Research article
Wystan Hugh Auden: Opera Addict
Research article
Wystan Hugh Auden: Opera Addict
References
- Baeva, A. A. Opernyy teatr Stravinskogo [Opera Theatre of Stravinsky], Moscow : Krasand, 2022. (In Russ.)
- Braginskaya, N. A. “English pages of I. Stravinsky’s work: On script plans and sketches at Paul Sacher Stiftung.” https://old.gnesin-academy.ru/wp-content/documents/nauka/muz_forum/7.BraginskayaMF14.pdf, accessed July 7, 2024. (In Russ.)
- Braginskaya, N. A. Muzykal’nye dialogi Igorya Straviskogo [Igor Stravinsky’s Musical Dialogues], St. Petersburg : Kontrast ; Izdatel’stvo imeni N. I. Novikova, 2023. (In Russ.)
- Bulgakova, O. L. Golos kak kul’turnyy fenomen [The Voice as a Cultural Phenomenon], Moscow : Novoe literaturnoe obozrenie, 2015. (In Russ.)
- Dolar, M. Golos i nichego bol’she [The Voice and Nothing More], trans. from English by A. N. Krasovets, foreword by V. A. Mazin, St. Petersburg : Izdatel’stvo Ivana Limbakha, 2018. (In Russ.)
- Zhabinsky, K. A. “ ‘I decided to protest… by reminding: To the origins of artistic-conceptual and contemporary interpretation of ‘Elegy for J. F. K.’ by I. Stravinsky and W. H. Auden.” Yuzhno-Rossiyskiy muzykal’nyy al’manakh [South-Russian Musical Anthology], no. 3, 2023, pp. 25–31, doi:10.52469/20764766_2023_03_25. (In Russ.)
- Kardash, N. S. “At the origins of Stravinsky’s ‘The Rake’s Progress’: from Hogarth’s series to opera music.” Muzykal’naya akademiya [Music Academy], no. 3, 2008, pp. 112–121. (In Russ.)
- Kardash, N. S. “The Opera ‘The Rake’s Progress’ and the Ballet ‘Agon’ by Igor Stravinsky: the phenomenon of the last opus.” Cand. Sci. (Art Criticism) Dissertation, St. Petersburg: Russian Institute of Art History, 2010. (In Russ.)
- Kruhzkov, G. M. “Notes on Auden.” Inostrannaya literatura [Foreign Literature], no. 7, 2011, pp. 131–150. (In Russ.)
- Kruzhkov, G. M. Luna i diskobol. O Poezii i poeticheskom perevode [The Moon and the Discobolus. On Poetry and Poetic Translation], Moscow : RGGU, 2012. (In Russ.)
- Mel’nikov, N. G. (comp.) “Literary guide to the 110th birth anniversary of W. H. Auden.” Inostrannaya literatura [Foreign Literature], no. 1, 2017, pp. 168–283. (In Russ.)
- Auden, W. H. Chtenie. Pis’mo. Esse o literature [Reading. Writing. Essays on Literature], trans. by G. Yu. Shul’pyakov, A. V. Kurt, B. V. Dubin, N. G. Usova, Moscow : Nezavisimaya Gazeta, 1997. (In Russ.)
- Auden, W. H. Zastol’nye besedy c Alanom Ansenom [Table Talks with Alan Ansen], trans. by M. A. Dadyan and G. Yu. Shul’pyakov, Moscow : Izdatel’stvo Ol’gi Morozovoy, 2015. (In Russ.)
- Auden, W. H. “Some Reflections on Opera as a Genre.” Trans. by A. V. Stetsenko, Librettologia. Vos’maya nota v gamme [Librettology. The Eighth Note in the Gamut], collected articles, comp. by Yu. G. Dimitrin and A. V. Stetsenko, St. Petersburg : Lan’ ; Planeta muzyki, 2020, pp. 10–16. (In Russ.)
- Auden, W. H. Ruka krasil’shchika i drugie esse [The Dyer’s Hand and Other Essays], trans. by M. A. Dadyan, A. V. Kurt, G. Yu. Shul’pyakov, F. Vasil’ev, Moscow : Izdatel’stvo Ol’gi Morozovoy, 2021. (In Russ.)
- Savenko, S. I. Mir Stravinskogo [The World of Stravinsky], Moscow : Kompozitor, 2001.
- Stravinsky, I. F. Khronika. Poetika [Chronicle. Poetics], comp., ed., trans. and conclusive article by S. I. Savenko; trans. from French by L. V. Yakovleva-Shaporina and others, Moscow : ROSSPEN, 2004. (In Russ.)
- An Anthology of Elizabethan Lute Songs, Madrigals and Rounds, music ed. by N. Greenberg, text ed. by W. H. Auden and Ch. Kallman, New York : Norton, 1955.
- Arendt, H. “Remembering Wystan H. Auden, who died in the night of the twenty-eighth of September, 1973.” The New Yorker, January 20, 1975, pp. 39‒46.
- Auden, W. H. “What is culture?” The Nation, July 6, 1940, p. 18.
- Auden, W. H. “James Joyce and Richard Wagner.” Common Sense, no. 10, March 1941, pp. 89‒90.
- Auden, W. H. “Mimesis and allegory.” Literary Criticism. Idea and Act. The English Institute, 1939‒1972. Selected Essays, ed. and with Introduction by W. K. Wimsatt, Berkeley and Los Angeles : University of California Press, 1974, pp. 32‒43.
- Auden, W. H. “Opera on an American legend. Problem of putting the story of Paul Bunyan on the stage.” The New York Times, May 4, 1941. Section X. P. 7.
- Auden, W. H. “The Fabian Figaro. On George Bernard Shaw.” The Commonweal, October 23, 1942, pp. 12‒13.
- Auden, W. H. “The day-by-day jottings of Piotr Tchaikovsky.” The New York Times Book Review, December 2, 1945, section T, p 3.
- Auden, W. H. “Mozart and the Middlebrow.” Harper’s Bazaar, vol. 80, no. 3 (March 1946), pp. 153, 252.
- Auden, W. H. “The Guilty Vicarage: Notes on the detective story by an addict.” Harper’s Magazine, vol. 196, no. 1176 (May 1948), pp. 406‒412.
- Auden, W. H. “Opera Addict (At the root of the addiction is an understanding of willfulness).” Vogue, vol. 111, no. 11 (July 1948), pp. 65, 101.
- Auden, W. H. “My favorite records.” Saturday Review of Literature, vol. 31, no. 48, November 27, 1948, p. 48.
- Auden, W. H. “The score and scale of Berlioz.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. 3: 1949–1955, Princeton : Princeton University Press, 2008, pp. 193‒196.
- Auden, W. H. “Some reflections on Opera as a medium.” Tempo, no. 20 (Summer 1951), pp. 6‒10.
- Auden, W. H. “Reflections on Opera.” The Observer, September 16, 1951, pp. 6–10.
- Auden, W. H. “Some reflections on music and Opera.” The Partisan Review, no. 19 (January–February 1952), pp. 10‒18.
- Auden, W. H. “While the oboes came up, the bagpipes went down.” The New York Times Book Review, February 14, 1952, section BR, p. 5.
- Auden, W. H. “Opera as a medium.” Opera News, February 9, 1953.
- Auden, W. H. “Words and music.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. 3: 1949–1955, Princeton : Princeton University Press, 2008, pp. 399‒407.
- Auden, W. H. “Reflections on ‘The Magic Flute’.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. 3: 1949–1955, Princeton : Princeton University Press, 2008, pp. 604‒608.
- Auden, W. H. “Putting it in English: A translator discusses the problems of changing Opera’s language.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. 3: 1949–1955, Princeton : Princeton University Press, 2008, pp. 609‒610.
- Auden, W. H. “Metalogue to the ‘Magic Flute’.” W. H. Auden, Ch. Kallman. Libretti and Other Dramatic Writings, 1939–1973, еd. by E. Mendelson, Princeton : Princeton University Press, 1993, pp. 152‒156.
- Auden, W. H. “Wisdom, wit, music.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. 4: 1956–1962, Princeton : Princeton University Press, 2010, pp. 30‒34.
- Auden, W. H. “The Voltaire of music.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. 4: 1956–1962, Princeton : Princeton University Press, 2010, pp. 67‒71.
- Auden, W. H., Kallman, Ch. “ ‘The Magic Flute’: Auden-Kallman v. Cross.” W. H. Auden, Ch. Kallman. Libretti and Other Dramatic Writings, 1939–1973, еd. by E. Mendelson, Princeton : Princeton University Press, 1993, pp. 641‒644.
- Auden, W. H. “The creation of music and poetry.” The Mid-Century, no. 2 (August 1959), pp. 18‒27.
- Auden, W. H. “A public art.” W. H. Auden. The Complete Works, еd. by E. Mendelson, Prose, vol. IV: 1956–1962, Princeton : Princeton University Press, 2010, pp. 309‒311.
- Auden, W. H. “A marriage of true minds.” The Times Literary Supplement, November 10, 1961 (unsigned); The Mid-Century, no. 37 (March 1962), pp. 2‒8.
- Auden, W. H. “Untruth about Beethoven.” The Spectator, November 10, 1961, p. 672.
- Auden, W. H. “Homage to Igor Stravinsky.” The Dyer’s Hand and Other Essays, New York : Random House, 1962, pp. 465–527.
- Auden, W. H. “Making, knowing and judging.” The Dyer’s Hand and Other Essays, New York : Random House, 1962, pp. 31–60.
- Auden, W. H. “Mozart in the stacks.” The New York Review of Books, vol. 5, no. 1 (August 5, 1965), p. 12.
- Auden, W. H. “Noah Greenberg.” The New York Review of Books, vol. 6, no. 1, February 3, 1966, p. 26.
- Auden, W. H. Worte Und Noten. Rede zur Eröffnung der Salzburger Festspiele, Salzburg : Festungsverlag, 1968.
- Auden, W. H. “The world of Opera.” W. H. Auden. Secondary Worlds: Essays, New York : Randon House, 1968, pp. 85–116.
- Auden, W. H. “The greatest of the monsters.” The New Yorker, January 4, 1969, pp. 72‒81.
- Auden, W. H. “Craftsman, artist, genius.” The Observer, April 11, 1971.
- Auden, W. H. “A genius and a gentleman.” The New York Review of Books, vol. 18, no. 4, March 9, 1972.
- Auden, W. H. “A tribute.” W. H. Auden. Forewords and Afterwords, New York : Vintage Books, 1973, pp. 432–435.
- Auden, W. H. Plays and Other Dramatic Writings, 1928–1938, ed. by E. Mendelson, Princeton : Princeton University Press, 1988.
- Auden, W. H. “Vocation and society.” “In Solitude, for Company”: W. H. Auden After 1940. Unpublished Prose and Recent Criticism. Auden Studies 3, ed. by K. Bucknell, N. Jenkins., Oxford : Clarendon Press, 1995, pp. 15–30.
- Auden, W. H., Kallman, Ch. Libretti and other dramatic writings, 1939–1973, ed. by E. Mendelson, Princeton : Princeton University Press, 1993.
- Auden, W. H. Juvenilia. Poems, 1922–1928, Princeton : Princeton University Press, 2003.
- Auden, W. H. The Complete Works, ed. by E. Mendelson, Prose, vol. 1: Prose and Travel Books in Prose and Verse, 1926–1938, Princeton : Princeton University Press, 1997
- Auden, W. H. The Complete Works, ed. by E. Mendelson, Prose, vol. 2: 1939–1948, Princeton : Princeton University Press, 2002.
- Auden, W. H. The Complete Works, еd. by E. Mendelson, Prose, vol. 3: 1949–1955, Princeton : Princeton University Press, 2008.
- Auden, W. H. The Complete Works, еd. by E. Mendelson, Prose, vol. 4: 1956–1962, Princeton : Princeton University Press, 2010.
- Auden, W. H. The Complete Works, еd. by E. Mendelson, Prose, vol. 5: 1963–1968, Princeton : Princeton University Press, 2015.
- Auden, W. H. The Complete Works, еd. by E. Mendelson, Prose, vol. 6: 1969–1973, Princeton : Princeton University Press, 2015.
- Auden, W. H. The Complete Works, еd. by E. Mendelson, Poems, vol. 1: 1927–1939, Princeton : Princeton University Press, 2022.
- Auden, W. H. The Complete Works, еd. by E. Mendelson, Poems, vol. 2: 1940–1973, Princeton : Princeton University Press, 2022.
- Auden, J. “A brother’s viewpoint.” W. H. Auden. A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 25‒30.
- Bulley, R. “A prep school reminiscence.” W. H. Auden. A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 31‒34.
- Carlson, M. P. “W. H. Auden: Studies of the libretto as literary form.” Ph. D. dissertation, Chapel Hill, 2012.
- Carritt, G., Warner, R. “A friend of the family.” W. H. Auden: A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 45‒58.
- Carter, Ch. The Last Opera: The Rake’s Progress in the Life of Stravinsky and Sung Drama, Bloomington : Indiana University Press, 2019, doi:10.2307/j.ctvh1dqnb.
- Christiansen, R. The Grand Obsession. An Anthology of Opera, London : HarperCollins, 1988.
- Cross, J. “The Magic Flute: Auden v. Dent.” Tempo, vol. 46 (Winter 1958), pp. 6–8, doi:10.1017/S0040298200044302.
- Day Lewis, C. The Buried Day, New York : Harper, 1960.
- Desblache, L. “Low fidelity: Opera in translation.” Translating Today, vol. 1 (October 2004), pp. 28‒30.
- Desblache, L. “Tradition and transgression: W. H. Auden’s musical poetics of translation.” Opera and Translation: Unity and Diversity, Amsterdam : John Benjamins, 2020, pp. 53‒72, doi:10.1075/btl.153.03des.
- Dolar, M., Žižek, S. Opera’s Second Death, New York : Routledge, 2002.
- Engelbert, B. Wystan Hugh Auden (1907–1973). Seine opernästhetische Anschauung und seine Tätigkeit als Librettist, Regensburg : Bosse, 1983.
- Schafer, R. M. (ed.) Ezra Pound and Music: The Complete Criticism, New York : New Directions Publishing Corp., 2008.
- Farnan, D. J. Auden in Love, New York : Simon & Schuster, 1985.
- Fox, O. “Friday nights.” W. H. Auden: A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 173‒181.
- Frayne, J. P. “Mozart revised: The Auden / Kallman version of ‘The Magic Flute’.” The Opera Quarterly, vol. 3, no. 1, 1985, pp. 52‒71.
- Giddings, R. “Significant situations: Auden’s and the idea of Opera.” W. H. Auden. The Far Interior, ed. by A. Bold, Totowa; NJ : Barnes & Noble, 1985, pp. 158‒185.
- Heaney, S. “Sounding Auden.” London Review of Books, vol. 9, no. 11, June 4, 1987, pp. 15‒18.
- Isherwood, Ch. “Some notes on the early poetry.” W. H. Auden. A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 74‒79.
- Henze, H. W. Music and Politics. Collected Writings, 1953‒81, Ithaca ; NY : Cornell University Press, 1982.
- Kallman, Ch. “Text of ‘Magic Flute’ has special problems.” W. H. Auden, Ch. Kallman. Libretti and Other Dramatic Writings, 1939–1973, еd. by E. Mendelson, Princeton: Princeton University Press, 1993, pp. 640‒641.
- Kerman, J. “Auden’s ‘Magic Flute’.” The Hudson Review, vol. 10, no. 2, 1957, pp. 309‒316.
- Kostova, L. “Viewing Mozart and his magic Singspiel through seriocomic spectacles: W. H. Auden’s ‘Metalogue’ to ‘The Magic Flute’.” Mozart in Anglophone Cultures. Salzburg Studies in English Literature and Culture SEL & C, еd. by S. Coelsch-Foisner, D. Flothow, W. Gortschacher, Frankfurt am Main : Peter Lang, 2009, pp. 159–173.
- Medley, R. “Gresham’s school, Holt.” W. H. Auden: A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 37‒43.
- Roth, M. A. “The sound of a poet singing loudly: A look at ‘Elegy for Young Lovers’.” Comparative Drama, vol. 13, no. 2, 1979, pp. 99‒120.
- Sacks, O. “Dear Mr A…” W. H. Auden. A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 187‒195.
- Sidnell, M. J. Dances of Death: The Group Theatre of London in the Thirties, London : Faber & Faber, 1984.
- Laurence, D. H. (ed.) Shaw’s music: The complete musical criticism, vol. 1: 1876‒1890, ed. by D. H. Laurence, London etc. : The Bodley Head, Reinhardt, 1981.
- Laurence, D. H. (ed.) Shaw’s music: The complete musical criticism, vol. 2: 1890‒1893, ed. by D. H. Laurence, London etc. : The Bodley Head, Reinhardt, 1981.
- Laurence, D. H. (ed.) Shaw’s music: The complete musical criticism, vol. 3: 1893‒1950, Biographical and general indexes to the entire edition, London etc. : The Bodley Head, Reinhardt, 1981.
- Slater, J. “Interpreting the quest. ‘The Magic Flute’ by W. H. Auden and Chester Kallman.” The Saturday Review, December 15, 1956, pp. 35‒36.
- Smith, H. L. “At St. Edmund’s 1915–1920.” W. H. Auden. A Tribute, ed. by S. Spender, New York : Macmillan, 1975, pp. 34‒36.
- Weisstein, U. Word and Music Studies. Selected Essays on Opera, ed. by W. Bernhart. Amsterdam ; New York : Rodopi, 2006.
- Weisstein, U. “Reflections on a Golden Style: W. H. Auden’s theory of Opera.” Comparative Literature, vol. 22, no. 2 (April 1970), pp. 108‒124.
- Weisstein, U. The Essence of Opera, New York : Free Press of Glencoe, 1964.
- Weisstein, U. “The libretto as literature.” Book Abroad, vol. 35, no. 1 (Winter 1961), pp. 16‒22.
- Young-Ah, G. S. “ ‘Reflection on the right to will’: Auden’s ‘Canzone’ and Arendt’s notes on willing.” Comparative Literature, vol. 53, no. 2 (Spring 2001), pp. 131‒150.
- Yates, M. “Iceland 1936.” W. H. Auden. A Tribute, ed. by S. Spender, New York : Macmillan, 1975, p. 5.