Review

From the “Medieval Art of Memory” to the Modern Art of Translation. Review of the book “Medieval Music and the Art of Memory” by Anna Maria Busse Berger, translated by Marina Akimova

Review

From the “Medieval Art of Memory” to the Modern Art of Translation. Review of the book “Medieval Music and the Art of Memory” by Anna Maria Busse Berger, translated by Marina Akimova

This article is written in Russian. You can read it here.

References

  1. Busse Berger, А. М. Srednevekovaya muzyka i is­kus­stvo pamyati [Medieval Music and the Art of Memory], trans. by М. Akimova, St. Petersburg : Academic Studies Press / Bibliorossika, 2023.
    (In Russ.)
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  6. Lebedev, S. N. “Neumes.” Pravoslavnaya entsiklo­pediya. Elektronnaya versiya [Orthodox Encyclopedia. Online edition], https://pravenc.ru/text/невмы.html (accessed 19 July 2023). (In Russ.)
  7. Tinktoris, I. “Terminorum musicae diffinitorium.” Traktaty o muzyke Ioanna Tinktorisa s prilozheniem polnogo russkogo perevoda onykh [Treatises on Music of Johannes Tinctoris Accompanied with the Complete Russian Translation of Them], trans. and comment. by R. L. Pospelova, Moscow : Moscow State Con­ser­vatory, 2009, pp. 584–627. (In Russ.)
  8. Fedotov, V. A. “On the question of the origin of modal notation.” Starinnaya muzyka v kontekste so­vre­mennoy kul’tury. Problemy interpretatsii i istoch­ni­ko­vedeniya [Early Music in the Context of Modern Culture. Problems of Interpretation and Source Studies], Proceedings of the Musicological Congress (Mos­cow Conservatory, 27 September—1 October, 1989), comp. by T. B. Baranova, Moscow, 1989, pp. 215–226. (In Russ.)
  9. Bent, M. “Musica Recta and Musica Ficta.” Musica Disciplina, vol. 26, 1972, pp. 73–100.
  10. Busse Berger, A. M. Medieval Music and the Art of Memory, Berkeley, Los Angeles, London : University of California Press, 2005.
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  12. Busse Berger, A. M. The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries, Chicago : University of Chicago Press, 2020.
  13. Calella, M. “Recensione: Anna Maria Busse Ber­ger, ‘Medieval Music and the Art of Me­mory’.” Philo­musica on-line, vol. 6, no. 1, 2007, http:// 193.204.40.129/index.php/phi/article/view/06-01-REC02/106#_ftnbio (accessed 19 July 2023).
  14. Dietricus. “Regulae super discantum et ad disceren­dum ipsas notas discantus.” Eine Abhandlung über Mensuralmusik in der Karlsruher Handschrift St. Peter pergamen. 29a, ed. by H. Müller, Leipzig : B. G. Teubner, 1886, pp. 5–7, https://chmtl.indiana.edu/tml/13th/DIEREG (accessed 19 July 2023).
  15. Flynn, W., Flynn, J. “Review: Anna Maria Busse Berger, ‘Medieval Music and the Art of Memory’.” Early Music History, vol. 28, 2009, pp. 249–262, http://jstor.org/stable/40800902 (accessed 19 July 2023).
  16. Gjerdingen, R. O. Music in the Galant Style, New York : Oxford University Press, 2007.
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  19. Memory and Invention: Medieval and Renaissance Literature, Art, and Music, ed. by A. M. Busse Berger and M. Rossi, Villa I Tatti Series, vol. 24, Florence : Leo S. Olschki, 2009.
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  21. Petersen, N. H. “Review of ‘Medieval Music and the Art of Memory’ by Anna Maria Busse Berger.” The Medieval Review, 6 June, 2020, https://scholarworks.iu.edu/journals/index.php/tmr/article/view/16108/22226 (accessed 19 July 2023).
  22. Power, L. “Treatise upone the Gamme.” Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musik­wissenschaftlicher Abhandlungen, Band 21, ed. by M. Bukofzer, Strassbourg : Heitz, 1936, pp. 132–136.
  23. Sanders, E. H. “Conductus and modal rhythm.” Jour­nal of the American Musicological Society, vol. 38, no. 3, 1985, pp. 439–469.
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  25. Tanay, D. “Review of ‘Medieval Music and the Art of Memory’ by Anna Maria Busse Berger.” Journal of the American Musicological Society, vol. 60, no. 3, 2007, pp. 653–660, https://doi.org/10.1525/jams.2007.60.3.653.
  26. “The Berkley Manuscript.” Trans and ed. by O. B. Ells­worth, Greek and Latin Music Theory, vol. 2, Lin­coln : University of Nebraska Press, 1984, pp. 30–246, https://chmtl.indiana.edu/tml/14th/BERMAN (accessed 19 July 2023).
  27. The Cambridge History of Fifteenth-Century Music, ed. by A. M. Busse Berger and J. Rodin, Cam­bridge : Cambridge University Press, 2015.