Research article

From the History of the East Slavic Choral Baroque of the Third Quarter of the 17th century: Vespers and Liturgy Cycles by Jan Kalenda

Research article

From the History of the East Slavic Choral Baroque of the Third Quarter of the 17th century: Vespers and Liturgy Cycles by Jan Kalenda

This article is written in Russian. You can read it here.

References

  1. Aleksandrina, A. V. “A study of the paper of the partes collections of the 17th–18th centuries. On the example of the manuscripts of the Synodal School of Church Singing.” Kul’turnoe nasledie Rossii [Cultural Heritage of Russia], vol. 39, no. 4, 2022, pp. 57–65. (In Russ.)
  2. Gerasimova, I. V. “‘Finding the whole by its part’: The problem of attribution of the four-part partes Liturgy of the second half of the 17th century.” Mu­zyko­vedenie [Musicology], no. 9, 2019, pp. 3–17. (In Russ.)
  3. Gerasimova, I. V. “Nikolay Diletsky: The artistic path of the composer of the 17th century.” Extended abstract of Candidate (Art Criticism) Disser­ta­tion, Moscow: RAM im. Gnesinykh, 2010. (In Russ.)
  4. Gerasimova, I. V. “Jan Kalenda: A partes-writing by the composer of the 17th century.” Mezhdu­narodnaya nauchnaya konferentsiya “Russkoe mu­zykal’­noe barokko: tendentsii i perspektivy issledo­va­niya” 24–26 oktyabrya 2016. Materialy [Proceedings of the International Scientific Conference “Russian Musical Baroque: Trends and Prospects of Research,” October 24–26, 2016], vol. 1, ed. and comp. by N. Yu. Plotnikova. Moscow : Gosudarstvenny insti­tut iskusstvoznaniya, 2016, pp. 130–143. (In Russ.)
  5. Gerasimova-Persidskaya, N. A. Partesny kontsert v istorii muzykal’noy kul’tury [A Partes Concert in the History of Musical Culture], Moscow : Muzyka, 1983. (In Russ.)
  6. Diletsky, N. P. Idea grammatiki musikiyskoy [An Idea of Musical Grammar], publ., trans. and comment. by V. V. Protopopov, Moscow : Muzyka, 1979. (In Russ.)
  7. Zosim, O. L. Skhidnoslov’yans’ka dukhovna pisnya: sakral’niy vimir [East Slavic Spiritual Song: The Sacred Dimension], Kyiv : NAKKKiM, 2017. (In Ukr.)
  8. Parfent’ev, N. P. Professional’nye muzykanty Rossiys­kogo gosudarstva XVI–XVII vekov: gosudarevy pev­chie d’yaki i patriarshie pevchie d’yaki i pod’yaki [Professional Musicians of the Russian State of the 16th–17th Centuries: The Sovereign Singing Diaks and Patriarchal Singing Diaks and Podyachy], Chelyabinsk : Kniga, 1991. (In Russ.)
  9. Perepisnye knigi goroda Moskvy 1665–1776 [Census Books of Moscow City 1665–1776], Moscow : Go­rod­skaya Tip., 1886. (In Russ.)
  10. Shamin, S. M. “Hilarion (Life. Biography. Vene­ration).” Pravoslavnaya entsiklopediya [Orthodox En­cyclopedia], vol. 22, Moscow : Pravoslavnaya entsiklopediya, 2018, pp. 128–132. (In Russ.)
  11. Gerasimova, I. “Four-voice partes сoncerts by Kievan Metropolitanate сomposers: The history of their transmission in the third quarter of the seventeenth century.” Liturgy and Music: Proceedings of the Seventh International Conference on Orthodox Church Music University of Joensuu, Finland 10–16 June, 2017, ed. by I. Moody, I., M. Takala-Roszczenko, Joensuu : ISOCM, 2019, pp. 263–283.
  12. Gerasimova, I. V. “Wpływ wczesnobarokowego koncertu kościelnego na styl muzyczny Mykoły Dyleckiego.” Universalia et particularia. Ars et praxis Societatis Jesu in Polonia, ed. by B. Bohdanowicz, T. Jeż, Warszawa: Wyd. Naukowe Sub Lupa, 2018, pp. 199–222.
  13. Dylecki, N. (ca. 1630–1690). Vesperae, Liturgia, Concertos quatrum vocum, ed. by Irina Gierasimowa, Warszawa : Wyd. Naukowe Sub Lupa, 2018.
  14. Kazem-Bek, J. “Marcin Mielczewski w ‘Gramatyce muzycznej’ Mikołaja Dyleckiego.” Marcin Miel­czewski. Studia, ed. by Z. M. Szweykowski, Kra­ków : Musica Iagellonica, 1999, pp. 177–186.