Essay

Adagio “In a Moonlight,” or The Sonata Transmogrified

Essay

Adagio “In a Moonlight,” or The Sonata Transmogrified

This article is written in Russian. You can read it here.

References

  1. Harnoncourt, N. Moi sovremenniki: Bach, Mozart, Mon­teverdi [My contemporaries: Bach, Mozart, Mon­te­verdi], trans. by S. V. Grokhotov. Moscow : Klas­sika-XXI, 2005. (In Russ.)
  2. Asafyev, B. “Anton Grigorievich Rubinstein.” Sovet­skaya muzyka [Soviet Music], no. 6, 1945, pp. 3–11. (In Russ.)
  3. Bobrovsky V. P. “Beethoven’s piano sonata ‘Quasi una Fantasia’ cis-moll (‘Moonlight’),” URL: https:// beetho­ven.ru/node/1250?ysclid=la5awpoxnm856895429 (accessed 30 July 2022). (In Russ.)
  4. Hoffmann, E. T. A. “The life and opinions of the Tomcat Murr.” Hoffmann E. T. A. Izbrannye proiz­vedeniya [Hoffmann E. T. A. Selected Works], intro­ductory article by I. Boelza, Moscow : Muzyka, 1989, pp. 45–371. (In Russ.)
  5. Hoffmann, E. T. A. “Beethoven’s instrumental mu­sic.” Hoffmann E. T. A. Sobranie sochineniy. T. 1. Fantazii v manere Kallo [Hoffmann E. T. A. Collected works. Vol. 1. Fantasiestücke in Callots Manier], trans., ed. and comp. by A. Botnikova, A. Karelsky, fore­word by A. Karelsky, comm. by G. Shevchenko, Mos­cow : Khudozhestvennaya literatura, 1991, pp. 57–65. (In Russ.)
  6. Grundmann, H., Mies, P. “How did Beethoven use a pedal”? Kak ispolnyat’ Beethovena. [How to Play Beethoven’s Works], comp. and introductory article by A. Zasimov, Moscow : Klassika-XXI, 2007, pp. 26–68. (In Russ.)
  7. Zaychik, L. M. Ludwig van Beethoven. Sonata no 14, sochinenie 27 no. 2, “Lunnaya”: metodicheskie reko­mendatsii dlya slushateley fakul’teta povysheniya kvalifikatsii [Piano Sonata no. 14, op. 27 no. 2 “Moon­light”: Methodical Recommendations for Faculty of Advanced Teacher Training], comp. by L. M. Zaychik, Leningrad : Rimsky-Korsakov Leningrad State Con­servatory, 1990. (In Russ.)
  8. Kirillina, L. V. Beethoven. Life and Work, vol. 1, Moscow : Nauchno-izdatel’skiy tsentr Moskov­skaya konservatoriya, 2009. (In Russ.)
  9. Kurth, E. Osnovy linearnogo kontrapunkta. Melo­dicheskaya polifoniya Bakha [Foundations of linear counterpoint: Introduction to Style and Technique in Bach’s Melodic Counterpoint], trans. by Z. Ewald, ed. by B. V. Asafyev, Moscow : Gosudarstvennoe muzykal’noe izdatel’stvo, 1931. (In Russ.)
  10. Laul, P. R. 32 sonaty Beethovena: opyt ispolnitel’sko­go i pedagogicheskogo analiza [32 Beethoven Piano Sonatas: Performance and Pedagogical Analysis Experience, St. Petersburg : Kompozitor — Sankt-Peterburg, 2021. (In Russ.)
  11. Malisova, E., Sil’vanova, K. Leto v pionerskom gal­stuke [Summer in a Pioneer Tie], Moscow : Pop­corn Books, 2021. (In Russ.)
  12. Mikhailov, A. V. “Beethoven: succession and rein­vention.” Mikhailov A. V. Muzyka v istorii kul’tury [Mikhailov A. V. Music in the History of Culture], Moscow : Tchaikovsky Moscow State Conservatory, 1998, pp. 7–73. (In Russ.)
  13. Nikolaeva, N. “Beethoven and Romanticism.” Sovet­skaya muzyka [Soviet Music], no. 12, 1960, pp. 44–56. (In Russ.)
  14. Perelman, N. V klasse royalya. Korotkie rassuzhdeniya [In the Piano Class. Brief Contemplations], 2nd ed., Leningrad : Muzyka, 1986. (In Russ.)
  15. Serov, A. N. “New book on Beethoven by mr. Lenz.” Serov A. Stat’i o muzyke [A. N. Serov Articles on Music], vol. 2b, ed. and comm. by V. V. Protopopov, Мoscow : Muzyka, 1986, pp. 176–191. (In Russ.)
  16. Stokowski, L. Muzyka dlya nas vsekh [Music for All of Us], trans. by A. L. Baranova, Moscow : Sovetskiy kompozitor, 1959. (In Russ.)
  17. Wilde, O. “The Critic as Artist.” trans. by A. Zverev, O. Wilde. Sobranie sochineniy v odnom tome: Portret Doriana Greya. Rasskazy. Skazki. P’esy. Esse. Poeticheskie proizvedeniya [O. Wilde. Collected works in 1 vol.: The Picture of Dorian Gray, Short Stories, Fairy Stories, Plays, Essays, Poems], Moscow : AST, 2010, pp. 843–903. (In Russ.)
  18. Findeisen, N. F. “Joseph Hofmann.” Russkaya muzy­kal’naya gazeta [Russian Musical Newspaper], no. 1, 1896, pp. 6–10. (In Russ.)
  19. Czerny, K. O vernom ispolnenii vsekh fortepiannykh sochineniy Beethovena [On the Proper Performance of all Beethoven’s Works for Piano], trans. by D. E. Zu­bov, St. Petersburg : Planeta Muzyki ; Lan’, 2011. (In Russ.)
  20. Eckermann, J. P. Razgovory s Goethe v poslednie gody ego zhizni [Conversations with Goethe], trans. by N. Mann, Yerevan : Ayastan, 1988. (In Russ.)
  21. d’Indy, V. Kurs muzykal’noy kompozitsii [Course in Musical Composition], trans. by M. S. Zalivadny, St. Petersburg : SPbGK, 2005. (In Russ.)
  22. “The Autumn Festivals of 1849.” The Musical Times and Singing Class Circular, vol. 3, no. 65, 1 October, 1849, p. 211.
  23. Davis, Sh., Hallmark, R. “Rellstab, Ludwig.” The New Grove Dictionary of Music and Musicians. 2nd ed., ed. by St. Sadie, vol. 21, London : Oxford University Press, 2001, pp. 174–175.
  24. Kramer, L. Musical Meaning: Toward a Critical History, Berkeley : University of California Press, 2001, doi:10.1525/9780520928329.
  25. Lenz, W. Beethoven: eine Kunststudie, Kassel : E. Bal­de, 1855.
  26. Lenz, W. Beethoven et ses trois styles, 1er tome, St. Petersburg, chez Bernard, 1852, pp. 225–226.
  27. Momigny, J.-J. Cours complet d’harmonie et de com­position, tome II, Paris, 1806.
  28. Moscheles, I. The Life of Beethoven. Vol. II, Lon­don : Hen­ry Colburn, 1841, pp. 149–150.
  29. Parakilas, J. “Playing Beethoven His Way: Czerny and Canonization of Performance Practice.” Beyond the Art of Finger Dexterity: Reassessing Carl Czerny,
    ed. by D. Gramit, Rochester : Boydell & Bre­wer ; University of Rochester Press, 2008, pp. 108–124.
  30. “Recensionen. Sonata quasi una Fantasia. Opera 27 No. 2.” Allgemeine Musikalische Zeitung, no. 40, 30 Juni, 1802, pp. 650–653.
  31. Rellstab, L. “Theodor.” Gesammelte Schriften. Bd. 6: Kunst-Novellen, Leipzig : Brockhaus, 1860, pp. 2–40. URL: https://books.google.ru/books?id=NQM7AAAAcAAJ&hl=ru&source=gbs_navlinks_s (accessed: 10 May 2022).
  32. Schenker, H. The Art of Performance, ed. by H. Esser, New York : Oxford University Press, 2000. doi:10.1093/acprof:oso/9780195151510.001.0001.
  33. Vaughan Williams, R. “Some Thoughts on Beetho­ven’s Choral Symphony.” Ralph Vaughan Williams. National Music and Other Essays, London : Oxford University Press, 1963, pр. 83–120.