Reconciliation in the Cathedral: Isaac’s Religion in “Owen-Mass”

Reconciliation in the Cathedral: Isaac’s Religion in “Owen-Mass”

This article is written in Russian. You can read it here.

References

  1. Guseynov, A. A. “Leo Tolstoy’s doctrine of non-resistance to evil by violence.” Svobodnaya mysl’, no. 6, 1994, pp 68‒81. (in Russ.)
  2. Dalgat, Dzh. “‘War Requiem’ by B. Britten.” B. Britten. War Requiem : piano score, Leningrad : Muzyka, 1971, pp. 5‒9. (in Russ.)
  3. Zhitomirskiy, D. V. “‘War Requiem’ by Britten.” So­vet­skaya muzyka [Soviet Music], no. 5, 1965, pp. 111–119. (in Russ.)
  4. Kovnatskaya, L. Benjamin Britten, Moscow : Sovet­skiy kompozitor, 1974. (in Russ.)
  5. Kovnatskaya, L. “Benjamin Britten (1913‒1976).” Isto­riya zarubezhnoy muzyki. Vyp. 6: Nachalo ХХ ve­ka — seredina ХХ veka [The History of Foreign Music. Issue 6: Early 20th Century―mid-20th Century], ed. by V. V. Smirnov, St. Petersburg : Kompozitor, 1999, pp. 581–626. (in Russ.)
  6. Nasonov, R. A. “Dies illa: the motif of ‘the punishment of God’ in two chefs-d’oeuvre by W. A. Mozart.” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], no. 1, 2011, pp. 36‒60. (in Russ.)
  7. Orlov, G. A. “‘War Requiem’ by B. Britten.” Voprosy teorii i estetiki muzyki [Issues of Musical Theory and Aestetics], issue 5, Leningrad : Muzyka, 1967, pp. 65–99. (in Russ.)
  8. Boyd, M. “Britten, Verdi and the Requiem.” Tempo. New Series, no. 86, 1968, pp. 2‒6, doi: 10.1017/s0040298200027091.
  9. Brandon, J. “The Secret of Perfection”: Britten and Verdi. Ph. D. Thesis, London : King’s College, 2008.
  10. Britten, B. “Statement to the Local Tribunal for the Registration of Conscientious Objectors.” Britten on Music, ed. by P. Kildea, Oxford : Oxford University Press, 2003, p. 40.
  11. Britten, B., Mitchell D. “Mapreading.” Britten on Music, ed. by P. Kildea, Oxford : Oxford University Press, 2003, pp. 321‒329.
  12. Cooke, M. Britten: War Requiem, Cambridge : Cambridge University Press, 1996.
  13. Couderc, G. “The War Requiem, Britten’s Wilfred Owen Opera.” The Arts of War and Peace Review, vol. I, no. 1, 2013, pp. 9‒22.
  14. Elliott, G. Benjamin Britten: The Spiritual Dimension, Oxford and New York : Oxford University Press, 2006.
  15. Evans, P. “Britten’s ‘War Requiem’.” Tempo. New Series, no. 61/62, 1962, pp. 20–39, doi: 10.1017/s0040298200027583.
  16. Elliott, B., Gose, Jr. “An Interpretation of Wilfred Owen’s ‘Strange Meeting’.” College English, vol. 22, no. 6, 1961, pp. 417‒419, doi: 10.2307/373915.
  17. Green, David B. “Britten’s ‘War Requiem’: The End of Religious Music.” Soundings: An Interdisciplinary Journal, vol. 83, no. 1, 2000, pp. 89‒100.
  18. Herbert, J. D. “Bad Faith at Coventry: Spence’s Cathed­ral and Britten’s ‘War Requiem’.” Critical Inquiry, vol. 25, no. 3, 1999, pp. 535‒565, doi: 10.1086/448933.
  19. MacLean, E. M. “I am the enemy you killed, my friend”: Sacrifice, Pacifism and Reconciliation in Benjamin Britten’s War Requiem, Master of Art Thesis, Regina, Saskatchewan : Regina University, 2011.
  20. Mey, P. De, Schiltz, K. “The Composer as interpreter of the Easter Creed. The music and texts of Bach, Brahms, and Britten.” Theology and Conversation: Towards a Relational Theology, ed. by J. Haers, P. De Mey, Leuven : Leuven University Press, 2003, pp. 865–885.
  21. Mey, P. De, Schiltz, K. “The dialogue between theo­logy and music. The theological significance of the War Requiem by Benjamin Britten (1913–1976).” Transfiguration. Nordic Journal of Christianity and the Arts, vol. 6, nо. 2, 2004, pp. 27–58.
  22. Mitchell, D. “Violent climates.” The Cambridge Com­panion to Benjamin Britten, ed. by M. Cooke, Cam­bridge : Cambridge University Press, 1999, pp. 188‒216, doi: 10.1017/ccol9780521573849.012.
  23. Owen, W. Poems by Wilfred Owen with an Introduction by Siegfried Sassoon, London : Chatto & Windus, 1920.
  24. Owen, W. The Collected Poems of Wilfred Owen, ed. by C. Day Lewis, New York : A New Directions Book, 1965.
  25. Rupprecht, Ph. “Rituals: the War Requiem and Curlew River.” Rupprecht, Ph. Britten’s Musical Language, Cambridge : Cambridge University Press, 2002, pp. 187‒244, doi: 10.1017/cbo9780511482021.
  26. Sitwell, O. Noble Essences, Being a Book of Characters and the Fifth and Last Volume of Left Hand, Right Hand! An Autobiography by Osbert Sitwell, London : Macmillan, 1950.
  27. Wiebe, H. “Ghosts in the ruins: the War Requiem at Coventry.” H. Wiebe. Britten’s Unquiet Pasts. Sound and Memory in Postwar Reconstruction, Cam­bridge : Cambridge University Press, 2012, pp. 191‒225,
    doi: 10.1017/cbo9780511978951.
  28. Woodward, R. “Music for voices.” The Cambridge Companion to Benjamin Britten, ed. by M. Cooke, Cambridge : Cambridge University Press, 1999, pp. 260‒278, doi: 10.1017/ccol9780521573849.016.