moskovskoy konservatorii [Journal of Mos­cow Conservatory], vol. 14, no. 1, March 2023, in print. (In Russ.)
3. Guido of Arezzo. “Prologue to an Antiphoner.” Trans. from Latin and comment. by R. L. Pospelova. Sator tenet opera rotas. Yuriy Nikolaevich Kholopov i ego nauchnaya shkola (k 70-letiyu so dnya rozhde­niya) [Sator tenet opera rotas. Yury Nikolaevich Kholo­pov and His Scientific School (to the 70th Anniversary of Birth)], collected articles, ed. by V. S. Tsenova, Moscow : Tchaikovsky Moscow State Conservatory, 2003, pp. 48–67. (In Russ.)
4. Lebedev, S. N. “Neumae.” The Orthodox Encyclo­pedia, vol. 48, pp. 495–499, https://pravenc.ru/text/2564814.html (accessed 1 September 2022). (In Russ.)
5. Lebedev, S. N. “Epistola by Guido: A familiar text on an unfamiliar cantus.” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Con­servatory], vol. 6, no. 1, March 2015, pp. 23–47, doi:10.26176/mosconsv.2015.20.1.08. (In Russ.)
6. Lebedev, S. N., ed. “Guido d’Arezzo. Regulae rhyt­micae.” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], vol. 9, no. 1, March 2018, pp. 8–33, doi:10.26176/mosconsv.2018.32.1.01. (In Russ.)
7. Pospelova, R. L. “Western notation of the 11th–14th centuries. Main reforms (based on treatises),” Doc­toral (Art Criticism) Dissertation, Moscow : Tchai­kovsky Moscow State Conservatory, 2004. (In Russ.)
8. Guido d’Arezzo. Le opera, testo latino e italiano, introduzione, traduzione e commento a cura di A. Rusconi, Firenze : Edizioni del Galluzzo, 2008.
9. Guido of Arezzo. “Prologue to his Antiphoner.” Trans. by O. Strunk, rev. by J. McKinnon, Source Readings in Music History, ed. by O. Strunk, rev. by L. Treitler. New York ; London : Norton & Company, 1998, pp. 211–214.
10. Guido d’Arezzo’s Regule rithmice, Prologus in anti­phonarium and Epistola ad Michahelem, a critical text and translation <...> by D. Pesce, Ottawa : The Institute of Mediaeval Music, 1999.
11. Guidonis Aretini Prologus in antiphonarium, edidit Jos. Smits van Waesberghe, Buren : Frits Knupf, 1975.
12. Phillips, N. “Notationen und Notationslehren von Boethius bis zum 12. Jahrhundert.” Die Lehre vom einstimmigen liturgischen Gesang, Darmstadt : Wissen­schaftliche Buchgesellschaft, 2000, S. 293–623.
13. Smits van Waesberghe, J. “The musical notation of Guido of Arezzo.” Musica Disciplina, vol. 5, 1951, pp. 15–53.
14. Stäblein, B. Schriftbild der einstimmigen Musik, Leipzig : VEB Verlag, 1975.