Polina Solov’eva

On Major-Second Variability as a Specific Feature of Harmony of Russian Music

This article is written in Russian. You can read it here.

References

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DOI 10.34690/MA767.8

Author Polina A. Solov’eva

Affiliation St. Tikhon’s Orthodox University, Moscow, Russia

Email ps-muz@rambler.ru

ORCID

0000-0002-1184-7675

Abstract

The article is devoted to major-second variability that is a specific feature of harmony of Russian music. The church singing sources of the uniqueness of Russian harmony are studied. Attention is paid to the difference of basic principles of thinking of Russian composers from that of Western European composers, as well as to the development of the technique of major-second interaction of bases in the conditions of major-minor tonality.

Keywords harmony of Russian music, modal variability, church-singing sources of national uniqueness

For citation

Solov’eva, P. A. “On Major-Second Variability as a Specific Feature of Harmony of Russian Music.” Muzykal’naya akademiya [Music Academy], no. 3, 2019, рр. 150–165, doi:10.34690/MA767.8. (In Russ.)