Research article

Lost and Newly Acquired “Ariadne”

Research article

Lost and Newly Acquired “Ariadne”

This article is written in Russian. You can read it here.

References

  1. Emtsova, O. M. Venetian opera of the 1640s–1670s: poetics of the genre, Cand. Sci. (Art Criticism) Dissertation, Moscow : the Gnesins Russian Academy of Music, 2005. (In Russ.)
  2. Simonova, E. R. Iskusstvo arii v ital’yanskom opernom barokko (ot renessansnoy kantsonetty k arii da capo) [The Art of Aria in Italian Opera Baroque (from the Renaissance Canzonetta to the Da Capo Aria)], Ufa : RITs UGAI im. Zagira Ismagilova, 2005. (In Russ.)
  3. Susidko, I. P. Opera seria: genesis and poetics of the genre, Doctoral (Art Criticism) Dissertation, Moscow : the Gnesins Russian Academy of Music, 2000. (In Russ.)
  4. Buelow, G. J. “Conradi Johann Georg.” The New Grove Dictionary of Music and Musicians, vol. 6, edited by St. Sadie, London : Macmillan, 1980, pp. 307–308.
  5. Buelow, G. J. “Die schöne und getreue Ariadne (Ham­burg 1691): A lost opera by J. G. Conradi redis­co­vered.” Acta Musicologica, vol. 44, fasc. 1, pp. 108–121.
  6. Jacobi, J. “Vorwort.” J. G. Conradi. Die schöne und getreue Ariadne. Oper in drei Akten, Bremen : Edition baroque Bremen, 2006, pp. V–VI.
  7. Mattheson, J. Critica Musica, Hamburg : [s.n.], 1722.
  8. Mattheson, J. Der musikalische Patriot, Hamburg : [s.n.], 1728.
  9. Mattheson, J. Grundlage einer Ehrenpforte, Hamburg : [s.n.], 1740.
  10. Schröder, D. Zeitgeschichte auf der Opernbühne: Barockes Musiktheater in Hamburg im Dienst von Politik und Diplomatie (1690–1745), Göttingen : Vandenhoeck & Ruprecht, 1998.
  11. Postel, Chr. H. “Vorrede aus dem Libretto.” J. G. Con­radi. Die schöne und getreue Ariadne. Oper in drei Akten, Bremen : Edition baroque, 2006, pp. XI–XII.
  12. Wolff, H. Chr. Die Barockoper in Hamburg (1678–1738), vol. 2: Notenbeispiele, Wolfenbüttel : Möseler, 1957.