Research article

From Formula to Form: “Territoires de l’oubli” by Tristan Murail

Research article

From Formula to Form: “Territoires de l’oubli” by Tristan Murail

This article is written in Russian. You can read it here.

References

  1. Boulez, P. “Form.” Petruseva, N. A. P’er Bulez: Este­tika i tekhnika muzykal’noy kompozitsii [Pierre Boulez: Aesthetics and Technique of the Musical Composition], Moscow—Perm : Real, 2002, pp. 315–320. (In Russ.)
  2. Maklygin, A. L. “Sonorica in the Music of Soviet Composers.” Cand. Sci. (Art Criticism) Dissertation, Moscow : Moskovskaya Gos. Konservatoriya im. P. I. Chaikovskogo, 1986. (In Russ.)
  3. Kholopov, Yu. N. Garmoniya. Prakticheskiy kurs [Har­mony. Practical Course]. Vol. 2, Moscow : Kom­po­zitor, 2003. (In Russ.)
  4. Kholopov, Yu. N. “New musical instrument: grand piano.” Tarakanov, M. E. Chelovek i fono­sfera. Vos­po­mi­naniya. Stat’i [Man and the Phono­sphere. Memories. Articles], , editor-compiler E. M. Tarakanova, Moscow—St. Petersburg : Aleteiya, 2003, pp. 252–271. (In Russ.)
  5. Boulez on Music today. Transl. by S. Bradshow, R. R. Bennet, Cambridge : Harvard University Press, 1971.
  6. Murail, T. Territoires de l’oubli. Editions Transatlan­tiques, 1978, https://classic-online.ru/ru/pro­duction/10178 (accessed 06 October 2022).
  7. Nonken, M. The Spectral Piano, New York : Cam­bridge University Press, 2014.