References

1. Akulov, E. A. Opernaya muzyka i stsenicheskoe dey­stvie [Opera Music and Stage Action], Mos­cow : Vse­ros­siiskoe teatral’noe obshchestvo, 1978. (In Russ.)
2. Batalina, Yu. A. “Robert Wilson: ‘I’m a champion of abstract direction’,” Novyy Kompan’on [New Com­panion], 20 June 2016, http://newsko.ru/articles/nk-3229243.­html (accessed 11 October 2025). (In Russ.)
3. Benjamin, W. “The translator’s task,” trans. by I. S. Alekseeva. Maski vremeni. Esse o kulture i litera­ture [Masks of Time: Essays on Culture and Litera­ture], ed. and cmt. by A. V. Belobratov, St. Peters­burg :  Simpozium, 2004, pp. 27–46. (In Russ.)
4. Goebbels, H. Estetika otsutstviya: teksty o muzyke i teatre [The Aesthetics of Absence: Texts on Music and Theatre], trans. by O. V. Fedyanina, Moscow : Teatr i ego dnevnik, 2015. (In Russ.)
5. Gordeeva, L. “Didn’t hear Debussy: Pelléas et Méli­sande in Paris,” Opera News, 20 May 2012, http://ope­ra­news.ru/12052003.html (accessed 11 Oc­tober 2025). (In Russ.)
6. Debussy, C. Izbrannye pis’ma [Selected Letters], comp., trans., foreword and cmt. by A. S. Ro­za­nova, Leningrad : Muzyka, 1986. (In Russ.)
7. Debussy, C. Stat’i, retsenzii, besedy [Articles, Reviews, Conversations], trans. and cmt. by A. L. Bushen; ed. and prefaced by Yu. A. Kremlev, Moscow; Lenin­grad : Muzyka, 1964. (In Russ.)
8. Dolzhanskiy, R. P. “The last fingertip poke: ‘Ein­stein on the beach’ by Robert Wilson in Ber­lin,” Kommersant [Kommersant], 3 March 2014, https://kommer­sant.ru/doc/2431603 (accessed 11 Octo­ber 2025). (In Russ.)
9. Egorova, B. F. Debyussi i stil’ modern [Debussy and the Art Nouveau Style], ed. by T. N. Levaya, B. S. Get­selev, Nizhny Novgorod : Nizhegorodskaya gos. konservatoriya im. M. I. Glinki, 2009. (In Russ.)
10. Zieda, M. “Two equals one: interview with Robert Wilson,” Arterritory.com, 13 May 2013, http://arterritory.com/ru/ekran_-scena/intervju/6705-dva_ravno_odnomu (accessed 22 July 2025). (In Russ.)
11. Kokoreva, L. M. Klod Debyussi: issledovanie [Claude Debussy: A Study], Moscow : Muzyka, 2010. (In Russ.)
12. Kulik, I. A. “‘No need to portray emotions’: Ro­bert Wilson to show his video art in Moscow,” Kom­mersant [Kommersant], 16 February 2007, http://kommer­sant.ru/doc/743110 (accessed 11 October 2025). (In Russ.)
13. Le Goff, J. Geroi i chudesa srednikh vekov [Heroes and Wonders of the Middle Ages], trans. by D. L. Savo­sina. Moscow : Tekst, 2011. (In Russ.)
14. Lehmann, H.-Th. Postdramaticheskiy teatr [Post­dra­ma­tic Theatre], trans. by N. V. Isaeva, Moscow : ABCde­sign, 2013. (In Russ.)
15. Maeterlinck, M. Zhizn’ pchel: Razum tsvetov [The Life of Bees: The Intelligence of Flowers], trans. by L. N. Vil’kina, N. M. Minskiy, St. Petersburg : Az­bu­ka, Azbuka-Attikus, 2003. (In Russ.)
16. Maeterlinck, M. “Pelléas and Mélisande,” trans. by L. N. Vil’kina, N. M. Minskiy. Printsessa Malen. Peleas i Melisanda [Princess Maleine. Pelléas and Mélisande], Moscow : AST, 2011, pp. 137–220. (In Russ.)
17. Maeterlinck, M. Polnoe sobranie sochineniy [Complete Works], in 6 vols., Moscow : V. M. Sablin, 1903–1909. (In Russ.)
18. Melori, T. Smert’ Artura [Le Morte d’Arthur], trans., foreword and cmt. by I. M. Bernstein, V. M. Zhirmunskiy, A. D. Mikhailov, B. I. Purishev, Moscow : Nauka, 1974. (In Russ.)
19. Pokrovskiy, B. A. Vvedenie v opernuyu rezhissuru [Introduction to Opera Direction], a textbook, Moscow : GITIS, 2009. (In Russ.)
20. Pushkina, L. “What kind of world is out there? Robert Wilson about his ‘Oedipus’,” TEATR, 15 July 2019, http://oteatre.info/chto-za-mir-tam-robert-uilson-o-svoem-edipe (accessed 11 Oc­tober 2025). (In Russ.)
21. Rovenko, E. V. “Henri Bergson: ‘...the music of De­bussy is the music of ‘la durée’,” Nauchnyy vest­nik Moskovskoy konservatorii [Journal of Mos­cow Conservatory], vol. 5, no. 10 (16), March 2014, pp. 9–33, doi:10.26176/mosconsv.2014.16.1.01. (In Russ.)
22. Rovenko, E. V. “Claude Debussy and the symbo­list painters: on the problem of the arabesque as  form-giving principle in art,” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Con­ser­vatory], vol. 10, no. 3 (38), September 2019, pp. 158–189, doi:10.26176/mosconsv.2019.38.3.007. (In Russ.)
23. Safiullina, L. G. “Maurice Maeterlinck and the problem of creative relationships,” Extended Abstract of Cand. Sci. (Philology) Dissertation, Kazan : Kazan State University, 1998. (In Russ.)
24. Tchinaev, V. P. “Inexpressibility and its arabesques: Debussy, Mallarmé, the context of symbolism,” Nauchnyy vestnik Moskovskoy konservatorii [Jour­nal of Moscow Conservatory], vol. 4, no. 3, Sep­tember 2013, pp. 38–59, doi:10.26176/mos­consv.­2013.14.3.02. (In Russ.)
25. Shevtsova, M. Robert Uilson [Robert Wilson], trans. by A. P. Belyaev, lit. rev. by D. S. Khausatov, ed. by D. V. Trubochkin, Moscow : Kanon+, 2016. (In Russ.)
26. Shkunaeva, I. D. Bel’giyskaya drama ot Maeterlinka do nashikh dney: ocherki [Belgian Drama from Maeter­linck to the Present: Essays], foreword article by V. Ya. Lakshin, Moscow : Iskusstvo, 1973. (In Russ.)
27. Bergeron, K. “Secrets and lies, or the truth about Pelléas,” Debussy’s Resonance, ed. by F. de Médi­cis, S. Huebner, Woodbridge : Boydell & Brewer, 2018, pp. 353–365, doi:10.1017/9781787442528.013.
28. Debussy, C. Pelléas et Mélisande, dir. and prod. design by R. Wilson, cond. by Ph. Jordan, costumes by F. Parmeggiani. Paris : Idéale Audience / NHK, 2012.
29. Emmanuel, M. Pelléas et Mélisande de Claude Debussy: Étude et analyse, Paris : Mellottée, 1929.
30. Frantz, Ch. F. Debussy, Bergson and the Music of ‘La Durée,’ Abingdon, Oxon : Routledge, 2024, doi:10.4324/­9781003037279.
31. Grayson, D. “Debussy on stage,” The Cambridge Companion to Debussy, ed. by S. Trezise, New York : Cambridge University Press, 2003, pp. 84–100, doi:10.1017/CCOL9780521652438.006.
32. Jankélévitch, V. Debussy et le mystère de l’instant, Paris : Plon, 1989.
33. “Madama Butterfly,” Memopera.fr., https://me­mope­ra.fr/oeuvre.php?code=MB (accessed 11 Oc­tober 2025).
34. Nichols, R., Smith, R. L. Claude Debussy: Pelléas et Mélisande, Cambridge : Cambridge University Press, 1989.
35. “Pelléas et Mélisande,” Memopera.fr., https://mem­ope­ra.fr/oeuvre.php?code=PEM (accessed 11 Oc­tober 2025).
36. Shyer, L. Robert Wilson and His Collaborators, New York : Theatre Communications Group, 1989.
37. Tennyson, A. Idylls of the King, London : Hodder & Stoughton, 1911.
38. Wilson, R. “‘Water Lilies’ by Claude Monet,” dir. by M.-F. Gripois, Musée d’Orsay, 7 January 2019, http://youtube.com/watch?v=kWEZbf1FPWk (accessed 11 October 2025).