Research article

“After All, I Am Learning Ballet from Music.” Michel Fokine and Music

Research article

“After All, I Am Learning Ballet from Music.” Michel Fokine and Music

This article is written in Russian. You can read it here.

References

  1. Abdokov, Yu. B. Muzykal’naya poetika khoreo­grafii: Plasticheskaya interpretatsiya muzyki v khoreo­gra­ficheskom iskusstve. Vzglyad kompozitora [Musical Poetics of Choreography: Plastic Interpretation of Music in Choreographic Art. The Composer’s View], Moscow : MGAKh, RATI-GITIS, 2009. (In Russ.)
  2. Andreev, V. V. Materialy i dokumenty [Materials and Documents], ed. by B. B. Granovskiy, Moscow : Mu­zyka, 1986. (In Russ.)
  3. Bezuglaya, G. A. “About musicality of Russian choreography of first third 20th century and its dialogue with ‘pure,’ non-program music.” Vestnik Akademii Russkogo baleta im. A. Ya. Vaganovoy [Bulletin of Vaganova Ballet Academy], vol. 27, no. 1, 2012, pp. 149–169. (In Russ.)
  4. Boglacheva, I. A. “‘How glorious he became...’ Documents about the life and work of V. M. Fokin in the collection of the St. Petersburg Theater Library.” Zapiski Sankt-Peterburgskoy gosudarstvennoy Teatral’noy biblioteki [Notes of the St. Petersburg State Theater Library], no. 6/7, St. Petersburg, 2006, pp. 36–46. (In Russ.)
  5. Boglacheva, I. A. “Michel Fokine through the eyes of his son.” Stranitsy istorii baleta: novye issledovaniya i materialy [Pages of Ballet History: New Research and Materials], ed. by N. L. Dunaeva. St. Petersburg : Bal­tiyskie sezony, 2009, pp. 119–130. (In Russ).
  6. Borisoglebskiy, M. V. Materialy po istorii russkogo baleta: proshloe baletnogo otdeleniya Peterburgskogo teatral’nogo uchilishcha nyne Leningradskogo gosudarstvennogo khoreograficheskogo uchilishcha: V 2 t. T. 2: 1888–1918: istoricheskaya literature [Mate­rials on the History of Russian Ballet: The Past of the Ballet Department of the St. Petersburg Theater School, Now the Leningrad State Choreographic School: In 2 vols. Vol. 2: 1888–1918: Historical Literature], Le­ningrad : Leningradskoe gosudarstvennoe khoreo­graficheskoe uchilishche, 1939. (In Russ.)
  7. Dobrovol’skaya, G. N. “Golden link in the chain of succession.” M. M. Fokin. Protiv teche­niya [M. M. Fokine. Against the Tide], 2nd ed., Lenin­grad : Is­kus­stvo, 1981, pp. 5–25. (In Russ.)
  8. Dobrovol’skaya, G. N. Mikhail Fokin: Russkiy period [Michel Fokine: Russian Period], St. Petersburg : Gi­pe­rion, 2004. (In Russ.)
  9. Dobuzhinsky, M. V. Vospominaniya [Memoirs], ed. by G. I. Chugunov. Moscow : Nauka, 1987. Literary Monuments. (In Russ.)
  10. Karsavina, T. P. Teatral’naya ulitsa: Vospominaniya [Theatre Street: Memoirs], Leningrad : Iskusstvo, 1971. Theatre Memoirs. (In Russ.)
  11. Koptyaev, A. P. “‘Tannhäuser’ with Nikisch at the Marii­nsky Theater.” Artur Nikish i russkaya mu­zykal’­naya kul’tura: Vospominaniya, pis’ma, stat’i [Arthur Nikish and Russian musical culture: Memoirs, Letters, Articles], comp. by L. M. Kutateladze, Lenin­grad : Mu­zyka, 1975, pp. 172–173. (In Russ.)
  12. Kostina, T. I. “Michel Fokine—the formation of a cho­reo­grapher (the relationship between pro­fes­sional, creative and social and educational prin­ciples).” Vestnik Akademii Russkogo baleta im. A. Ya. Va­ga­novoy [Bulletin of Vaganova Ballet Aca­demy], vol. 8, no. 1, 2000, pp. 230–240. (In Russ.)
  13. Krasovskaya, V. M. Russkiy baletnyy teatr nachala 20 veka. Khoreografy [Russian Ballet Theater of the Early 20th Century. Choreographers], St. Peters­burg : Lan’, Planeta muzyki, 2009. World of Culture, His­tory and Philosophy. (In Russ.)
  14. Lopukhov, F. V. Puti baletmeystera [The Ways of the Choreographer], Berlin : Petropolis, 1925. (In Russ.)
  15. Lyubimov, D. V. “L. van Beethoven and F. V. Lo­pukhov: The Fourth Symphony (‘The Greatness of the Universe’) on the Ballet Stage.” Nauchnyy vestnik Moskovskoy konservatorii [Journal of Moscow Conservatory], vol. 12, no. 4, 2021, pp. 128–155, doi:10.26176/mosconsv.2021.47.4.07. (In Russ.)
  16. Mal’ko, N. A. Vospominaniya. Stat’i. Pis’ma [Memoirs. Articles. Letters], ed. by O. L. Dansker, preface by L. Raaben, I. Sherman, Leningrad : Muzyka, 1972. (In Russ.)
  17. Naborshchikova, S. V. Videt’ muzyku, slyshat’ tanets: Stravinskiy i Balanchin. K probleme muzykal’no-khoreograficheskogo sinteza [Seeing the Music, Hearing the Dance: Stravinsky and Balanchine. On the Problem of Musical and Choreographic Synthesis], Mos­cow : Moskovskaya gosudarstvennaya konser­va­toriya im. P. I. Chaykovskogo, 2009. (In Russ.)
  18. Sokolov-Kaminsky, A. A. “Ballet: from term to essence.” Vestnik Akademii Russkogo baleta im. A. Ya. Vaganovoy [Bulletin of Vaganova Ballet Academy], vol. 77, no. 6, 2021, pp. 87–101. (In Russ.)
  19. Surits, E. Ya. “Gorsky and Moscow Ballet.” Balet­meyster A. A. Gorsky: Materialy. Vospominaniya. Stat’i [Choreographer A. A. Gorsky: Materials. Memoirs. Articles], St. Petersburg : Dmitriy Bulanin, 2000, pp. 7–72. (In Russ.)
  20. Fokine, M. M. Protiv techeniya [Against the Tide], 2nd ed., Leningrad : Iskusstvo, 1981. (In Russ.)
  21. Fokine, M. M. Umirayushchiy lebed’ [The Dying Swan], ed. by G. Dobrovol’skaya, Leningrad : Muzgiz, 1961. (In Russ.).
  22. Horwitz, D. L. Michel Fokine, Boston, MA : Twayne Publishers, 1985.
  23. Monteux, D. G. It’s All in the Music: The Life and Work of Pierre Monteux, New York : Farrar, Straus and Giro, 1965.